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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #919EC8 it is the complementary color #6E6137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #919EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #919EC8: #969EC3, #A7B0D6, #B8C2E9, #C9D4FC and #DAE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #919EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #919EC8: #919EC8, #808CB5, #6F7AA2, #5E688F and #4D567C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

Complementary color

CMYK 0 / 12 / 50 / 57

HEX #6E6137

RGB 110 97 55

HSL 45.82, 0.33%, 0.32%

LAB 41.44, -1.04, 25.75

 

CMYK 23 / 19 / 0 / 24

HEX #969EC3

RGB 150 158 195

HSL 229.33, 0.27%, 0.68%

LAB 65.65, 5.25, -19.97

 

CMYK 22 / 18 / 0 / 16

HEX #A7B0D6

RGB 167 176 214

HSL 228.51, 0.36%, 0.75%

LAB 72.31, 4.97, -20.22

 

CMYK 21 / 17 / 0 / 9

HEX #B8C2E9

RGB 184 194 233

HSL 227.76, 0.53%, 0.82%

LAB 78.84, 4.71, -20.49

 

CMYK 20 / 16 / 0 / 1

HEX #C9D4FC

RGB 201 212 252

HSL 227.06, 0.89%, 0.89%

LAB 85.27, 4.47, -20.78

 

CMYK 15 / 10 / 0 / 0

HEX #DAE6FF

RGB 218 230 255

HSL 220.54, 1%, 0.93%

LAB 91.11, 0.9, -13.45

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 29 / 23 / 0 / 29

HEX #808CB5

RGB 128 140 181

HSL 226.42, 0.26%, 0.61%

LAB 58.68, 5.25, -22.89

 

CMYK 31 / 25 / 0 / 36

HEX #6F7AA2

RGB 111 122 162

HSL 227.06, 0.22%, 0.54%

LAB 51.73, 5.63, -22.75

 

CMYK 34 / 27 / 0 / 44

HEX #5E688F

RGB 94 104 143

HSL 227.76, 0.21%, 0.46%

LAB 44.61, 6.07, -22.65

 

CMYK 38 / 31 / 0 / 51

HEX #4D567C

RGB 77 86 124

HSL 228.51, 0.23%, 0.39%

LAB 37.28, 6.61, -22.6

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 27 / 25 / 0 / 22

HEX #9296C8

RGB 146 150 200

HSL 235.56, 0.33%, 0.68%

LAB 63.42, 9.75, -26.2

 

CMYK 25 / 27 / 0 / 22

HEX #9692C8

RGB 150 146 200

HSL 244.44, 0.33%, 0.68%

LAB 62.69, 13.26, -27.31

 

CMYK 21 / 27 / 0 / 22

HEX #9F92C8

RGB 159 146 200

HSL 254.44, 0.33%, 0.68%

LAB 63.42, 16.04, -26.11

 

CMYK 16 / 27 / 0 / 22

HEX #A892C8

RGB 168 146 200

HSL 264.44, 0.33%, 0.68%

LAB 64.2, 18.89, -24.85

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 27 / 21 / 0 / 2

HEX #B6C6FB

RGB 182 198 251

HSL 226.09, 0.9%, 0.85%

LAB 80.35, 6.11, -27.85

 

CMYK 28 / 21 / 0 / 82

HEX #22252F

RGB 34 37 47

HSL 226.15, 0.16%, 0.16%

LAB 14.78, 1.44, -7.02

 

CMYK 28 / 21 / 0 / 62

HEX #474D62

RGB 71 77 98

HSL 226.67, 0.16%, 0.33%

LAB 32.98, 2.92, -13.05

 

CMYK 28 / 21 / 0 / 42

HEX #6C7695

RGB 108 118 149

HSL 225.37, 0.16%, 0.5%

LAB 49.88, 3.65, -18.02

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 1 / 27 / 0 / 22

HEX #C592C8

RGB 197 146 200

HSL 296.67, 0.33%, 0.68%

LAB 66.97, 28.35, -20.36

 

CMYK 10 / 0 / 27 / 22

HEX #B5C892

RGB 181 200 146

HSL 81.11, 0.33%, 0.68%

LAB 78, -15.76, 24.93

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 0 / 27 / 21 / 22

HEX #C8929F

RGB 200 146 159

HSL 345.56, 0.33%, 0.68%

LAB 66.01, 22.3, 1.22

 

CMYK 21 / 0 / 27 / 22

HEX #9FC892

RGB 159 200 146

HSL 105.56, 0.33%, 0.68%

LAB 76.53, -23.7, 22.69

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 1 / 27 / 0 / 22

HEX #C592C8

RGB 197 146 200

HSL 296.67, 0.33%, 0.68%

LAB 66.97, 28.35, -20.36

 

CMYK 0 / 7 / 27 / 22

HEX #C8BA92

RGB 200 186 146

HSL 44.44, 0.33%, 0.68%

LAB 75.74, -1.28, 22.11

 

CMYK 26 / 0 / 27 / 22

HEX #95C892

RGB 149 200 146

HSL 116.67, 0.33%, 0.68%

LAB 75.93, -27.14, 21.78

 

CMYK 28 / 21 / 0 / 22

HEX #919EC8

RGB 145 158 200

HSL 225.82, 0.33%, 0.68%

LAB 65.47, 4.91, -23.07

 

CMYK 0 / 27 / 7 / 22

HEX #C892BA

RGB 200 146 186

HSL 315.56, 0.33%, 0.68%

LAB 66.81, 26.78, -12.76

 

CMYK 0 / 7 / 27 / 22

HEX #C8BA92

RGB 200 186 146

HSL 44.44, 0.33%, 0.68%

LAB 75.74, -1.28, 22.11

 

CMYK 27 / 0 / 21 / 22

HEX #92C89F

RGB 146 200 159

HSL 134.44, 0.33%, 0.68%

LAB 76.02, -25.84, 14.95

 

Description

Color code: HEX #919EC8 | qconv.com Color code: HEX #919EC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 158 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 158 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 21 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 21% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - 株式会社トーモク
Link: https://www.tomoku.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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