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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2EB75 it is the complementary color #2D148A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2EB75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2EB75 shade: #D7EB70, #E8FD83, #F9FF96, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2EB75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2EB75 shade: #D2EB75, #C1D962, #B0C74F, #9FB53C and #8EA329

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2EB75 shade: #D2EB75, #EBE475, #EBC475, #EBA475 and #EB8475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2EB75 shade: #D2EB75, #B2EB75, #92EB75, #75EB77 and #75EB97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2EB75 shade matches the following richer shades: #D2EB75 and #D9F868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2EB75 shade: #D2EB75, #CBDE81, #C3D28E, #BCC59B and #B5B8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2EB75 shade: #EBC475, #EBE375, #D4EB75, #B4EB75 and #94EB75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2EB75 shade: #BBE12C, #C6E651, #D2EB75, #DEF099 and #EAF6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2EB75 shade: #D2EB75, #75EBA4 and #D475EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2EB75 shade: #D2EB75, #75D4EB and #EB75D4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2EB75 shade: #D2EB75, #75EBA4, #8C75EB and #EB75BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2EB75 shade: #D2EB75, #75EBC8, #8C75EB and #EB7598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

Complementary color

CMYK 67 / 86 / 0 / 46

HEX #2D148A

RGB 45 20 138

HSL 252.71, 0.75%, 0.31%

LAB 19.61, 44.7, -59.9

 

CMYK 9 / 0 / 52 / 8

HEX #D7EB70

RGB 215 235 112

HSL 69.76, 0.75%, 0.68%

LAB 89.41, -23.87, 56.69

 

CMYK 8 / 0 / 48 / 1

HEX #E8FD83

RGB 232 253 131

HSL 70.33, 0.97%, 0.75%

LAB 95.6, -24.18, 55.62

 

CMYK 2 / 0 / 41 / 0

HEX #F9FF96

RGB 249 255 150

HSL 63.43, 1%, 0.79%

LAB 97.58, -16.82, 49.39

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 11 / 0 / 55 / 15

HEX #C1D962

RGB 193 217 98

HSL 72.1, 0.61%, 0.62%

LAB 82.83, -25.05, 55.01

 

CMYK 12 / 0 / 60 / 22

HEX #B0C74F

RGB 176 199 79

HSL 71.5, 0.52%, 0.55%

LAB 76.46, -24.66, 55.94

 

CMYK 12 / 0 / 67 / 29

HEX #9FB53C

RGB 159 181 60

HSL 70.91, 0.5%, 0.47%

LAB 70, -24.16, 56.64

 

CMYK 13 / 0 / 75 / 36

HEX #8EA329

RGB 142 163 41

HSL 70.33, 0.6%, 0.4%

LAB 63.43, -23.5, 56.85

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 0 / 3 / 50 / 8

HEX #EBE475

RGB 235 228 117

HSL 56.44, 0.75%, 0.69%

LAB 89.13, -12.13, 54.44

 

CMYK 0 / 17 / 50 / 8

HEX #EBC475

RGB 235 196 117

HSL 40.17, 0.75%, 0.69%

LAB 80.98, 4.17, 44.58

 

CMYK 0 / 30 / 50 / 8

HEX #EBA475

RGB 235 164 117

HSL 23.9, 0.75%, 0.69%

LAB 73.22, 21.07, 34.82

 

CMYK 0 / 44 / 50 / 8

HEX #EB8475

RGB 235 132 117

HSL 7.63, 0.75%, 0.69%

LAB 66.1, 37.91, 25.51

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 24 / 0 / 50 / 8

HEX #B2EB75

RGB 178 235 117

HSL 88.98, 0.75%, 0.69%

LAB 87.08, -37.26, 51.04

 

CMYK 38 / 0 / 50 / 8

HEX #92EB75

RGB 146 235 117

HSL 105.25, 0.75%, 0.69%

LAB 85.41, -48.07, 48.63

 

CMYK 50 / 0 / 49 / 8

HEX #75EB77

RGB 117 235 119

HSL 121.02, 0.75%, 0.69%

LAB 84.24, -56.21, 45.98

 

CMYK 50 / 0 / 36 / 8

HEX #75EB97

RGB 117 235 151

HSL 137.29, 0.75%, 0.69%

LAB 84.71, -51.35, 30.8

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 13 / 0 / 58 / 3

HEX #D9F868

RGB 217 248 104

HSL 72.92, 0.91%, 0.69%

LAB 92.96, -29.88, 64.29

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 9 / 0 / 42 / 13

HEX #CBDE81

RGB 203 222 129

HSL 72.26, 0.58%, 0.69%

LAB 85.26, -20.55, 43.41

 

