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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91E2F4 it is the complementary color #6E1D0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91E2F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91E2F4 shade: #96E2EF, #A7F4FF, #B8FFFF, #C9FFFF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91E2F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91E2F4 shade: #91E2F4, #80D0E1, #6FBECE, #5EACBB and #4D9AA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91E2F4 shade: #90E2F4, #90C7F4, #90ACF4, #9091F4 and #AA90F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91E2F4 shade: #90E2F4, #90C7F4, #90ACF4, #9091F4 and #9090F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91E2F4 shade matches the following richer shades: #90E2F4 and #86E8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91E2F4 shade: #90E2F4, #9ADBEA, #A3D5E0, #ADCFD6 and #B7C9CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91E2F4 shade: #90F4CF, #90F4EA, #90E3F4, #90C8F4 and #90AEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91E2F4 shade: #45CEED, #6AD8F0, #90E2F4, #B5ECF8 and #DBF5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91E2F4 shade: #91E2F4, #B490F4 and #F4DD90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91E2F4 shade: #91E2F4, #F490E3 and #E3F490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91E2F4 shade: #91E2F4, #B490F4, #F4A090 and #CFF490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91E2F4 shade: #91E2F4, #D390F4, #F4A090 and #B1F490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

Complementary color

CMYK 0 / 74 / 90 / 57

HEX #6E1D0B

RGB 110 29 11

HSL 10.91, 0.82%, 0.24%

LAB 24.38, 34.84, 31.08

 

CMYK 37 / 5 / 0 / 6

HEX #96E2EF

RGB 150 226 239

HSL 188.76, 0.74%, 0.76%

LAB 85.56, -20.21, -13.77

 

CMYK 35 / 4 / 0 / 0

HEX #A7F4FF

RGB 167 244 255

HSL 187.5, 1%, 0.83%

LAB 91.75, -20.91, -12.81

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

CMYK 43 / 8 / 0 / 12

HEX #80D0E1

RGB 128 208 225

HSL 190.52, 0.62%, 0.69%

LAB 79.12, -20.16, -16.1

 

CMYK 46 / 8 / 0 / 19

HEX #6FBECE

RGB 111 190 206

HSL 190.11, 0.49%, 0.62%

LAB 72.67, -20.06, -15.62

 

CMYK 50 / 8 / 0 / 27

HEX #5EACBB

RGB 94 172 187

HSL 189.68, 0.41%, 0.55%

LAB 66.11, -19.92, -15.12

 

CMYK 54 / 8 / 0 / 34

HEX #4D9AA8

RGB 77 154 168

HSL 189.23, 0.37%, 0.48%

LAB 59.45, -19.69, -14.59

 

CMYK 41 / 7 / 0 / 4

HEX #90E2F4

RGB 144 226 244

HSL 190.8, 0.82%, 0.76%

LAB 85.43, -20.47, -16.63

 

CMYK 41 / 18 / 0 / 4

HEX #90C7F4

RGB 144 199 244

HSL 207, 0.82%, 0.76%

LAB 78.06, -6.54, -27.82

 

CMYK 41 / 30 / 0 / 4

HEX #90ACF4

RGB 144 172 244

HSL 223.2, 0.82%, 0.76%

LAB 70.85, 8.25, -38.96

 

CMYK 41 / 41 / 0 / 4

HEX #9091F4

RGB 144 145 244

HSL 239.4, 0.82%, 0.76%

LAB 63.93, 23.69, -49.82

 

CMYK 30 / 41 / 0 / 4

HEX #AA90F4

RGB 170 144 244

HSL 255.6, 0.82%, 0.76%

LAB 65.77, 31.03, -46.78

 

CMYK 41 / 7 / 0 / 4

HEX #90E2F4

RGB 144 226 244

HSL 190.8, 0.82%, 0.76%

LAB 85.43, -20.47, -16.63

 

CMYK 41 / 18 / 0 / 4

HEX #90C7F4

RGB 144 199 244

HSL 207, 0.82%, 0.76%

LAB 78.06, -6.54, -27.82

 

CMYK 41 / 30 / 0 / 4

HEX #90ACF4

RGB 144 172 244

HSL 223.2, 0.82%, 0.76%

LAB 70.85, 8.25, -38.96

 

CMYK 41 / 41 / 0 / 4

HEX #9091F4

RGB 144 145 244

HSL 239.4, 0.82%, 0.76%

LAB 63.93, 23.69, -49.82

 

CMYK 41 / 41 / 0 / 4

HEX #9090F4

RGB 144 144 244

HSL 240, 0.82%, 0.76%

LAB 63.68, 24.27, -50.22

 

CMYK 41 / 7 / 0 / 4

HEX #90E2F4

RGB 144 226 244

HSL 190.8, 0.82%, 0.76%

LAB 85.43, -20.47, -16.63

 

CMYK 47 / 9 / 0 / 0

HEX #86E8FE

RGB 134 232 254

HSL 191, 0.98%, 0.76%

LAB 86.97, -23.22, -19.62

 

CMYK 41 / 7 / 0 / 4

HEX #90E2F4

RGB 144 226 244

HSL 190.8, 0.82%, 0.76%

LAB 85.43, -20.47, -16.63

 

