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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #928B72 it is the complementary color #6D748D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #928B72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #928B72: #978B6D, #A89D80, #B9AF93, #CAC1A6 and #DBD3B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #928B72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #928B72: #928B72, #81795F, #70674C, #5F5539 and #4E4326

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

Complementary color

CMYK 23 / 18 / 0 / 45

HEX #6D748D

RGB 109 116 141

HSL 226.88, 0.13%, 0.49%

LAB 49.09, 3.14, -14.5

 

CMYK 0 / 8 / 28 / 41

HEX #978B6D

RGB 151 139 109

HSL 42.86, 0.17%, 0.51%

LAB 58.18, -0.42, 17.7

 

CMYK 0 / 7 / 24 / 34

HEX #A89D80

RGB 168 157 128

HSL 43.5, 0.19%, 0.58%

LAB 64.96, -0.76, 16.64

 

CMYK 0 / 5 / 21 / 27

HEX #B9AF93

RGB 185 175 147

HSL 44.21, 0.21%, 0.65%

LAB 71.61, -1.06, 15.66

 

CMYK 0 / 4 / 18 / 21

HEX #CAC1A6

RGB 202 193 166

HSL 45, 0.25%, 0.72%

LAB 78.14, -1.31, 14.74

 

CMYK 0 / 4 / 16 / 14

HEX #DBD3B9

RGB 219 211 185

HSL 45.88, 0.32%, 0.79%

LAB 84.56, -1.54, 13.86

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 0 / 6 / 26 / 49

HEX #81795F

RGB 129 121 95

HSL 45.88, 0.15%, 0.44%

LAB 50.88, -1.39, 15.39

 

CMYK 0 / 8 / 32 / 56

HEX #70674C

RGB 112 103 76

HSL 45, 0.19%, 0.37%

LAB 43.75, -1.02, 16.55

 

CMYK 0 / 11 / 40 / 63

HEX #5F5539

RGB 95 85 57

HSL 44.21, 0.25%, 0.3%

LAB 36.41, -0.53, 17.84

 

CMYK 0 / 14 / 51 / 69

HEX #4E4326

RGB 78 67 38

HSL 43.5, 0.34%, 0.23%

LAB 28.83, 0.13, 19.28

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 0 / 1 / 23 / 43

HEX #929071

RGB 146 144 113

HSL 56.36, 0.13%, 0.51%

LAB 59.2, -4.62, 16.79

 

CMYK 2 / 0 / 23 / 43

HEX #8F9271

RGB 143 146 113

HSL 65.45, 0.13%, 0.51%

LAB 59.52, -6.91, 17.17

 

CMYK 6 / 0 / 23 / 43

HEX #899271

RGB 137 146 113

HSL 76.36, 0.13%, 0.51%

LAB 59.04, -9.28, 16.44

 

CMYK 10 / 0 / 23 / 43

HEX #849271

RGB 132 146 113

HSL 85.45, 0.13%, 0.51%

LAB 58.65, -11.23, 15.85

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 0 / 5 / 22 / 23

HEX #C5BC9A

RGB 197 188 154

HSL 47.44, 0.27%, 0.69%

LAB 76.17, -2.36, 18.37

 

CMYK 0 / 5 / 22 / 3

HEX #F8ECC2

RGB 248 236 194

HSL 46.67, 0.79%, 0.87%

LAB 93.38, -2.47, 21.86

 

CMYK 0 / 5 / 23 / 83

HEX #2C2A22

RGB 44 42 34

HSL 48, 0.13%, 0.15%

LAB 17.02, -0.81, 5.56

 

CMYK 0 / 5 / 22 / 63

HEX #5F5A4A

RGB 95 90 74

HSL 45.71, 0.12%, 0.33%

LAB 38.27, -0.97, 9.98

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 22 / 0 / 23 / 43

HEX #729271

RGB 114 146 113

HSL 118.18, 0.13%, 0.51%

LAB 57.39, -17.97, 13.91

 

CMYK 14 / 23 / 0 / 43

HEX #7D7192

RGB 125 113 146

HSL 261.82, 0.13%, 0.51%

LAB 49.79, 11.56, -16.25

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 23 / 0 / 5 / 43

HEX #71928A

RGB 113 146 138

HSL 165.45, 0.13%, 0.51%

LAB 57.95, -13.25, 0.46

 

CMYK 5 / 23 / 0 / 43

HEX #8A7192

RGB 138 113 146

HSL 285.45, 0.13%, 0.51%

LAB 51.02, 16.11, -14.27

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 22 / 0 / 23 / 43

HEX #729271

RGB 114 146 113

HSL 118.18, 0.13%, 0.51%

LAB 57.39, -17.97, 13.91

 

CMYK 23 / 17 / 0 / 43

HEX #717992

RGB 113 121 146

HSL 225.45, 0.13%, 0.51%

LAB 50.99, 2.75, -14.52

 

CMYK 1 / 23 / 0 / 43

HEX #917192

RGB 145 113 146

HSL 298.18, 0.13%, 0.51%

LAB 51.73, 18.6, -13.13

 

CMYK 0 / 5 / 22 / 43

HEX #928B72

RGB 146 139 114

HSL 46.88, 0.13%, 0.51%

LAB 57.84, -1.7, 14.33

 

CMYK 23 / 0 / 16 / 43

HEX #71927A

RGB 113 146 122

HSL 136.36, 0.13%, 0.51%

LAB 57.53, -16.61, 8.99

 

CMYK 23 / 17 / 0 / 43

HEX #717992

RGB 113 121 146

HSL 225.45, 0.13%, 0.51%

LAB 50.99, 2.75, -14.52

 

CMYK 0 / 23 / 6 / 43

HEX #927189

RGB 146 113 137

HSL 316.36, 0.13%, 0.51%

LAB 51.53, 17.2, -8.13

 

Description

Color code: HEX #928B72 | qconv.com Color code: HEX #928B72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 139 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 139 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 22 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 22% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Distributor & Su...
Link: http://www.stampingsystems.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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