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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C8C73 it is the complementary color #83738C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C8C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7C8C73: #818C6E, #929E81, #A3B094, #B4C2A7 and #C5D4BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C8C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7C8C73: #7C8C73, #6B7A60, #5A684D, #49563A and #384427

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

Complementary color

CMYK 6 / 18 / 0 / 45

HEX #83738C

RGB 131 115 140

HSL 278.4, 0.1%, 0.5%

LAB 50.66, 11.16, -11.34

 

CMYK 8 / 0 / 21 / 45

HEX #818C6E

RGB 129 140 110

HSL 82, 0.12%, 0.49%

LAB 56.63, -9.63, 14.72

 

CMYK 8 / 0 / 18 / 38

HEX #929E81

RGB 146 158 129

HSL 84.83, 0.13%, 0.56%

LAB 63.47, -9.66, 13.74

 

CMYK 7 / 0 / 16 / 31

HEX #A3B094

RGB 163 176 148

HSL 87.86, 0.15%, 0.64%

LAB 70.16, -9.69, 12.82

 

CMYK 7 / 0 / 14 / 24

HEX #B4C2A7

RGB 180 194 167

HSL 91.11, 0.18%, 0.71%

LAB 76.73, -9.72, 11.96

 

CMYK 7 / 0 / 12 / 17

HEX #C5D4BA

RGB 197 212 186

HSL 94.62, 0.23%, 0.78%

LAB 83.18, -9.75, 11.14

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 12 / 0 / 21 / 52

HEX #6B7A60

RGB 107 122 96

HSL 94.62, 0.12%, 0.43%

LAB 49.36, -10.73, 12.42

 

CMYK 13 / 0 / 26 / 59

HEX #5A684D

RGB 90 104 77

HSL 91.11, 0.15%, 0.35%

LAB 42.17, -10.77, 13.49

 

CMYK 15 / 0 / 33 / 66

HEX #49563A

RGB 73 86 58

HSL 87.86, 0.19%, 0.28%

LAB 34.76, -10.81, 14.67

 

CMYK 18 / 0 / 43 / 73

HEX #384427

RGB 56 68 39

HSL 84.83, 0.27%, 0.21%

LAB 27.08, -10.84, 16

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 15 / 0 / 19 / 45

HEX #778C72

RGB 119 140 114

HSL 108.46, 0.1%, 0.5%

LAB 55.98, -12.75, 11.42

 

CMYK 18 / 0 / 19 / 45

HEX #738C72

RGB 115 140 114

HSL 117.69, 0.1%, 0.5%

LAB 55.7, -14.23, 10.98

 

CMYK 19 / 0 / 16 / 45

HEX #728C76

RGB 114 140 118

HSL 129.23, 0.1%, 0.5%

LAB 55.73, -13.83, 8.72

 

CMYK 19 / 0 / 13 / 45

HEX #728C7A

RGB 114 140 122

HSL 138.46, 0.1%, 0.5%

LAB 55.83, -13.04, 6.57

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 12 / 0 / 18 / 25

HEX #A9BF9D

RGB 169 191 157

HSL 98.82, 0.21%, 0.68%

LAB 74.91, -13.81, 14.67

 

CMYK 12 / 0 / 18 / 5

HEX #D6F2C7

RGB 214 242 199

HSL 99.07, 0.62%, 0.86%

LAB 92.54, -16.76, 17.74

 

CMYK 11 / 0 / 18 / 85

HEX #22261F

RGB 34 38 31

HSL 94.29, 0.1%, 0.14%

LAB 14.54, -3.5, 4.04

 

CMYK 11 / 0 / 18 / 65

HEX #4F5949

RGB 79 89 73

HSL 97.5, 0.1%, 0.32%

LAB 36.53, -7.32, 7.96

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 19 / 0 / 3 / 45

HEX #728C88

RGB 114 140 136

HSL 170.77, 0.1%, 0.5%

LAB 56.2, -10.08, -0.94

 

CMYK 0 / 19 / 4 / 45

HEX #8C7286

RGB 140 114 134

HSL 313.85, 0.1%, 0.5%

LAB 51.07, 13.81, -7.11

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 19 / 11 / 0 / 45

HEX #727C8C

RGB 114 124 140

HSL 216.92, 0.1%, 0.5%

LAB 51.71, -0.11, -9.92

 

CMYK 0 / 19 / 11 / 45

HEX #8C727C

RGB 140 114 124

HSL 336.92, 0.1%, 0.5%

LAB 50.76, 11.94, -1.66

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 19 / 0 / 3 / 45

HEX #728C88

RGB 114 140 136

HSL 170.77, 0.1%, 0.5%

LAB 56.2, -10.08, -0.94

 

CMYK 7 / 19 / 0 / 45

HEX #82728C

RGB 130 114 140

HSL 276.92, 0.1%, 0.5%

LAB 50.3, 11.39, -11.9

 

CMYK 0 / 19 / 15 / 45

HEX #8C7277

RGB 140 114 119

HSL 348.46, 0.1%, 0.5%

LAB 50.62, 11.05, 1.08

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 19 / 3 / 0 / 45

HEX #72888C

RGB 114 136 140

HSL 189.23, 0.1%, 0.5%

LAB 55.15, -6.96, -4.79

 

CMYK 7 / 19 / 0 / 45

HEX #82728C

RGB 130 114 140

HSL 276.92, 0.1%, 0.5%

LAB 50.3, 11.39, -11.9

 

CMYK 0 / 16 / 19 / 45

HEX #8C7672

RGB 140 118 114

HSL 9.23, 0.1%, 0.5%

LAB 51.55, 7.86, 5.38

 

Description

Color code: HEX #7C8C73 | qconv.com Color code: HEX #7C8C73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 140 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 140 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 18 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 18% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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