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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91B374 it is the complementary color #6E4C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91B374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #91B374: #96B36F, #A7C582, #B8D795, #C9E9A8 and #DAFBBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91B374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #91B374: #91B374, #80A161, #6F8F4E, #5E7D3B and #4D6B28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

Complementary color

CMYK 21 / 45 / 0 / 45

HEX #6E4C8B

RGB 110 76 139

HSL 272.38, 0.29%, 0.42%

LAB 38.46, 27.26, -29.71

 

CMYK 16 / 0 / 38 / 30

HEX #96B36F

RGB 150 179 111

HSL 85.59, 0.31%, 0.57%

LAB 69.38, -21.75, 31.52

 

CMYK 15 / 0 / 34 / 23

HEX #A7C582

RGB 167 197 130

HSL 86.87, 0.37%, 0.64%

LAB 75.92, -21.73, 30.37

 

CMYK 14 / 0 / 31 / 16

HEX #B8D795

RGB 184 215 149

HSL 88.18, 0.45%, 0.71%

LAB 82.36, -21.7, 29.28

 

CMYK 14 / 0 / 28 / 9

HEX #C9E9A8

RGB 201 233 168

HSL 89.54, 0.6%, 0.79%

LAB 88.7, -21.66, 28.23

 

CMYK 13 / 0 / 25 / 2

HEX #DAFBBB

RGB 218 251 187

HSL 90.94, 0.89%, 0.86%

LAB 94.94, -21.62, 27.24

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 20 / 0 / 40 / 37

HEX #80A161

RGB 128 161 97

HSL 90.94, 0.25%, 0.51%

LAB 62.46, -23.01, 29.67

 

CMYK 22 / 0 / 45 / 44

HEX #6F8F4E

RGB 111 143 78

HSL 89.54, 0.29%, 0.43%

LAB 55.66, -23.06, 30.91

 

CMYK 25 / 0 / 53 / 51

HEX #5E7D3B

RGB 94 125 59

HSL 88.18, 0.36%, 0.36%

LAB 48.71, -23.06, 32.16

 

CMYK 28 / 0 / 63 / 58

HEX #4D6B28

RGB 77 107 40

HSL 86.87, 0.46%, 0.29%

LAB 41.61, -22.95, 33.32

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 24 / 0 / 35 / 30

HEX #87B274

RGB 135 178 116

HSL 101.61, 0.29%, 0.58%

LAB 68.21, -26.1, 27.16

 

CMYK 30 / 0 / 35 / 30

HEX #7DB274

RGB 125 178 116

HSL 111.29, 0.29%, 0.58%

LAB 67.62, -29.62, 26.28

 

CMYK 35 / 0 / 34 / 30

HEX #74B276

RGB 116 178 118

HSL 121.94, 0.29%, 0.58%

LAB 67.17, -32.3, 24.53

 

CMYK 35 / 0 / 28 / 30

HEX #74B281

RGB 116 178 129

HSL 132.58, 0.29%, 0.58%

LAB 67.38, -30.37, 18.87

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 19 / 0 / 35 / 10

HEX #BAE695

RGB 186 230 149

HSL 92.59, 0.62%, 0.74%

LAB 86.6, -28.22, 34.93

 

CMYK 19 / 0 / 35 / 90

HEX #151A11

RGB 21 26 17

HSL 93.33, 0.21%, 0.08%

LAB 8.47, -4.56, 5.01

 

CMYK 19 / 0 / 35 / 70

HEX #3E4D32

RGB 62 77 50

HSL 93.33, 0.21%, 0.25%

LAB 30.79, -11.67, 14.13

 

CMYK 19 / 0 / 35 / 50

HEX #688053

RGB 104 128 83

HSL 92, 0.21%, 0.41%

LAB 50.69, -17.34, 21.67

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 35 / 0 / 9 / 30

HEX #74B2A2

RGB 116 178 162

HSL 164.52, 0.29%, 0.58%

LAB 68.14, -23.59, 1.85

 

CMYK 0 / 35 / 4 / 30

HEX #B274AA

RGB 178 116 170

HSL 307.74, 0.29%, 0.58%

LAB 56.94, 32.95, -18.85

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 35 / 19 / 0 / 30

HEX #7491B2

RGB 116 145 178

HSL 211.94, 0.29%, 0.58%

LAB 59.14, -1.97, -20.55

 

CMYK 0 / 35 / 19 / 30

HEX #B27491

RGB 178 116 145

HSL 331.94, 0.29%, 0.58%

LAB 56.09, 28.63, -5.64

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 35 / 0 / 9 / 30

HEX #74B2A2

RGB 116 178 162

HSL 164.52, 0.29%, 0.58%

LAB 68.14, -23.59, 1.85

 

CMYK 16 / 35 / 0 / 30

HEX #9574B2

RGB 149 116 178

HSL 271.94, 0.29%, 0.58%

LAB 54.13, 25.09, -28.04

 

CMYK 0 / 35 / 25 / 30

HEX #B27485

RGB 178 116 133

HSL 343.55, 0.29%, 0.58%

LAB 55.73, 26.78, 0.83

 

CMYK 19 / 0 / 35 / 30

HEX #91B374

RGB 145 179 116

HSL 92.38, 0.29%, 0.58%

LAB 69.13, -22.94, 28.49

 

CMYK 35 / 1 / 0 / 30

HEX #74B0B2

RGB 116 176 178

HSL 181.94, 0.29%, 0.58%

LAB 68, -18.79, -7.2

 

CMYK 16 / 35 / 0 / 30

HEX #9574B2

RGB 149 116 178

HSL 271.94, 0.29%, 0.58%

LAB 54.13, 25.09, -28.04

 

CMYK 0 / 34 / 35 / 30

HEX #B27674

RGB 178 118 116

HSL 1.94, 0.29%, 0.58%

LAB 55.77, 23.31, 10.78

 

Description

Color code: HEX #91B374 | qconv.com Color code: HEX #91B374 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 179 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 179 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 35 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 35% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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