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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9175C7 it is the complementary color #6E8A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9175C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9175C7 shade: #9675C2, #A787D5, #B899E8, #C9ABFB and #DABDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9175C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9175C7 shade: #9175C7, #8063B4, #6F51A1, #5E3F8E and #4D2D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9175C7 shade: #9175C7, #A775C7, #BD75C7, #C775BB and #C775A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9175C7 shade: #9175C7, #7B75C7 and #7575C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9175C7 shade matches the following richer shades: #9175C7, #8C66D6, #8756E6 and #8246F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9175C7 shade: #9175C7, #9685B7, #9B95A7, #A0A498 and #A5B488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9175C7 shade: #7586C7, #7B75C7, #9175C7, #A675C7 and #BC75C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9175C7 shade: #6544A6, #7A58BB, #9175C7, #A993D3 and #C0B0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9175C7 shade: #9175C7, #C7759B and #7BC775

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9175C7 shade: #9175C7, #C79175 and #75C791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9175C7 shade: #9175C7, #C7759B, #ACC775 and #75C7A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9175C7 shade: #9175C7, #C77583, #ACC775 and #75C7B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

Complementary color

CMYK 20 / 0 / 59 / 46

HEX #6E8A38

RGB 110 138 56

HSL 80.49, 0.42%, 0.38%

LAB 53.79, -23.41, 39.87

 

CMYK 23 / 40 / 0 / 24

HEX #9675C2

RGB 150 117 194

HSL 265.71, 0.39%, 0.61%

LAB 55.18, 28.55, -35.58

 

CMYK 22 / 37 / 0 / 16

HEX #A787D5

RGB 167 135 213

HSL 264.62, 0.48%, 0.68%

LAB 61.95, 27.79, -35.61

 

CMYK 21 / 34 / 0 / 9

HEX #B899E8

RGB 184 153 232

HSL 263.54, 0.63%, 0.75%

LAB 68.61, 27.1, -35.66

 

CMYK 20 / 32 / 0 / 2

HEX #C9ABFB

RGB 201 171 251

HSL 262.5, 0.91%, 0.83%

LAB 75.14, 26.46, -35.74

 

CMYK 15 / 26 / 0 / 0

HEX #DABDFF

RGB 218 189 255

HSL 266.36, 1%, 0.87%

LAB 81.03, 22.66, -28.7

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 29 / 45 / 0 / 29

HEX #8063B4

RGB 128 99 180

HSL 261.48, 0.35%, 0.55%

LAB 48.02, 29.2, -38.92

 

CMYK 31 / 50 / 0 / 37

HEX #6F51A1

RGB 111 81 161

HSL 262.5, 0.33%, 0.47%

LAB 40.96, 30.18, -39.02

 

CMYK 34 / 56 / 0 / 44

HEX #5E3F8E

RGB 94 63 142

HSL 263.54, 0.39%, 0.4%

LAB 33.75, 31.25, -39.13

 

CMYK 37 / 63 / 0 / 52

HEX #4D2D7B

RGB 77 45 123

HSL 264.62, 0.46%, 0.33%

LAB 26.4, 32.39, -39.2

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 16 / 41 / 0 / 22

HEX #A775C7

RGB 167 117 199

HSL 276.59, 0.42%, 0.62%

LAB 57.14, 34.78, -35.24

 

CMYK 5 / 41 / 0 / 22

HEX #BD75C7

RGB 189 117 199

HSL 292.68, 0.42%, 0.62%

LAB 59.58, 41.43, -31.24

 

CMYK 0 / 41 / 6 / 22

HEX #C775BB

RGB 199 117 187

HSL 308.78, 0.42%, 0.62%

LAB 60.3, 42.32, -23.22

 

CMYK 0 / 41 / 17 / 22

HEX #C775A5

RGB 199 117 165

HSL 324.88, 0.42%, 0.62%

LAB 59.51, 38.65, -11.83

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 41 / 41 / 0 / 22

HEX #7575C7

RGB 117 117 199

HSL 240, 0.42%, 0.62%

LAB 52.54, 20.63, -42.78

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 35 / 52 / 0 / 16

HEX #8C66D6

RGB 140 102 214

HSL 260.36, 0.58%, 0.62%

LAB 51.76, 39.44, -52.44

 

