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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #926B8E it is the complementary color #6D9471. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #926B8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #926B8E: #976B89, #A87D9C, #B98FAF, #CAA1C2 and #DBB3D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #926B8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #926B8E: #926B8E, #81597B, #704768, #5F3555 and #4E2342

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

Complementary color

CMYK 26 / 0 / 24 / 42

HEX #6D9471

RGB 109 148 113

HSL 126.15, 0.15%, 0.5%

LAB 57.68, -20.79, 14.26

 

CMYK 0 / 29 / 9 / 41

HEX #976B89

RGB 151 107 137

HSL 319.09, 0.17%, 0.51%

LAB 50.57, 22.52, -9.5

 

CMYK 0 / 26 / 7 / 34

HEX #A87D9C

RGB 168 125 156

HSL 316.74, 0.2%, 0.57%

LAB 57.46, 21.85, -10.09

 

CMYK 0 / 23 / 5 / 27

HEX #B98FAF

RGB 185 143 175

HSL 314.29, 0.23%, 0.64%

LAB 64.2, 21.23, -10.64

 

CMYK 0 / 20 / 4 / 21

HEX #CAA1C2

RGB 202 161 194

HSL 311.71, 0.28%, 0.71%

LAB 70.83, 20.67, -11.17

 

CMYK 0 / 18 / 3 / 14

HEX #DBB3D5

RGB 219 179 213

HSL 309, 0.36%, 0.78%

LAB 77.34, 20.15, -11.67

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 31 / 5 / 49

HEX #81597B

RGB 129 89 123

HSL 309, 0.18%, 0.43%

LAB 43.13, 22.38, -12.58

 

CMYK 0 / 37 / 7 / 56

HEX #704768

RGB 112 71 104

HSL 311.71, 0.22%, 0.36%

LAB 35.89, 23.17, -12.01

 

CMYK 0 / 44 / 11 / 63

HEX #5F3555

RGB 95 53 85

HSL 314.29, 0.28%, 0.29%

LAB 28.47, 24.02, -11.34

 

CMYK 0 / 55 / 15 / 69

HEX #4E2342

RGB 78 35 66

HSL 316.74, 0.38%, 0.22%

LAB 20.89, 24.87, -10.45

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 26 / 7 / 43

HEX #926C88

RGB 146 108 136

HSL 315.79, 0.15%, 0.5%

LAB 50.23, 19.92, -9.48

 

CMYK 0 / 26 / 11 / 43

HEX #926C82

RGB 146 108 130

HSL 325.26, 0.15%, 0.5%

LAB 50.03, 18.81, -6.22

 

CMYK 0 / 26 / 16 / 43

HEX #926C7B

RGB 146 108 123

HSL 336.32, 0.15%, 0.5%

LAB 49.82, 17.57, -2.38

 

CMYK 0 / 26 / 20 / 43

HEX #926C75

RGB 146 108 117

HSL 345.79, 0.15%, 0.5%

LAB 49.64, 16.56, 0.92

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 27 / 3 / 23

HEX #C590C0

RGB 197 144 192

HSL 305.66, 0.31%, 0.67%

LAB 66.23, 27.94, -17.02

 

CMYK 0 / 27 / 3 / 3

HEX #F8B6F1

RGB 248 182 241

HSL 306.36, 0.83%, 0.84%

LAB 81.71, 33.19, -19.92

 

CMYK 0 / 27 / 2 / 83

HEX #2C202B

RGB 44 32 43

HSL 305, 0.16%, 0.15%

LAB 14.08, 8.2, -5.12

 

CMYK 0 / 26 / 3 / 63

HEX #5F465C

RGB 95 70 92

HSL 307.2, 0.15%, 0.32%

LAB 33.11, 14.89, -8.83

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 18 / 26 / 43

HEX #92776C

RGB 146 119 108

HSL 17.37, 0.15%, 0.5%

LAB 52.27, 8.75, 10

 

CMYK 26 / 0 / 8 / 43

HEX #6C9287

RGB 108 146 135

HSL 162.63, 0.15%, 0.5%

LAB 57.55, -15.56, 1.57

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 3 / 0 / 26 / 43

HEX #8E926C

RGB 142 146 108

HSL 66.32, 0.15%, 0.5%

LAB 59.33, -8.07, 19.71

 

CMYK 26 / 3 / 0 / 43

HEX #6C8E92

RGB 108 142 146

HSL 186.32, 0.15%, 0.5%

LAB 56.69, -10.84, -6.01

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 18 / 26 / 43

HEX #92776C

RGB 146 119 108

HSL 17.37, 0.15%, 0.5%

LAB 52.27, 8.75, 10

 

CMYK 26 / 0 / 23 / 43

HEX #6C9270

RGB 108 146 112

HSL 126.32, 0.15%, 0.5%

LAB 56.99, -20.3, 13.86

 

CMYK 26 / 8 / 0 / 43

HEX #6C8792

RGB 108 135 146

HSL 197.37, 0.15%, 0.5%

LAB 54.65, -6.94, -9.05

 

CMYK 0 / 27 / 3 / 43

HEX #926B8E

RGB 146 107 142

HSL 306.15, 0.15%, 0.5%

LAB 50.19, 21.66, -13.09

 

CMYK 0 / 10 / 26 / 43

HEX #92836C

RGB 146 131 108

HSL 36.32, 0.15%, 0.5%

LAB 55.51, 1.89, 14.52

 

CMYK 26 / 0 / 23 / 43

HEX #6C9270

RGB 108 146 112

HSL 126.32, 0.15%, 0.5%

LAB 56.99, -20.3, 13.86

 

CMYK 26 / 16 / 0 / 43

HEX #6C7B92

RGB 108 123 146

HSL 216.32, 0.15%, 0.5%

LAB 51.19, -0.06, -14.26

 

Description

Color code: HEX #926B8E | qconv.com Color code: HEX #926B8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 107 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 107 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 3 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 3% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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