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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #921A76 it is the complementary color #6DE589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #921A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #921A76: #971A71, #A82C84, #B93E97, #CA50AA and #DB62BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #921A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #921A76: #921A76, #810863, #700050, #5F003D and #4E002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

Complementary color

CMYK 52 / 0 / 40 / 10

HEX #6DE589

RGB 109 229 137

HSL 134, 0.7%, 0.66%

LAB 82.43, -53.23, 34.81

 

CMYK 0 / 83 / 25 / 41

HEX #971A71

RGB 151 26 113

HSL 318.24, 0.71%, 0.35%

LAB 35.02, 56.79, -18.47

 

CMYK 0 / 74 / 21 / 34

HEX #A82C84

RGB 168 44 132

HSL 317.42, 0.58%, 0.42%

LAB 40.88, 58.11, -21.01

 

CMYK 0 / 66 / 18 / 27

HEX #B93E97

RGB 185 62 151

HSL 316.59, 0.5%, 0.48%

LAB 46.97, 58.55, -22.9

 

CMYK 0 / 60 / 16 / 21

HEX #CA50AA

RGB 202 80 170

HSL 315.74, 0.54%, 0.55%

LAB 53.16, 58.49, -24.35

 

CMYK 0 / 55 / 14 / 14

HEX #DB62BD

RGB 219 98 189

HSL 314.88, 0.63%, 0.62%

LAB 59.41, 58.11, -25.51

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 94 / 23 / 49

HEX #810863

RGB 129 8 99

HSL 314.88, 0.88%, 0.27%

LAB 28.75, 53.63, -19.56

 

CMYK 0 / 100 / 29 / 56

HEX #700050

RGB 112 0 80

HSL 317.14, 1%, 0.22%

LAB 23.75, 48.97, -15.01

 

CMYK 0 / 100 / 36 / 63

HEX #5F003D

RGB 95 0 61

HSL 321.47, 1%, 0.19%

LAB 19.1, 42.83, -9.43

 

CMYK 0 / 100 / 46 / 69

HEX #4E002A

RGB 78 0 42

HSL 327.69, 1%, 0.15%

LAB 14.33, 36.57, -3.38

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 82 / 33 / 42

HEX #931A62

RGB 147 26 98

HSL 324.3, 0.7%, 0.34%

LAB 33.61, 53.97, -11.13

 

CMYK 0 / 82 / 47 / 42

HEX #931A4E

RGB 147 26 78

HSL 334.21, 0.7%, 0.34%

LAB 32.9, 51.87, 0.8

 

CMYK 0 / 82 / 61 / 42

HEX #931A3A

RGB 147 26 58

HSL 344.13, 0.7%, 0.34%

LAB 32.36, 50.24, 13.19

 

CMYK 0 / 82 / 74 / 42

HEX #931A26

RGB 147 26 38

HSL 354.05, 0.7%, 0.34%

LAB 31.99, 49.1, 25.69

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 82 / 19 / 23

HEX #C5239F

RGB 197 35 159

HSL 314.07, 0.7%, 0.45%

LAB 46.41, 70.98, -28.39

 

CMYK 0 / 82 / 19 / 3

HEX #F82CC8

RGB 248 44 200

HSL 314.12, 0.94%, 0.57%

LAB 57.97, 84.9, -33.67

 

CMYK 0 / 82 / 18 / 83

HEX #2C0824

RGB 44 8 36

HSL 313.33, 0.69%, 0.1%

LAB 7.56, 22.3, -9.9

 

CMYK 0 / 82 / 19 / 63

HEX #5F114D

RGB 95 17 77

HSL 313.85, 0.7%, 0.22%

LAB 21.47, 40.42, -16.8

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 47 / 82 / 42

HEX #934E1A

RGB 147 78 26

HSL 25.79, 0.7%, 0.34%

LAB 40.78, 25.13, 41.41

 

CMYK 82 / 0 / 14 / 42

HEX #1A937F

RGB 26 147 127

HSL 170.08, 0.7%, 0.34%

LAB 54.68, -36.32, 1.6

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 19 / 0 / 82 / 42

HEX #77931A

RGB 119 147 26

HSL 73.88, 0.7%, 0.34%

LAB 56.94, -26.07, 55.03

 

CMYK 82 / 19 / 0 / 42

HEX #1A7793

RGB 26 119 147

HSL 193.88, 0.7%, 0.34%

LAB 46.34, -15.87, -22.59

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 47 / 82 / 42

HEX #934E1A

RGB 147 78 26

HSL 25.79, 0.7%, 0.34%

LAB 40.78, 25.13, 41.41

 

CMYK 82 / 0 / 63 / 42

HEX #1A9336

RGB 26 147 54

HSL 133.88, 0.7%, 0.34%

LAB 53.33, -51.37, 39.41

 

CMYK 82 / 36 / 0 / 42

HEX #1A5E93

RGB 26 94 147

HSL 206.28, 0.7%, 0.34%

LAB 38.43, -1, -34.96

 

CMYK 0 / 82 / 19 / 43

HEX #921A76

RGB 146 26 118

HSL 314, 0.7%, 0.34%

LAB 34.31, 56.28, -22.82

 

CMYK 0 / 22 / 82 / 42

HEX #93731A

RGB 147 115 26

HSL 44.13, 0.7%, 0.34%

LAB 50.14, 3.88, 49.92

 

CMYK 82 / 0 / 63 / 42

HEX #1A9336

RGB 26 147 54

HSL 133.88, 0.7%, 0.34%

LAB 53.33, -51.37, 39.41

 

CMYK 82 / 61 / 0 / 42

HEX #1A3A93

RGB 26 58 147

HSL 224.13, 0.7%, 0.34%

LAB 27.72, 23.18, -52.2

 

Description

Color code: HEX #921A76 | qconv.com Color code: HEX #921A76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 26 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 26 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 19 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 19% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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