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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9359C7 it is the complementary color #6CA638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9359C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9359C7 shade: #9859C2, #A96BD5, #BA7DE8, #CB8FFB and #DCA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9359C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9359C7 shade: #9359C7, #8247B4, #7135A1, #60238E and #4F117B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9359C7 shade: #9257C7, #B057C7, #C757BF, #C757A1 and #C75783

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9359C7 shade: #9257C7, #7457C7 and #5757C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9359C7 shade matches the following richer shades: #9257C7, #9345D9, #9432EB and #9520FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9359C7 shade: #9257C7, #9169B5, #907BA3, #8F8D90 and #8E9F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9359C7 shade: #5759C7, #7357C7, #9157C7, #AF57C7 and #C757C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9359C7 shade: #683398, #7E3DB7, #9257C7, #A676D1 and #BA95DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9359C7 shade: #9359C7, #C75776 and #57C764

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9359C7 shade: #9359C7, #C79157 and #57C791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9359C7 shade: #9359C7, #C75776, #8DC757 and #57C7A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9359C7 shade: #9359C7, #C75957, #8DC757 and #57C5C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

Complementary color

CMYK 35 / 0 / 66 / 35

HEX #6CA638

RGB 108 166 56

HSL 91.64, 0.5%, 0.44%

LAB 62.29, -37.45, 49.2

 

CMYK 22 / 54 / 0 / 24

HEX #9859C2

RGB 152 89 194

HSL 276, 0.46%, 0.55%

LAB 49.15, 44.83, -45.07

 

CMYK 21 / 50 / 0 / 16

HEX #A96BD5

RGB 169 107 213

HSL 275.09, 0.56%, 0.63%

LAB 55.84, 43.98, -45.19

 

CMYK 20 / 46 / 0 / 9

HEX #BA7DE8

RGB 186 125 232

HSL 274.21, 0.7%, 0.7%

LAB 62.45, 43.14, -45.28

 

CMYK 19 / 43 / 0 / 2

HEX #CB8FFB

RGB 203 143 251

HSL 273.33, 0.93%, 0.77%

LAB 68.97, 42.32, -45.35

 

CMYK 14 / 37 / 0 / 0

HEX #DCA1FF

RGB 220 161 255

HSL 277.66, 1%, 0.82%

LAB 74.78, 38.37, -38.33

 

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

CMYK 28 / 61 / 0 / 29

HEX #8247B4

RGB 130 71 180

HSL 272.48, 0.43%, 0.49%

LAB 42.07, 45.57, -48.37

 

CMYK 30 / 67 / 0 / 37

HEX #7135A1

RGB 113 53 161

HSL 273.33, 0.5%, 0.42%

LAB 35.26, 46.31, -48.12

 

CMYK 32 / 75 / 0 / 44

HEX #60238E

RGB 96 35 142

HSL 274.21, 0.6%, 0.35%

LAB 28.49, 46.67, -47.59

 

CMYK 36 / 86 / 0 / 52

HEX #4F117B

RGB 79 17 123

HSL 275.09, 0.76%, 0.27%

LAB 21.92, 46.14, -46.47

 

CMYK 27 / 56 / 0 / 22

HEX #9257C7

RGB 146 87 199

HSL 271.61, 0.5%, 0.56%

LAB 48.32, 45.52, -49.31

 

CMYK 12 / 56 / 0 / 22

HEX #B057C7

RGB 176 87 199

HSL 287.68, 0.5%, 0.56%

LAB 52.03, 53.23, -43.2

 

CMYK 0 / 56 / 4 / 22

HEX #C757BF

RGB 199 87 191

HSL 304.29, 0.5%, 0.56%

LAB 54.78, 57.88, -34.05

 

CMYK 0 / 56 / 19 / 22

HEX #C757A1

RGB 199 87 161

HSL 320.36, 0.5%, 0.56%

LAB 53.53, 53.13, -18.57

 

CMYK 0 / 56 / 34 / 22

HEX #C75783

RGB 199 87 131

HSL 336.43, 0.5%, 0.56%

LAB 52.51, 49.11, -2.38

 

CMYK 27 / 56 / 0 / 22

HEX #9257C7

RGB 146 87 199

HSL 271.61, 0.5%, 0.56%

LAB 48.32, 45.52, -49.31

 

CMYK 42 / 56 / 0 / 22

HEX #7457C7

RGB 116 87 199

HSL 255.54, 0.5%, 0.56%

LAB 45.16, 38.28, -54.57

 

CMYK 56 / 56 / 0 / 22

HEX #5757C7

RGB 87 87 199

HSL 240, 0.5%, 0.56%

LAB 42.71, 32.18, -58.64

 

CMYK 27 / 56 / 0 / 22

HEX #9257C7

RGB 146 87 199

HSL 271.61, 0.5%, 0.56%

LAB 48.32, 45.52, -49.31

 

CMYK 32 / 68 / 0 / 15

HEX #9345D9

RGB 147 69 217

HSL 271.62, 0.66%, 0.56%

LAB 46.27, 59, -62.94

 

CMYK 37 / 79 / 0 / 8

HEX #9432EB

RGB 148 50 235

HSL 271.78, 0.82%, 0.56%

LAB 45.05, 70.94, -75.15

 

