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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 56 / 0 / 16 / 22 it is the complementary color CMYK 0 / 66 / 47 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 56 / 0 / 16 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 56 / 0 / 16 / 22: CMYK 53 / 0 / 19 / 22, CMYK 49 / 0 / 17 / 15, CMYK 46 / 0 / 15 / 8, CMYK 43 / 0 / 13 / 1 and CMYK 37 / 0 / 7 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 56 / 0 / 16 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 56 / 0 / 16 / 22: CMYK 56 / 0 / 16 / 22, CMYK 61 / 0 / 18 / 29, CMYK 67 / 0 / 21 / 36, CMYK 74 / 0 / 24 / 43 and CMYK 84 / 0 / 28 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

Complementary color

CMYK 0 / 66 / 47 / 35

HEX #A73858

RGB 167 56 88

HSL 342.7, 0.5%, 0.44%

LAB 40.81, 48.04, 6.26

 

CMYK 53 / 0 / 19 / 22

HEX #5DC7A2

RGB 93 199 162

HSL 159.06, 0.49%, 0.57%

LAB 73.4, -39.5, 9.3

 

CMYK 49 / 0 / 17 / 15

HEX #6ED9B5

RGB 110 217 181

HSL 159.81, 0.58%, 0.64%

LAB 79.77, -39.42, 8.3

 

CMYK 46 / 0 / 15 / 8

HEX #7FEBC8

RGB 127 235 200

HSL 160.56, 0.73%, 0.71%

LAB 86.06, -39.29, 7.37

 

CMYK 43 / 0 / 13 / 1

HEX #90FDDB

RGB 144 253 219

HSL 161.28, 0.96%, 0.78%

LAB 92.26, -39.13, 6.51

 

CMYK 37 / 0 / 7 / 0

HEX #A1FFEE

RGB 161 255 238

HSL 169.15, 1%, 0.82%

LAB 94, -31.62, -0.7

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 61 / 0 / 18 / 29

HEX #47B594

RGB 71 181 148

HSL 162, 0.44%, 0.49%

LAB 66.92, -39.34, 7.57

 

CMYK 67 / 0 / 21 / 36

HEX #36A381

RGB 54 163 129

HSL 161.28, 0.5%, 0.43%

LAB 60.39, -39.1, 8.75

 

CMYK 74 / 0 / 24 / 43

HEX #25916E

RGB 37 145 110

HSL 160.56, 0.59%, 0.36%

LAB 53.78, -38.61, 10.08

 

CMYK 84 / 0 / 28 / 50

HEX #147F5B

RGB 20 127 91

HSL 159.81, 0.73%, 0.29%

LAB 47.08, -37.72, 11.59

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B7

RGB 86 198 183

HSL 171.96, 0.5%, 0.56%

LAB 73.41, -35.45, -2.1

 

CMYK 57 / 2 / 0 / 22

HEX #56C3C6

RGB 86 195 198

HSL 181.61, 0.5%, 0.56%

LAB 72.95, -30.05, -10.94

 

CMYK 57 / 11 / 0 / 22

HEX #56B0C6

RGB 86 176 198

HSL 191.79, 0.5%, 0.56%

LAB 67.36, -20.55, -19.36

 

CMYK 57 / 21 / 0 / 22

HEX #569DC6

RGB 86 157 198

HSL 201.96, 0.5%, 0.56%

LAB 61.8, -10.41, -27.87

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 56 / 0 / 16 / 2

HEX #6FFAD2

RGB 111 250 210

HSL 162.73, 0.93%, 0.71%

LAB 90.05, -47.18, 7.83

 

CMYK 57 / 0 / 15 / 82

HEX #142E27

RGB 20 46 39

HSL 163.85, 0.39%, 0.13%

LAB 16.74, -12.15, 1.43

 

CMYK 56 / 0 / 16 / 62

HEX #2B6151

RGB 43 97 81

HSL 162.22, 0.39%, 0.27%

LAB 37.22, -22.27, 3.7

 

CMYK 56 / 0 / 16 / 42

HEX #41947C

RGB 65 148 124

HSL 162.65, 0.39%, 0.42%

LAB 55.85, -31.28, 5.12

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 57 / 51 / 0 / 22

HEX #5661C6

RGB 86 97 198

HSL 234.11, 0.5%, 0.56%

LAB 45.09, 25.43, -54.23

 

CMYK 0 / 39 / 57 / 22

HEX #C67856

RGB 198 120 86

HSL 18.21, 0.5%, 0.56%

LAB 58.14, 27.11, 31.48

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 0 / 17 / 57 / 22

HEX #C6A556

RGB 198 165 86

HSL 42.32, 0.5%, 0.56%

LAB 69.18, 2.57, 44.91

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 57 / 51 / 0 / 22

HEX #5661C6

RGB 86 97 198

HSL 234.11, 0.5%, 0.56%

LAB 45.09, 25.43, -54.23

 

CMYK 0 / 57 / 39 / 22

HEX #C65678

RGB 198 86 120

HSL 341.79, 0.5%, 0.56%

LAB 51.86, 47.97, 3.21

 

CMYK 0 / 6 / 57 / 22

HEX #C6BB56

RGB 198 187 86

HSL 54.11, 0.5%, 0.56%

LAB 74.96, -9.02, 51.6

 

CMYK 56 / 0 / 16 / 22

HEX #58C7A7

RGB 88 199 167

HSL 162.7, 0.5%, 0.56%

LAB 73.36, -39.43, 6.51

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 0 / 57 / 39 / 22

HEX #C65678

RGB 198 86 120

HSL 341.79, 0.5%, 0.56%

LAB 51.86, 47.97, 3.21

 

CMYK 11 / 0 / 57 / 22

HEX #B0C656

RGB 176 198 86

HSL 71.79, 0.5%, 0.56%

LAB 76.25, -23.62, 52.6

 

Description

Color code: CMYK 56 / 0 / 16 / 22 | qconv.com Color code: CMYK 56 / 0 / 16 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 199 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 199 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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