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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9339C4 it is the complementary color #6CC63B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9339C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9339C4 shade: #9839BF, #A94BD2, #BA5DE5, #CB6FF8 and #DC81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9339C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9339C4 shade: #9339C4, #8227B1, #71159E, #60038B and #4F0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9339C4 shade: #9439C6, #BA39C6, #C639AB, #C63986 and #C63960

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9339C4 shade: #9439C6, #6E39C6, #4939C6 and #3939C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9339C4 shade matches the following richer shades: #9439C6, #9A25DA and #A010EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9339C4 shade: #9439C6, #8E4EB1, #88639C, #827788 and #7C8C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9339C4 shade: #4739C6, #6D39C6, #9239C6, #B839C6 and #C639AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9339C4 shade: #642786, #7C30A6, #9439C6, #A559CF and #B779D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9339C4 shade: #9339C4, #C63951 and #39C65A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9339C4 shade: #9339C4, #C69239 and #39C692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9339C4 shade: #9339C4, #C63951, #6DC639 and #39C6AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9339C4 shade: #9339C4, #C64C39, #6DC639 and #39B3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

Complementary color

CMYK 45 / 0 / 70 / 22

HEX #6CC63B

RGB 108 198 59

HSL 98.85, 0.55%, 0.5%

LAB 72.16, -50.62, 58.35

 

CMYK 20 / 70 / 0 / 25

HEX #9839BF

RGB 152 57 191

HSL 282.54, 0.54%, 0.49%

LAB 43.31, 59.59, -52.68

 

CMYK 20 / 64 / 0 / 18

HEX #A94BD2

RGB 169 75 210

HSL 281.78, 0.6%, 0.56%

LAB 49.64, 59.42, -53.36

 

CMYK 19 / 59 / 0 / 10

HEX #BA5DE5

RGB 186 93 229

HSL 281.03, 0.72%, 0.63%

LAB 56.01, 58.93, -53.82

 

CMYK 18 / 55 / 0 / 3

HEX #CB6FF8

RGB 203 111 248

HSL 280.29, 0.91%, 0.7%

LAB 62.37, 58.28, -54.13

 

CMYK 14 / 49 / 0 / 0

HEX #DC81FF

RGB 220 129 255

HSL 283.33, 1%, 0.75%

LAB 68.12, 55.11, -48.75

 

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

CMYK 27 / 78 / 0 / 31

HEX #8227B1

RGB 130 39 177

HSL 279.57, 0.64%, 0.42%

LAB 36.69, 59.31, -55.28

 

CMYK 28 / 87 / 0 / 38

HEX #71159E

RGB 113 21 158

HSL 280.29, 0.77%, 0.35%

LAB 30.68, 58.06, -53.74

 

CMYK 31 / 98 / 0 / 45

HEX #60038B

RGB 96 3 139

HSL 281.03, 0.96%, 0.28%

LAB 25, 55.45, -51.41

 

CMYK 34 / 100 / 0 / 53

HEX #4F0078

RGB 79 0 120

HSL 279.5, 1%, 0.24%

LAB 20.12, 49.99, -47.5

 

CMYK 25 / 71 / 0 / 22

HEX #9439C6

RGB 148 57 198

HSL 278.72, 0.55%, 0.5%

LAB 43.21, 60.23, -56.94

 

CMYK 6 / 71 / 0 / 22

HEX #BA39C6

RGB 186 57 198

HSL 294.89, 0.55%, 0.5%

LAB 48.81, 68.13, -47.64

 

CMYK 0 / 71 / 14 / 22

HEX #C639AB

RGB 198 57 171

HSL 311.49, 0.55%, 0.5%

LAB 49.34, 66.56, -30.92

 

CMYK 0 / 71 / 32 / 22

HEX #C63986

RGB 198 57 134

HSL 327.23, 0.55%, 0.5%

LAB 47.82, 61.73, -11.18

 

CMYK 0 / 71 / 52 / 22

HEX #C63960

RGB 198 57 96

HSL 343.4, 0.55%, 0.5%

LAB 46.68, 57.96, 10.36

 

CMYK 25 / 71 / 0 / 22

HEX #9439C6

RGB 148 57 198

HSL 278.72, 0.55%, 0.5%

LAB 43.21, 60.23, -56.94

 

CMYK 44 / 71 / 0 / 22

HEX #6E39C6

RGB 110 57 198

HSL 262.55, 0.55%, 0.5%

LAB 38.41, 53.07, -64.96

 

CMYK 63 / 71 / 0 / 22

HEX #4939C6

RGB 73 57 198

HSL 246.81, 0.55%, 0.5%

LAB 34.84, 47.42, -70.94

 

CMYK 71 / 71 / 0 / 22

HEX #3939C6

RGB 57 57 198

HSL 240, 0.55%, 0.5%

LAB 33.72, 45.56, -72.83

 

CMYK 25 / 71 / 0 / 22

HEX #9439C6

RGB 148 57 198

HSL 278.72, 0.55%, 0.5%

LAB 43.21, 60.23, -56.94

 

CMYK 29 / 83 / 0 / 15

HEX #9A25DA

RGB 154 37 218

HSL 278.78, 0.71%, 0.5%

LAB 43.15, 72.29, -68.55

 