CMYK 41 / 87 / 0 / 1

HEX #9520FD

RGB 149 32 253

HSL 271.76, 0.98%, 0.56%

LAB 44.96, 80.07, -85.41

 

CMYK 27 / 56 / 0 / 22

HEX #9257C7

RGB 146 87 199

HSL 271.61, 0.5%, 0.56%

LAB 48.32, 45.52, -49.31

 

CMYK 20 / 42 / 0 / 29

HEX #9169B5

RGB 145 105 181

HSL 271.58, 0.34%, 0.56%

LAB 51.22, 30.91, -34.34

 

CMYK 12 / 25 / 0 / 36

HEX #907BA3

RGB 144 123 163

HSL 271.5, 0.18%, 0.56%

LAB 54.8, 16.01, -18.38

 

CMYK 1 / 2 / 0 / 44

HEX #8F8D90

RGB 143 141 144

HSL 280, 0.01%, 0.56%

LAB 58.88, 1.32, -1.34

 

CMYK 11 / 0 / 21 / 38

HEX #8E9F7E

RGB 142 159 126

HSL 90.91, 0.15%, 0.56%

LAB 63.39, -12.21, 15.25

 

CMYK 56 / 55 / 0 / 22

HEX #5759C7

RGB 87 89 199

HSL 238.93, 0.5%, 0.56%

LAB 43.2, 30.94, -57.84

 

CMYK 42 / 56 / 0 / 22

HEX #7357C7

RGB 115 87 199

HSL 255, 0.5%, 0.56%

LAB 45.06, 38.06, -54.73

 

CMYK 27 / 56 / 0 / 22

HEX #9157C7

RGB 145 87 199

HSL 271.07, 0.5%, 0.56%

LAB 48.21, 45.27, -49.5

 

CMYK 12 / 56 / 0 / 22

HEX #AF57C7

RGB 175 87 199

HSL 287.14, 0.5%, 0.56%

LAB 51.9, 52.97, -43.41

 

CMYK 0 / 56 / 3 / 22

HEX #C757C1

RGB 199 87 193

HSL 303.21, 0.5%, 0.56%

LAB 54.87, 58.22, -35.06

 

CMYK 32 / 66 / 0 / 40

HEX #683398

RGB 104 51 152

HSL 271.49, 0.5%, 0.4%

LAB 33.09, 43.09, -46.24

 

CMYK 31 / 67 / 0 / 28

HEX #7E3DB7

RGB 126 61 183

HSL 271.97, 0.5%, 0.48%

LAB 39.9, 50.47, -53.65

 

CMYK 27 / 56 / 0 / 22

HEX #9257C7

RGB 146 87 199

HSL 271.61, 0.5%, 0.56%

LAB 48.32, 45.52, -49.31

 

CMYK 21 / 44 / 0 / 18

HEX #A676D1

RGB 166 118 209

HSL 271.65, 0.5%, 0.64%

LAB 57.72, 36.18, -39.99

 

CMYK 15 / 32 / 0 / 14

HEX #BA95DC

RGB 186 149 220

HSL 271.27, 0.5%, 0.72%

LAB 67.35, 27.26, -30.98

 

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

CMYK 0 / 56 / 41 / 22

HEX #C75776

RGB 199 87 118

HSL 343.39, 0.5%, 0.56%

LAB 52.14, 47.61, 4.82

 

CMYK 56 / 0 / 50 / 22

HEX #57C764

RGB 87 199 100

HSL 126.96, 0.5%, 0.56%

LAB 72.09, -52.42, 39.91

 

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

CMYK 0 / 27 / 56 / 22

HEX #C79157

RGB 199 145 87

HSL 31.07, 0.5%, 0.56%

LAB 64.23, 13.93, 38.5

 

CMYK 56 / 0 / 27 / 22

HEX #57C791

RGB 87 199 145

HSL 151.07, 0.5%, 0.56%

LAB 72.84, -44.52, 17.61

 

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

CMYK 0 / 56 / 41 / 22

HEX #C75776

RGB 199 87 118

HSL 343.39, 0.5%, 0.56%

LAB 52.14, 47.61, 4.82

 

CMYK 29 / 0 / 56 / 22

HEX #8DC757

RGB 141 199 87

HSL 91.07, 0.5%, 0.56%

LAB 74.32, -37.42, 49.35

 

CMYK 56 / 0 / 16 / 22

HEX #57C7A7

RGB 87 199 167

HSL 162.86, 0.5%, 0.56%

LAB 73.33, -39.64, 6.46

 

CMYK 26 / 55 / 0 / 22

HEX #9359C7

RGB 147 89 199

HSL 271.64, 0.5%, 0.56%

LAB 48.85, 44.7, -48.47

 

CMYK 0 / 55 / 56 / 22

HEX #C75957

RGB 199 89 87

HSL 1.07, 0.5%, 0.56%

LAB 51.81, 43.73, 22.78

 

CMYK 29 / 0 / 56 / 22

HEX #8DC757

RGB 141 199 87

HSL 91.07, 0.5%, 0.56%

LAB 74.32, -37.42, 49.35

 

CMYK 56 / 1 / 0 / 22

HEX #57C5C7

RGB 87 197 199

HSL 181.07, 0.5%, 0.56%

LAB 73.6, -30.55, -10.51

 

Description

Color code: HEX #9359C7 | qconv.com Color code: HEX #9359C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 89 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 89 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 55 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 55% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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