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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91EB73 it is the complementary color #6E148C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91EB73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91EB73 shade: #96EB6E, #A7FD81, #B8FF94, #C9FFA7 and #DAFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91EB73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91EB73 shade: #91EB73, #80D960, #6FC74D, #5EB53A and #4DA327

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91EB73 shade: #92EB75, #B2EB75, #D2EB75, #EBE475 and #EBC475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91EB73 shade: #92EB75, #75EB77, #75EB97, #75EBB7 and #75EBD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91EB73 shade matches the following richer shades: #92EB75 and #8CF868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91EB73 shade: #92EB75, #99DE81, #9FD28E, #A5C59B and #ACB8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91EB73 shade: #D2EB75, #B2EB75, #92EB75, #75EB77 and #75EB96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91EB73 shade: #5AE12C, #76E651, #92EB75, #AFF099 and #CBF6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91EB73 shade: #91EB73, #75EBE5 and #EB75C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91EB73 shade: #91EB73, #7592EB and #EB7592

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91EB73 shade: #91EB73, #75EBE5, #CE75EB and #EB757B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91EB73 shade: #91EB73, #75CEEB, #CE75EB and #EB9275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

Complementary color

CMYK 21 / 86 / 0 / 45

HEX #6E148C

RGB 110 20 140

HSL 285, 0.75%, 0.31%

LAB 28.67, 54.16, -45.96

 

CMYK 36 / 0 / 53 / 8

HEX #96EB6E

RGB 150 235 110

HSL 100.8, 0.76%, 0.68%

LAB 85.52, -47.59, 52.05

 

CMYK 34 / 0 / 49 / 1

HEX #A7FD81

RGB 167 253 129

HSL 101.61, 0.97%, 0.75%

LAB 91.71, -47.54, 50.93

 

CMYK 28 / 0 / 42 / 0

HEX #B8FF94

RGB 184 255 148

HSL 99.81, 1%, 0.79%

LAB 93.38, -40.5, 44.18

 

CMYK 21 / 0 / 35 / 0

HEX #C9FFA7

RGB 201 255 167

HSL 96.82, 1%, 0.83%

LAB 94.62, -32.23, 36.66

 

CMYK 15 / 0 / 27 / 0

HEX #DAFFBA

RGB 218 255 186

HSL 92.17, 1%, 0.86%

LAB 95.98, -23.68, 29.16

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 41 / 0 / 56 / 15

HEX #80D960

RGB 128 217 96

HSL 104.13, 0.61%, 0.61%

LAB 79.08, -48.63, 50.6

 

CMYK 44 / 0 / 61 / 22

HEX #6FC74D

RGB 111 199 77

HSL 103.28, 0.52%, 0.54%

LAB 72.74, -48.53, 51.64

 

CMYK 48 / 0 / 68 / 29

HEX #5EB53A

RGB 94 181 58

HSL 102.44, 0.51%, 0.47%

LAB 66.32, -48.26, 52.46

 

CMYK 53 / 0 / 76 / 36

HEX #4DA327

RGB 77 163 39

HSL 101.61, 0.61%, 0.4%

LAB 59.82, -47.73, 52.8

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 24 / 0 / 50 / 8

HEX #B2EB75

RGB 178 235 117

HSL 88.98, 0.75%, 0.69%

LAB 87.08, -37.26, 51.04

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 0 / 3 / 50 / 8

HEX #EBE475

RGB 235 228 117

HSL 56.44, 0.75%, 0.69%

LAB 89.13, -12.13, 54.44

 

CMYK 0 / 17 / 50 / 8

HEX #EBC475

RGB 235 196 117

HSL 40.17, 0.75%, 0.69%

LAB 80.98, 4.17, 44.58

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 50 / 0 / 49 / 8

HEX #75EB77

RGB 117 235 119

HSL 121.02, 0.75%, 0.69%

LAB 84.24, -56.21, 45.98

 

CMYK 50 / 0 / 36 / 8

HEX #75EB97

RGB 117 235 151

HSL 137.29, 0.75%, 0.69%

LAB 84.71, -51.35, 30.8

 

CMYK 50 / 0 / 22 / 8

HEX #75EBB7

RGB 117 235 183

HSL 153.56, 0.75%, 0.69%

LAB 85.31, -45.28, 15.15

 

