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Color name
HEX #106193

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #106193 it is the complementary color #EF9E6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #106193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #106193 shade: #15618E, #2673A1, #3785B4, #4897C7 and #59A9DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #106193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #106193 shade: #106193, #004F80, #003D6D, #002B5A and #001947

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #106193 shade: #106193, #103E93, #101B93, #291093 and #4C1093

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #106193 shade: #106193, #103E93, #101B93 and #101093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #106193 shade matches the following richer shades: #106193 and #0364A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #106193 shade: #106193, #1E5E86, #2B5B78, #38586B and #45555E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #106193 shade: #10937D, #108693, #106393, #104093 and #101D93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #106193 shade: #083049, #0C496E, #106193, #147AB8 and #1992DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #106193 shade: #106193, #5A1093 and #938F10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #106193 shade: #106193, #931063 and #639310

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #106193 shade: #106193, #5A1093, #934010 and #499310

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #106193 shade: #106193, #811093, #934010 and #229310

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

Complementary color

CMYK 0 / 34 / 55 / 6

HEX #EF9E6C

RGB 239 158 108

HSL 22.9, 0.8%, 0.68%

LAB 72.15, 25.08, 38.31

 

CMYK 85 / 32 / 0 / 44

HEX #15618E

RGB 21 97 142

HSL 202.31, 0.74%, 0.32%

LAB 39, -5.32, -31.05

 

CMYK 76 / 29 / 0 / 37

HEX #2673A1

RGB 38 115 161

HSL 202.44, 0.62%, 0.39%

LAB 45.97, -7.12, -31.4

 

CMYK 69 / 26 / 0 / 29

HEX #3785B4

RGB 55 133 180

HSL 202.56, 0.53%, 0.46%

LAB 52.82, -8.44, -31.69

 

CMYK 64 / 24 / 0 / 22

HEX #4897C7

RGB 72 151 199

HSL 202.68, 0.53%, 0.53%

LAB 59.56, -9.44, -31.95

 

CMYK 59 / 22 / 0 / 15

HEX #59A9DA

RGB 89 169 218

HSL 202.79, 0.64%, 0.6%

LAB 66.18, -10.2, -32.19

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 100 / 38 / 0 / 50

HEX #004F80

RGB 0 79 128

HSL 202.97, 1%, 0.25%

LAB 32.15, -1.06, -33.36

 

CMYK 100 / 44 / 0 / 57

HEX #003D6D

RGB 0 61 109

HSL 206.42, 1%, 0.21%

LAB 25.08, 2.85, -32.68

 

CMYK 100 / 52 / 0 / 65

HEX #002B5A

RGB 0 43 90

HSL 211.33, 1%, 0.18%

LAB 17.76, 7.2, -32.04

 

CMYK 100 / 65 / 0 / 72

HEX #001947

RGB 0 25 71

HSL 218.87, 1%, 0.14%

LAB 10.18, 12.13, -31.4

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 89 / 58 / 0 / 42

HEX #103E93

RGB 16 62 147

HSL 218.93, 0.8%, 0.32%

LAB 28.54, 19.59, -50.86

 

CMYK 89 / 82 / 0 / 42

HEX #101B93

RGB 16 27 147

HSL 234.96, 0.8%, 0.32%

LAB 20.05, 42.29, -64.84

 

CMYK 72 / 89 / 0 / 42

HEX #291093

RGB 41 16 147

HSL 251.45, 0.8%, 0.32%

LAB 19.84, 48.59, -65.15

 

CMYK 48 / 89 / 0 / 42

HEX #4C1093

RGB 76 16 147

HSL 267.48, 0.8%, 0.32%

LAB 23.72, 51.81, -58.61

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 89 / 58 / 0 / 42

HEX #103E93

RGB 16 62 147

HSL 218.93, 0.8%, 0.32%

LAB 28.54, 19.59, -50.86

 

CMYK 89 / 82 / 0 / 42

HEX #101B93

RGB 16 27 147

HSL 234.96, 0.8%, 0.32%

LAB 20.05, 42.29, -64.84

 

CMYK 89 / 89 / 0 / 42

HEX #101093

RGB 16 16 147

HSL 240, 0.8%, 0.32%

LAB 18.31, 47.43, -67.73

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 98 / 38 / 0 / 37

HEX #0364A0

RGB 3 100 160

HSL 202.93, 0.96%, 0.32%

LAB 40.69, -1.13, -39.18

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 78 / 30 / 0 / 47

HEX #1E5E86

RGB 30 94 134

HSL 203.08, 0.63%, 0.32%

LAB 37.85, -5.55, -28

 

