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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93102C it is the complementary color #6CEFD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93102C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93102C shade: #981027, #A9223A, #BA344D, #CB4660 and #DC5873

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93102C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93102C shade: #93102C, #820019, #710006, #600000 and #4F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93102C shade: #93102C and #931010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93102C shade: #93102C, #93104F, #931073, #901093 and #6D1093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93102C shade matches the following richer shades: #93102C and #A00325

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93102C shade: #93102C, #861E34, #782B3B, #6B3843 and #5E454A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93102C shade: #931072, #93104F, #93102D, #931710 and #933A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93102C shade: #490816, #6E0C21, #93102C, #B81437 and #DD1943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93102C shade: #93102C, #939110 and #106193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93102C shade: #93102C, #2D9310 and #102D93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93102C shade: #93102C, #939110, #109377 and #101293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93102C shade: #93102C, #6E9310, #109377 and #351093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

Complementary color

CMYK 55 / 0 / 12 / 6

HEX #6CEFD3

RGB 108 239 211

HSL 167.18, 0.8%, 0.68%

LAB 86.81, -42.76, 2.62

 

CMYK 0 / 89 / 74 / 40

HEX #981027

RGB 152 16 39

HSL 349.85, 0.81%, 0.33%

LAB 32.24, 52.94, 25.61

 

CMYK 0 / 80 / 66 / 34

HEX #A9223A

RGB 169 34 58

HSL 349.33, 0.67%, 0.4%

LAB 37.63, 54.33, 20.96

 

CMYK 0 / 72 / 59 / 27

HEX #BA344D

RGB 186 52 77

HSL 348.81, 0.56%, 0.47%

LAB 43.41, 54.69, 17.25

 

CMYK 0 / 66 / 53 / 20

HEX #CB4660

RGB 203 70 96

HSL 348.27, 0.56%, 0.54%

LAB 49.4, 54.44, 14.28

 

CMYK 0 / 60 / 48 / 14

HEX #DC5873

RGB 220 88 115

HSL 347.73, 0.65%, 0.6%

LAB 55.52, 53.84, 11.86

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 100 / 81 / 49

HEX #820019

RGB 130 0 25

HSL 348.46, 1%, 0.25%

LAB 26.2, 49.16, 26.42

 

CMYK 0 / 100 / 95 / 56

HEX #710006

RGB 113 0 6

HSL 356.81, 1%, 0.22%

LAB 22.03, 44.08, 30.95

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 89 / 89 / 42

HEX #931010

RGB 147 16 16

HSL 0, 0.8%, 0.32%

LAB 30.9, 50.81, 37.41

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 89 / 46 / 42

HEX #93104F

RGB 147 16 79

HSL 331.15, 0.8%, 0.32%

LAB 32.12, 54.3, -1

 

CMYK 0 / 89 / 22 / 42

HEX #931073

RGB 147 16 115

HSL 314.66, 0.8%, 0.32%

LAB 33.59, 58.33, -22.03

 

CMYK 2 / 89 / 0 / 42

HEX #901093

RGB 144 16 147

HSL 298.63, 0.8%, 0.32%

LAB 34.82, 62.42, -40.07

 

CMYK 26 / 89 / 0 / 42

HEX #6D1093

RGB 109 16 147

HSL 282.6, 0.8%, 0.32%

LAB 28.72, 56.39, -50.22

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 98 / 77 / 37

HEX #A00325

RGB 160 3 37

HSL 347.01, 0.96%, 0.32%

LAB 33.29, 56.92, 28.54

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 78 / 61 / 47

HEX #861E34

RGB 134 30 52

HSL 347.31, 0.63%, 0.32%

LAB 30.02, 44.67, 13.54

 

CMYK 0 / 64 / 51 / 53

HEX #782B3B

RGB 120 43 59

HSL 347.53, 0.47%, 0.32%

LAB 29.5, 35.08, 7.77

 

CMYK 0 / 48 / 37 / 58

HEX #6B3843

RGB 107 56 67

HSL 347.06, 0.31%, 0.32%

LAB 30.3, 23.94, 3.34

 