CMYK 50 / 0 / 9 / 8

HEX #75EBD7

RGB 117 235 215

HSL 169.83, 0.75%, 0.69%

LAB 86.06, -38.15, -0.54

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 44 / 0 / 58 / 3

HEX #8CF868

RGB 140 248 104

HSL 105, 0.91%, 0.69%

LAB 88.79, -56.61, 58.44

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 31 / 0 / 42 / 13

HEX #99DE81

RGB 153 222 129

HSL 104.52, 0.58%, 0.69%

LAB 82.16, -38.62, 38.83

 

CMYK 24 / 0 / 32 / 18

HEX #9FD28E

RGB 159 210 142

HSL 105, 0.43%, 0.69%

LAB 79.28, -29.17, 28.51

 

CMYK 16 / 0 / 21 / 23

HEX #A5C59B

RGB 165 197 155

HSL 105.71, 0.27%, 0.69%

LAB 76.25, -18.62, 17.58

 

CMYK 7 / 0 / 9 / 28

HEX #ACB8A8

RGB 172 184 168

HSL 105, 0.1%, 0.69%

LAB 73.47, -7.16, 6.69

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 24 / 0 / 50 / 8

HEX #B2EB75

RGB 178 235 117

HSL 88.98, 0.75%, 0.69%

LAB 87.08, -37.26, 51.04

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 50 / 0 / 49 / 8

HEX #75EB77

RGB 117 235 119

HSL 121.02, 0.75%, 0.69%

LAB 84.24, -56.21, 45.98

 

CMYK 50 / 0 / 36 / 8

HEX #75EB96

RGB 117 235 150

HSL 136.78, 0.75%, 0.69%

LAB 84.69, -51.52, 31.28

 

CMYK 60 / 0 / 80 / 12

HEX #5AE12C

RGB 90 225 44

HSL 104.75, 0.75%, 0.53%

LAB 79.73, -66.27, 70.33

 

CMYK 49 / 0 / 65 / 10

HEX #76E651

RGB 118 230 81

HSL 105.1, 0.75%, 0.61%

LAB 82.4, -58.22, 60.7

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 27 / 0 / 36 / 6

HEX #AFF099

RGB 175 240 153

HSL 104.83, 0.74%, 0.77%

LAB 88.8, -36.09, 35.69

 

CMYK 17 / 0 / 23 / 4

HEX #CBF6BD

RGB 203 246 189

HSL 105.26, 0.76%, 0.85%

LAB 92.7, -24.05, 22.98

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 50 / 0 / 3 / 8

HEX #75EBE5

RGB 117 235 229

HSL 176.95, 0.75%, 0.69%

LAB 86.43, -34.72, -7.35

 

CMYK 0 / 50 / 17 / 8

HEX #EB75C2

RGB 235 117 194

HSL 320.85, 0.75%, 0.69%

LAB 65.18, 54.66, -19.31

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 50 / 38 / 0 / 8

HEX #7592EB

RGB 117 146 235

HSL 225.25, 0.75%, 0.69%

LAB 61.94, 14.06, -48.12

 

CMYK 0 / 50 / 38 / 8

HEX #EB7592

RGB 235 117 146

HSL 345.25, 0.75%, 0.69%

LAB 63.72, 48.4, 5.81

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 50 / 0 / 3 / 8

HEX #75EBE5

RGB 117 235 229

HSL 176.95, 0.75%, 0.69%

LAB 86.43, -34.72, -7.35

 

CMYK 12 / 50 / 0 / 8

HEX #CE75EB

RGB 206 117 235

HSL 285.25, 0.75%, 0.69%

LAB 63.21, 53.42, -45.59

 

CMYK 0 / 50 / 48 / 8

HEX #EB757B

RGB 235 117 123

HSL 356.95, 0.75%, 0.69%

LAB 63.19, 46.03, 18.2

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 50 / 12 / 0 / 8

HEX #75CEEB

RGB 117 206 235

HSL 194.75, 0.75%, 0.69%

LAB 78.42, -19, -22.56

 

CMYK 12 / 50 / 0 / 8

HEX #CE75EB

RGB 206 117 235

HSL 285.25, 0.75%, 0.69%

LAB 63.21, 53.42, -45.59

 

CMYK 0 / 38 / 50 / 8

HEX #EB9275

RGB 235 146 117

HSL 14.75, 0.75%, 0.69%

LAB 69.11, 30.61, 29.5

 

Description

Color code: HEX #91EB73 | qconv.com Color code: HEX #91EB73 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 235 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 235 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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