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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91ACE2 it is the complementary color #6E531D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91ACE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #91ACE2: #96ACDD, #A7BEF0, #B8D0FF, #C9E2FF and #DAF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91ACE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #91ACE2: #91ACE2, #809ACF, #6F88BC, #5E76A9 and #4D6496

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

Complementary color

CMYK 0 / 25 / 74 / 57

HEX #6E531D

RGB 110 83 29

HSL 40, 0.58%, 0.27%

LAB 37.1, 5.16, 34.7

 

CMYK 32 / 22 / 0 / 13

HEX #96ACDD

RGB 150 172 221

HSL 221.41, 0.51%, 0.73%

LAB 70.32, 3.8, -27.19

 

CMYK 30 / 21 / 0 / 6

HEX #A7BEF0

RGB 167 190 240

HSL 221.1, 0.71%, 0.8%

LAB 76.88, 3.49, -27.35

 

CMYK 28 / 18 / 0 / 0

HEX #B8D0FF

RGB 184 208 255

HSL 219.72, 1%, 0.86%

LAB 83.19, 2.26, -25.63

 

CMYK 21 / 11 / 0 / 0

HEX #C9E2FF

RGB 201 226 255

HSL 212.22, 1%, 0.89%

LAB 88.94, -2.22, -16.82

 

CMYK 15 / 4 / 0 / 0

HEX #DAF4FF

RGB 218 244 255

HSL 197.84, 1%, 0.93%

LAB 94.66, -6.27, -8.15

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 38 / 26 / 0 / 19

HEX #809ACF

RGB 128 154 207

HSL 220.25, 0.45%, 0.66%

LAB 63.51, 4.09, -30.07

 

CMYK 41 / 28 / 0 / 26

HEX #6F88BC

RGB 111 136 188

HSL 220.52, 0.36%, 0.59%

LAB 56.7, 4.56, -30.02

 

CMYK 44 / 30 / 0 / 34

HEX #5E76A9

RGB 94 118 169

HSL 220.8, 0.3%, 0.52%

LAB 49.74, 5.13, -30

 

CMYK 49 / 33 / 0 / 41

HEX #4D6496

RGB 77 100 150

HSL 221.1, 0.32%, 0.45%

LAB 42.6, 5.82, -30.04

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 35 / 30 / 0 / 11

HEX #929FE2

RGB 146 159 226

HSL 230.25, 0.58%, 0.73%

LAB 66.82, 11.28, -35.37

 

CMYK 35 / 35 / 0 / 11

HEX #9292E2

RGB 146 146 226

HSL 240, 0.58%, 0.73%

LAB 63.47, 18.73, -40.59

 

CMYK 30 / 35 / 0 / 11

HEX #9F92E2

RGB 159 146 226

HSL 249.75, 0.58%, 0.73%

LAB 64.5, 22.34, -38.92

 

CMYK 24 / 35 / 0 / 11

HEX #AC92E2

RGB 172 146 226

HSL 259.5, 0.58%, 0.73%

LAB 65.61, 26.09, -37.1

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 36 / 23 / 0 / 91

HEX #0E1116

RGB 14 17 22

HSL 217.5, 0.22%, 0.07%

LAB 4.99, 0.06, -3.39

 

CMYK 36 / 23 / 0 / 71

HEX #2F3849

RGB 47 56 73

HSL 219.23, 0.22%, 0.24%

LAB 23.38, 1.05, -11.68

 

CMYK 35 / 24 / 0 / 51

HEX #505E7C

RGB 80 94 124

HSL 220.91, 0.22%, 0.4%

LAB 39.86, 2.51, -18.59

 

CMYK 36 / 24 / 0 / 31

HEX #7085AF

RGB 112 133 175

HSL 220, 0.28%, 0.56%

LAB 55.4, 2.97, -24.61

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 5 / 35 / 0 / 11

HEX #D792E2

RGB 215 146 226

HSL 291.75, 0.58%, 0.73%

LAB 69.82, 39.1, -30.24

 

CMYK 10 / 0 / 35 / 11

HEX #CCE292

RGB 204 226 146

HSL 76.5, 0.58%, 0.73%

LAB 86.66, -20.13, 36.74

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 0 / 35 / 24 / 11

HEX #E292AC

RGB 226 146 172

HSL 340.5, 0.58%, 0.73%

LAB 69.26, 33.67, -0.98

 

CMYK 24 / 0 / 35 / 11

HEX #ACE292

RGB 172 226 146

HSL 100.5, 0.58%, 0.73%

LAB 84.61, -31.65, 33.66

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 5 / 35 / 0 / 11

HEX #D792E2

RGB 215 146 226

HSL 291.75, 0.58%, 0.73%

LAB 69.82, 39.1, -30.24

 

CMYK 0 / 12 / 35 / 11

HEX #E2C792

RGB 226 199 146

HSL 39.75, 0.58%, 0.73%

LAB 81.34, 2.01, 30.05

 

CMYK 31 / 0 / 35 / 11

HEX #9CE292

RGB 156 226 146

HSL 112.5, 0.58%, 0.73%

LAB 83.72, -37.01, 32.34

 

CMYK 36 / 24 / 0 / 11

HEX #91ACE2

RGB 145 172 226

HSL 220, 0.58%, 0.73%

LAB 70.19, 3.69, -30.17

 

CMYK 0 / 35 / 6 / 11

HEX #E292D4

RGB 226 146 212

HSL 310.5, 0.58%, 0.73%

LAB 70.51, 40.01, -21.35

 

CMYK 0 / 12 / 35 / 11

HEX #E2C792

RGB 226 199 146

HSL 39.75, 0.58%, 0.73%

LAB 81.34, 2.01, 30.05

 

CMYK 35 / 0 / 30 / 11

HEX #92E29F

RGB 146 226 159

HSL 129.75, 0.58%, 0.73%

LAB 83.45, -38.06, 25.21

 

Description

Color code: HEX #91ACE2 | qconv.com Color code: HEX #91ACE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 172 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 172 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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