CMYK 7 / 0 / 32 / 18

HEX #C3D28E

RGB 195 210 142

HSL 73.24, 0.43%, 0.69%

LAB 81.65, -16.1, 32.08

 

CMYK 5 / 0 / 21 / 23

HEX #BCC59B

RGB 188 197 155

HSL 72.86, 0.27%, 0.69%

LAB 77.87, -10.29, 20.07

 

CMYK 2 / 0 / 9 / 28

HEX #B5B8A8

RGB 181 184 168

HSL 71.25, 0.1%, 0.69%

LAB 74.15, -3.94, 7.76

 

CMYK 0 / 17 / 50 / 8

HEX #EBC475

RGB 235 196 117

HSL 40.17, 0.75%, 0.69%

LAB 80.98, 4.17, 44.58

 

CMYK 0 / 3 / 50 / 8

HEX #EBE375

RGB 235 227 117

HSL 55.93, 0.75%, 0.69%

LAB 88.87, -11.63, 54.13

 

CMYK 10 / 0 / 50 / 8

HEX #D4EB75

RGB 212 235 117

HSL 71.69, 0.75%, 0.69%

LAB 89.25, -24.58, 54.16

 

CMYK 23 / 0 / 50 / 8

HEX #B4EB75

RGB 180 235 117

HSL 87.97, 0.75%, 0.69%

LAB 87.19, -36.54, 51.21

 

CMYK 37 / 0 / 50 / 8

HEX #94EB75

RGB 148 235 117

HSL 104.24, 0.75%, 0.69%

LAB 85.5, -47.43, 48.76

 

CMYK 17 / 0 / 80 / 12

HEX #BBE12C

RGB 187 225 44

HSL 72.6, 0.75%, 0.53%

LAB 84.28, -34.4, 76.13

 

CMYK 14 / 0 / 65 / 10

HEX #C6E651

RGB 198 230 81

HSL 72.89, 0.75%, 0.61%

LAB 86.6, -30.51, 66.44

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 8 / 0 / 36 / 6

HEX #DEF099

RGB 222 240 153

HSL 72.41, 0.74%, 0.77%

LAB 91.75, -19.38, 40.11

 

CMYK 5 / 0 / 23 / 4

HEX #EAF6BD

RGB 234 246 189

HSL 72.63, 0.76%, 0.85%

LAB 94.77, -13.23, 26.16

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 50 / 0 / 30 / 8

HEX #75EBA4

RGB 117 235 164

HSL 143.9, 0.75%, 0.69%

LAB 84.93, -49.02, 24.46

 

CMYK 10 / 50 / 0 / 8

HEX #D475EB

RGB 212 117 235

HSL 288.31, 0.75%, 0.69%

LAB 63.93, 55.04, -44.41

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 50 / 10 / 0 / 8

HEX #75D4EB

RGB 117 212 235

HSL 191.69, 0.75%, 0.69%

LAB 80.1, -22.04, -20

 

CMYK 0 / 50 / 10 / 8

HEX #EB75D4

RGB 235 117 212

HSL 311.69, 0.75%, 0.69%

LAB 65.86, 57.43, -28.39

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 50 / 0 / 30 / 8

HEX #75EBA4

RGB 117 235 164

HSL 143.9, 0.75%, 0.69%

LAB 84.93, -49.02, 24.46

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EB

RGB 140 117 235

HSL 251.69, 0.75%, 0.69%

LAB 56.38, 36.46, -56.86

 

CMYK 0 / 50 / 20 / 8

HEX #EB75BC

RGB 235 117 188

HSL 323.9, 0.75%, 0.69%

LAB 64.97, 53.79, -16.24

 

CMYK 11 / 0 / 50 / 8

HEX #D2EB75

RGB 210 235 117

HSL 72.71, 0.75%, 0.69%

LAB 89.11, -25.35, 53.96

 

CMYK 50 / 0 / 15 / 8

HEX #75EBC8

RGB 117 235 200

HSL 162.2, 0.75%, 0.69%

LAB 85.69, -41.62, 6.8

 

CMYK 40 / 50 / 0 / 8

HEX #8C75EB

RGB 140 117 235

HSL 251.69, 0.75%, 0.69%

LAB 56.38, 36.46, -56.86

 

CMYK 0 / 50 / 35 / 8

HEX #EB7598

RGB 235 117 152

HSL 342.2, 0.75%, 0.69%

LAB 63.88, 49.08, 2.61

 

Description

Color code: HEX #D2EB75 | qconv.com Color code: HEX #D2EB75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 235 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 235 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 50 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 50% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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