CMYK 33 / 93 / 0 / 6

HEX #A010EF

RGB 160 16 239

HSL 278.74, 0.87%, 0.5%

LAB 44.34, 81.33, -78.5

 

CMYK 25 / 71 / 0 / 22

HEX #9439C6

RGB 148 57 198

HSL 278.72, 0.55%, 0.5%

LAB 43.21, 60.23, -56.94

 

CMYK 20 / 56 / 0 / 31

HEX #8E4EB1

RGB 142 78 177

HSL 278.79, 0.39%, 0.5%

LAB 44.76, 44.22, -42.22

 

CMYK 13 / 37 / 0 / 39

HEX #88639C

RGB 136 99 156

HSL 278.95, 0.22%, 0.5%

LAB 47.7, 25.85, -25.28

 

CMYK 4 / 13 / 0 / 47

HEX #827788

RGB 130 119 136

HSL 278.82, 0.07%, 0.5%

LAB 51.52, 7.6, -7.72

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 64 / 71 / 0 / 22

HEX #4739C6

RGB 71 57 198

HSL 245.96, 0.55%, 0.5%

LAB 34.69, 47.17, -71.2

 

CMYK 45 / 71 / 0 / 22

HEX #6D39C6

RGB 109 57 198

HSL 262.13, 0.55%, 0.5%

LAB 38.3, 52.9, -65.14

 

CMYK 26 / 71 / 0 / 22

HEX #9239C6

RGB 146 57 198

HSL 277.87, 0.55%, 0.5%

LAB 42.94, 59.83, -57.4

 

CMYK 7 / 71 / 0 / 22

HEX #B839C6

RGB 184 57 198

HSL 294.04, 0.55%, 0.5%

LAB 48.5, 67.7, -48.15

 

CMYK 0 / 71 / 12 / 22

HEX #C639AE

RGB 198 57 174

HSL 310.21, 0.55%, 0.5%

LAB 49.48, 67, -32.47

 

CMYK 25 / 71 / 0 / 47

HEX #642786

RGB 100 39 134

HSL 278.53, 0.55%, 0.34%

LAB 29.11, 43.81, -41.59

 

CMYK 25 / 71 / 0 / 35

HEX #7C30A6

RGB 124 48 166

HSL 278.64, 0.55%, 0.42%

LAB 36.28, 52.19, -49.42

 

CMYK 25 / 71 / 0 / 22

HEX #9439C6

RGB 148 57 198

HSL 278.72, 0.55%, 0.5%

LAB 43.21, 60.23, -56.94

 

CMYK 20 / 57 / 0 / 19

HEX #A559CF

RGB 165 89 207

HSL 278.64, 0.55%, 0.58%

LAB 51.44, 51.08, -48.8

 

CMYK 15 / 44 / 0 / 15

HEX #B779D8

RGB 183 121 216

HSL 279.16, 0.55%, 0.66%

LAB 60.52, 40.97, -39.42

 

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

CMYK 0 / 71 / 59 / 22

HEX #C63951

RGB 198 57 81

HSL 349.79, 0.55%, 0.5%

LAB 46.35, 56.82, 19.11

 

CMYK 71 / 0 / 55 / 22

HEX #39C65A

RGB 57 198 90

HSL 134.04, 0.55%, 0.5%

LAB 70.87, -59.61, 43.08

 

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

CMYK 0 / 26 / 71 / 22

HEX #C69239

RGB 198 146 57

HSL 37.87, 0.55%, 0.5%

LAB 64.05, 10.97, 52.85

 

CMYK 71 / 0 / 26 / 22

HEX #39C692

RGB 57 198 146

HSL 157.87, 0.55%, 0.5%

LAB 71.78, -49.4, 15.48

 

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

CMYK 0 / 71 / 59 / 22

HEX #C63951

RGB 198 57 81

HSL 349.79, 0.55%, 0.5%

LAB 46.35, 56.82, 19.11

 

CMYK 45 / 0 / 71 / 22

HEX #6DC639

RGB 109 198 57

HSL 97.87, 0.55%, 0.5%

LAB 72.18, -50.46, 59.13

 

CMYK 71 / 0 / 12 / 22

HEX #39C6AE

RGB 57 198 174

HSL 169.79, 0.55%, 0.5%

LAB 72.44, -42.59, 1.28

 

CMYK 25 / 71 / 0 / 23

HEX #9339C4

RGB 147 57 196

HSL 278.85, 0.55%, 0.5%

LAB 42.94, 59.61, -56.23

 

CMYK 0 / 62 / 71 / 22

HEX #C64C39

RGB 198 76 57

HSL 8.09, 0.55%, 0.5%

LAB 48.85, 47.59, 36.38

 

CMYK 45 / 0 / 71 / 22

HEX #6DC639

RGB 109 198 57

HSL 97.87, 0.55%, 0.5%

LAB 72.18, -50.46, 59.13

 

CMYK 71 / 10 / 0 / 22

HEX #39B3C6

RGB 57 179 198

HSL 188.09, 0.55%, 0.5%

LAB 67.42, -26.86, -19.35

 

Description

Color code: HEX #9339C4 | qconv.com Color code: HEX #9339C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 57 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 57 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 71 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 71% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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