CMYK 0 / 27 / 21 / 63

HEX #5E454A

RGB 94 69 74

HSL 348, 0.15%, 0.32%

LAB 32.1, 11.61, 1.19

 

CMYK 0 / 89 / 22 / 42

HEX #931072

RGB 147 16 114

HSL 315.11, 0.8%, 0.32%

LAB 33.54, 58.2, -21.47

 

CMYK 0 / 89 / 46 / 42

HEX #93104F

RGB 147 16 79

HSL 331.15, 0.8%, 0.32%

LAB 32.12, 54.3, -1

 

CMYK 0 / 89 / 69 / 42

HEX #93102D

RGB 147 16 45

HSL 346.72, 0.8%, 0.32%

LAB 31.26, 51.85, 20.29

 

CMYK 0 / 84 / 89 / 42

HEX #931710

RGB 147 23 16

HSL 3.21, 0.8%, 0.32%

LAB 31.47, 49.2, 37.87

 

CMYK 0 / 61 / 89 / 42

HEX #933A10

RGB 147 58 16

HSL 19.24, 0.8%, 0.32%

LAB 36.49, 35.51, 41.93

 

CMYK 0 / 89 / 70 / 71

HEX #490816

RGB 73 8 22

HSL 347.08, 0.8%, 0.16%

LAB 13.52, 30.41, 10.15

 

CMYK 0 / 89 / 70 / 57

HEX #6E0C21

RGB 110 12 33

HSL 347.14, 0.8%, 0.24%

LAB 22.61, 41.51, 15.71

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 89 / 70 / 28

HEX #B81437

RGB 184 20 55

HSL 347.2, 0.8%, 0.4%

LAB 39.52, 61.53, 25.87

 

CMYK 0 / 89 / 70 / 13

HEX #DD1943

RGB 221 25 67

HSL 347.14, 0.8%, 0.48%

LAB 47.59, 70.75, 30.11

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 1 / 89 / 42

HEX #939110

RGB 147 145 16

HSL 59.08, 0.8%, 0.32%

LAB 58.5, -12.96, 59.66

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 69 / 0 / 89 / 42

HEX #2D9310

RGB 45 147 16

HSL 106.72, 0.8%, 0.32%

LAB 53.45, -51.28, 53.14

 

CMYK 89 / 69 / 0 / 42

HEX #102D93

RGB 16 45 147

HSL 226.72, 0.8%, 0.32%

LAB 23.98, 31.29, -58.34

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 0 / 1 / 89 / 42

HEX #939110

RGB 147 145 16

HSL 59.08, 0.8%, 0.32%

LAB 58.5, -12.96, 59.66

 

CMYK 89 / 0 / 19 / 42

HEX #109377

RGB 16 147 119

HSL 167.18, 0.8%, 0.32%

LAB 54.35, -39.33, 5.71

 

CMYK 89 / 88 / 0 / 42

HEX #101293

RGB 16 18 147

HSL 239.08, 0.8%, 0.32%

LAB 18.58, 46.61, -67.28

 

CMYK 0 / 89 / 70 / 42

HEX #93102C

RGB 147 16 44

HSL 347.18, 0.8%, 0.32%

LAB 31.24, 51.8, 20.92

 

CMYK 25 / 0 / 89 / 42

HEX #6E9310

RGB 110 147 16

HSL 76.95, 0.8%, 0.32%

LAB 56.31, -30.19, 56.71

 

CMYK 89 / 0 / 19 / 42

HEX #109377

RGB 16 147 119

HSL 167.18, 0.8%, 0.32%

LAB 54.35, -39.33, 5.71

 

CMYK 64 / 89 / 0 / 42

HEX #351093

RGB 53 16 147

HSL 256.95, 0.8%, 0.32%

LAB 20.96, 49.48, -63.26

 

Description

Color code: HEX #93102C | qconv.com Color code: HEX #93102C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 16 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 16 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 70% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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