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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 41 / 0 / 4 it is the complementary color CMYK 0 / 0 / 91 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 41 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 41 / 0 / 4: CMYK 38 / 40 / 0 / 6, CMYK 35 / 36 / 0 / 0, CMYK 28 / 29 / 0 / 0, CMYK 22 / 22 / 0 / 0 and CMYK 15 / 15 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 41 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 41 / 0 / 4: CMYK 41 / 41 / 0 / 4, CMYK 44 / 44 / 0 / 11, CMYK 47 / 48 / 0 / 19, CMYK 51 / 52 / 0 / 26 and CMYK 55 / 57 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

Complementary color

CMYK 0 / 0 / 91 / 56

HEX #6F6F0A

RGB 111 111 10

HSL 60, 0.83%, 0.24%

LAB 45.32, -11.43, 48.95

 

CMYK 38 / 40 / 0 / 6

HEX #9590F0

RGB 149 144 240

HSL 243.13, 0.76%, 0.75%

LAB 63.86, 24.44, -47.71

 

CMYK 35 / 36 / 0 / 0

HEX #A6A2FF

RGB 166 162 255

HSL 242.58, 1%, 0.82%

LAB 70.29, 22.58, -45.68

 

CMYK 28 / 29 / 0 / 0

HEX #B7B4FF

RGB 183 180 255

HSL 242.4, 1%, 0.85%

LAB 76.03, 17.19, -36.65

 

CMYK 22 / 22 / 0 / 0

HEX #C8C6FF

RGB 200 198 255

HSL 242.11, 1%, 0.89%

LAB 81.78, 12.33, -27.68

 

CMYK 15 / 15 / 0 / 0

HEX #D9D8FF

RGB 217 216 255

HSL 241.54, 1%, 0.92%

LAB 87.53, 7.91, -18.83

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 44 / 44 / 0 / 11

HEX #7F7EE2

RGB 127 126 226

HSL 240.6, 0.63%, 0.69%

LAB 57, 25.54, -50.91

 

CMYK 47 / 48 / 0 / 19

HEX #6E6CCF

RGB 110 108 207

HSL 241.21, 0.51%, 0.62%

LAB 50.15, 26.7, -51.18

 

CMYK 51 / 52 / 0 / 26

HEX #5D5ABC

RGB 93 90 188

HSL 241.84, 0.42%, 0.55%

LAB 43.17, 28.04, -51.49

 

CMYK 55 / 57 / 0 / 34

HEX #4C48A9

RGB 76 72 169

HSL 242.47, 0.4%, 0.47%

LAB 36.05, 29.63, -51.83

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 35 / 41 / 0 / 4

HEX #9F8FF4

RGB 159 143 244

HSL 249.5, 0.82%, 0.76%

LAB 64.6, 28.67, -48.68

 

CMYK 28 / 41 / 0 / 4

HEX #B08FF4

RGB 176 143 244

HSL 259.6, 0.82%, 0.76%

LAB 66.06, 33.23, -46.28

 

CMYK 21 / 41 / 0 / 4

HEX #C18FF4

RGB 193 143 244

HSL 269.7, 0.82%, 0.76%

LAB 67.66, 37.96, -43.66

 

CMYK 14 / 41 / 0 / 4

HEX #D28FF4

RGB 210 143 244

HSL 279.8, 0.82%, 0.76%

LAB 69.38, 42.81, -40.84

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 41 / 41 / 0 / 84

HEX #181829

RGB 24 24 41

HSL 240, 0.26%, 0.13%

LAB 9.05, 5.23, -11.56

 

CMYK 41 / 41 / 0 / 64

HEX #36365C

RGB 54 54 92

HSL 240, 0.26%, 0.29%

LAB 24.31, 10.72, -22.75

 

CMYK 41 / 41 / 0 / 44

HEX #54548F

RGB 84 84 143

HSL 240, 0.26%, 0.45%

LAB 38.21, 15.64, -32.7

 

CMYK 41 / 41 / 0 / 24

HEX #7272C2

RGB 114 114 194

HSL 240, 0.4%, 0.6%

LAB 51.28, 20.21, -41.93

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 0 / 41 / 8 / 4

HEX #F48FE0

RGB 244 143 224

HSL 311.88, 0.82%, 0.76%

LAB 72.4, 49.27, -24.89

 

CMYK 25 / 0 / 41 / 4

HEX #B7F48F

RGB 183 244 143

HSL 96.24, 0.82%, 0.76%

LAB 90.21, -36.55, 42.55

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 0 / 41 / 41 / 4

HEX #F48F8F

RGB 244 143 143

HSL 0, 0.82%, 0.76%

LAB 70.08, 38.14, 16.66

 

CMYK 41 / 0 / 41 / 4

HEX #8FF48F

RGB 143 244 143

HSL 120, 0.82%, 0.76%

LAB 88.22, -49.3, 39.6

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 0 / 41 / 8 / 4

HEX #F48FE0

RGB 244 143 224

HSL 311.88, 0.82%, 0.76%

LAB 72.4, 49.27, -24.89

 

CMYK 0 / 0 / 41 / 4

HEX #F4F48F

RGB 244 244 143

HSL 60, 0.82%, 0.76%

LAB 94.28, -14.08, 48.54

 

CMYK 41 / 0 / 33 / 4

HEX #8FF4A3

RGB 143 244 163

HSL 131.88, 0.82%, 0.76%

LAB 88.54, -46.18, 30.03

 

CMYK 41 / 41 / 0 / 4

HEX #9090F5

RGB 144 144 245

HSL 240, 0.83%, 0.76%

LAB 63.73, 24.55, -50.69

 

CMYK 0 / 41 / 21 / 4

HEX #F48FC1

RGB 244 143 193

HSL 330.3, 0.82%, 0.76%

LAB 71.37, 44.45, -9.32

 

CMYK 0 / 0 / 41 / 4

HEX #F4F48F

RGB 244 244 143

HSL 60, 0.82%, 0.76%

LAB 94.28, -14.08, 48.54

 

CMYK 41 / 0 / 21 / 4

HEX #8FF4C1

RGB 143 244 193

HSL 149.7, 0.82%, 0.76%

LAB 89.11, -40.72, 15.45

 

Description

Color code: CMYK 41 / 41 / 0 / 4 | qconv.com Color code: CMYK 41 / 41 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 144 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 144 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 41 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 41% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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