CMYK 34 / 6 / 0 / 8

HEX #9ADBEA

RGB 154 219 234

HSL 191.25, 0.66%, 0.76%

LAB 83.69, -16.84, -13.9

 

CMYK 27 / 5 / 0 / 12

HEX #A3D5E0

RGB 163 213 224

HSL 190.82, 0.5%, 0.76%

LAB 82.25, -13.62, -10.69

 

CMYK 19 / 3 / 0 / 16

HEX #ADCFD6

RGB 173 207 214

HSL 190.24, 0.33%, 0.76%

LAB 80.94, -9.74, -7.23

 

CMYK 10 / 1 / 0 / 20

HEX #B7C9CC

RGB 183 201 204

HSL 188.57, 0.17%, 0.76%

LAB 79.73, -5.49, -3.59

 

CMYK 41 / 0 / 15 / 4

HEX #90F4CF

RGB 144 244 207

HSL 157.8, 0.82%, 0.76%

LAB 89.46, -37.61, 8.69

 

CMYK 41 / 0 / 4 / 4

HEX #90F4EA

RGB 144 244 234

HSL 174, 0.82%, 0.76%

LAB 90.12, -31.62, -4.4

 

CMYK 41 / 7 / 0 / 4

HEX #90E3F4

RGB 144 227 244

HSL 190.2, 0.82%, 0.76%

LAB 85.71, -20.97, -16.21

 

CMYK 41 / 18 / 0 / 4

HEX #90C8F4

RGB 144 200 244

HSL 206.4, 0.82%, 0.76%

LAB 78.33, -7.07, -27.41

 

CMYK 41 / 29 / 0 / 4

HEX #90AEF4

RGB 144 174 244

HSL 222, 0.82%, 0.76%

LAB 71.37, 7.13, -38.14

 

CMYK 71 / 13 / 0 / 7

HEX #45CEED

RGB 69 206 237

HSL 191.07, 0.82%, 0.6%

LAB 76.99, -26.73, -25.94

 

CMYK 56 / 10 / 0 / 6

HEX #6AD8F0

RGB 106 216 240

HSL 190.75, 0.82%, 0.68%

LAB 81, -24.88, -21.35

 

CMYK 41 / 7 / 0 / 4

HEX #90E2F4

RGB 144 226 244

HSL 190.8, 0.82%, 0.76%

LAB 85.43, -20.47, -16.63

 

CMYK 27 / 5 / 0 / 3

HEX #B5ECF8

RGB 181 236 248

HSL 190.75, 0.83%, 0.84%

LAB 90.13, -14.72, -11.49

 

CMYK 13 / 2 / 0 / 2

HEX #DBF5FB

RGB 219 245 251

HSL 191.25, 0.8%, 0.92%

LAB 94.88, -7.26, -5.76

 

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

CMYK 26 / 41 / 0 / 4

HEX #B490F4

RGB 180 144 244

HSL 261.6, 0.82%, 0.76%

LAB 66.66, 33.77, -45.32

 

CMYK 0 / 9 / 41 / 4

HEX #F4DD90

RGB 244 221 144

HSL 46.2, 0.82%, 0.76%

LAB 88.43, -2.5, 40.64

 

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

CMYK 0 / 41 / 7 / 4

HEX #F490E3

RGB 244 144 227

HSL 310.2, 0.82%, 0.76%

LAB 72.71, 49.26, -26.07

 

CMYK 7 / 0 / 41 / 4

HEX #E3F490

RGB 227 244 144

HSL 70.2, 0.82%, 0.76%

LAB 93.03, -20.47, 46.23

 

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

CMYK 26 / 41 / 0 / 4

HEX #B490F4

RGB 180 144 244

HSL 261.6, 0.82%, 0.76%

LAB 66.66, 33.77, -45.32

 

CMYK 0 / 34 / 41 / 4

HEX #F4A090

RGB 244 160 144

HSL 9.6, 0.82%, 0.76%

LAB 73.8, 29.38, 21.24

 

CMYK 15 / 0 / 41 / 4

HEX #CFF490

RGB 207 244 144

HSL 82.2, 0.82%, 0.76%

LAB 91.68, -27.9, 44.23

 

CMYK 41 / 7 / 0 / 4

HEX #91E2F4

RGB 145 226 244

HSL 190.91, 0.82%, 0.76%

LAB 85.48, -20.23, -16.55

 

CMYK 14 / 41 / 0 / 4

HEX #D390F4

RGB 211 144 244

HSL 280.2, 0.82%, 0.76%

LAB 69.7, 42.57, -40.33

 

CMYK 0 / 34 / 41 / 4

HEX #F4A090

RGB 244 160 144

HSL 9.6, 0.82%, 0.76%

LAB 73.8, 29.38, 21.24

 

CMYK 27 / 0 / 41 / 4

HEX #B1F490

RGB 177 244 144

HSL 100.2, 0.82%, 0.76%

LAB 89.89, -38.46, 41.58

 

Description

Color code: HEX #91E2F4 | qconv.com Color code: HEX #91E2F4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 226 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 226 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 7 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 7% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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