CMYK 64 / 24 / 0 / 53

HEX #2B5B78

RGB 43 91 120

HSL 202.6, 0.47%, 0.32%

LAB 36.65, -6.67, -21.27

 

CMYK 48 / 18 / 0 / 58

HEX #38586B

RGB 56 88 107

HSL 202.35, 0.31%, 0.32%

LAB 35.76, -6.04, -14.55

 

CMYK 27 / 10 / 0 / 63

HEX #45555E

RGB 69 85 94

HSL 201.6, 0.15%, 0.32%

LAB 35.14, -3.88, -7.27

 

CMYK 89 / 0 / 15 / 42

HEX #10937D

RGB 16 147 125

HSL 169.92, 0.8%, 0.32%

LAB 54.51, -37.69, 2.49

 

CMYK 89 / 9 / 0 / 42

HEX #108693

RGB 16 134 147

HSL 185.95, 0.8%, 0.32%

LAB 51, -24.69, -15.47

 

CMYK 89 / 33 / 0 / 42

HEX #106393

RGB 16 99 147

HSL 201.98, 0.8%, 0.32%

LAB 39.82, -5, -32.78

 

CMYK 89 / 56 / 0 / 42

HEX #104093

RGB 16 64 147

HSL 218.02, 0.8%, 0.32%

LAB 29.12, 18.2, -49.93

 

CMYK 89 / 80 / 0 / 42

HEX #101D93

RGB 16 29 147

HSL 234.05, 0.8%, 0.32%

LAB 20.42, 41.2, -64.22

 

CMYK 89 / 34 / 0 / 71

HEX #083049

RGB 8 48 73

HSL 203.08, 0.8%, 0.16%

LAB 18.57, -3.14, -19.32

 

CMYK 89 / 34 / 0 / 57

HEX #0C496E

RGB 12 73 110

HSL 202.65, 0.8%, 0.24%

LAB 29.33, -3.8, -26.54

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 89 / 34 / 0 / 28

HEX #147AB8

RGB 20 122 184

HSL 202.68, 0.8%, 0.4%

LAB 48.92, -4.32, -40.17

 

CMYK 89 / 34 / 0 / 13

HEX #1992DD

RGB 25 146 221

HSL 202.96, 0.8%, 0.48%

LAB 58.02, -4.22, -46.76

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 39 / 89 / 0 / 42

HEX #5A1093

RGB 90 16 147

HSL 273.89, 0.8%, 0.32%

LAB 25.72, 53.59, -55.25

 

CMYK 0 / 3 / 89 / 42

HEX #938F10

RGB 147 143 16

HSL 58.17, 0.8%, 0.32%

LAB 57.93, -11.9, 59.2

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 0 / 89 / 33 / 42

HEX #931063

RGB 147 16 99

HSL 321.98, 0.8%, 0.32%

LAB 32.86, 56.36, -12.92

 

CMYK 33 / 0 / 89 / 42

HEX #639310

RGB 99 147 16

HSL 81.98, 0.8%, 0.32%

LAB 55.64, -34.62, 55.88

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 39 / 89 / 0 / 42

HEX #5A1093

RGB 90 16 147

HSL 273.89, 0.8%, 0.32%

LAB 25.72, 53.59, -55.25

 

CMYK 0 / 56 / 89 / 42

HEX #934010

RGB 147 64 16

HSL 21.98, 0.8%, 0.32%

LAB 37.68, 32.44, 42.88

 

CMYK 50 / 0 / 89 / 42

HEX #499310

RGB 73 147 16

HSL 93.89, 0.8%, 0.32%

LAB 54.37, -43.88, 54.29

 

CMYK 89 / 34 / 0 / 42

HEX #106193

RGB 16 97 147

HSL 202.9, 0.8%, 0.32%

LAB 39.18, -3.76, -33.78

 

CMYK 12 / 89 / 0 / 42

HEX #811093

RGB 129 16 147

HSL 291.76, 0.8%, 0.32%

LAB 32.13, 59.73, -44.52

 

CMYK 0 / 56 / 89 / 42

HEX #934010

RGB 147 64 16

HSL 21.98, 0.8%, 0.32%

LAB 37.68, 32.44, 42.88

 

CMYK 77 / 0 / 89 / 42

HEX #229310

RGB 34 147 16

HSL 111.76, 0.8%, 0.32%

LAB 53.22, -53.31, 52.85

 

Description

Color code: HEX #106193 | qconv.com Color code: HEX #106193 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 97 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 97 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 34 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 34% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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