CMYK 41 / 63 / 0 / 10

HEX #8756E6

RGB 135 86 230

HSL 260.42, 0.74%, 0.62%

LAB 48.91, 51.33, -66.11

 

CMYK 47 / 72 / 0 / 4

HEX #8246F6

RGB 130 70 246

HSL 260.45, 0.91%, 0.62%

LAB 46.68, 62.62, -78.75

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 18 / 27 / 0 / 28

HEX #9685B7

RGB 150 133 183

HSL 260.4, 0.26%, 0.62%

LAB 58.68, 16.7, -23.88

 

CMYK 7 / 11 / 0 / 35

HEX #9B95A7

RGB 155 149 167

HSL 260, 0.09%, 0.62%

LAB 62.72, 5.75, -8.63

 

CMYK 2 / 0 / 7 / 36

HEX #A0A498

RGB 160 164 152

HSL 80, 0.06%, 0.62%

LAB 66.74, -3.67, 5.72

 

CMYK 8 / 0 / 24 / 29

HEX #A5B488

RGB 165 180 136

HSL 80.45, 0.23%, 0.62%

LAB 71.16, -12.98, 20.76

 

CMYK 41 / 33 / 0 / 22

HEX #7586C7

RGB 117 134 199

HSL 227.56, 0.42%, 0.62%

LAB 57.03, 10.49, -35.71

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 17 / 41 / 0 / 22

HEX #A675C7

RGB 166 117 199

HSL 275.85, 0.42%, 0.62%

LAB 57.03, 34.48, -35.41

 

CMYK 6 / 41 / 0 / 22

HEX #BC75C7

RGB 188 117 199

HSL 291.95, 0.42%, 0.62%

LAB 59.47, 41.13, -31.42

 

CMYK 39 / 59 / 0 / 35

HEX #6544A6

RGB 101 68 166

HSL 260.2, 0.42%, 0.46%

LAB 37.21, 36.66, -48.05

 

CMYK 35 / 53 / 0 / 27

HEX #7A58BB

RGB 122 88 187

HSL 260.61, 0.42%, 0.54%

LAB 45.23, 35.87, -47.46

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 20 / 30 / 0 / 17

HEX #A993D3

RGB 169 147 211

HSL 260.63, 0.42%, 0.7%

LAB 64.97, 21.13, -29.8

 

CMYK 14 / 21 / 0 / 13

HEX #C0B0DF

RGB 192 176 223

HSL 260.43, 0.42%, 0.78%

LAB 74.56, 14.83, -21.53

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 0 / 41 / 22 / 22

HEX #C7759B

RGB 199 117 155

HSL 332.2, 0.42%, 0.62%

LAB 59.19, 37.11, -6.55

 

CMYK 38 / 0 / 41 / 22

HEX #7BC775

RGB 123 199 117

HSL 115.61, 0.42%, 0.62%

LAB 73.77, -39.81, 33.79

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 0 / 27 / 41 / 22

HEX #C79175

RGB 199 145 117

HSL 20.49, 0.42%, 0.62%

LAB 64.71, 16.85, 22.89

 

CMYK 41 / 0 / 27 / 22

HEX #75C791

RGB 117 199 145

HSL 140.49, 0.42%, 0.62%

LAB 73.98, -36.88, 19.37

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 0 / 41 / 22 / 22

HEX #C7759B

RGB 199 117 155

HSL 332.2, 0.42%, 0.62%

LAB 59.19, 37.11, -6.55

 

CMYK 14 / 0 / 41 / 22

HEX #ACC775

RGB 172 199 117

HSL 79.76, 0.42%, 0.62%

LAB 76.62, -22.52, 38.02

 

CMYK 41 / 0 / 19 / 22

HEX #75C7A1

RGB 117 199 161

HSL 152.2, 0.42%, 0.62%

LAB 74.32, -33.7, 11.27

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 0 / 41 / 34 / 22

HEX #C77583

RGB 199 117 131

HSL 349.76, 0.42%, 0.62%

LAB 58.51, 33.8, 6.33

 

CMYK 14 / 0 / 41 / 22

HEX #ACC775

RGB 172 199 117

HSL 79.76, 0.42%, 0.62%

LAB 76.62, -22.52, 38.02

 

CMYK 41 / 0 / 7 / 22

HEX #75C7B9

RGB 117 199 185

HSL 169.76, 0.42%, 0.62%

LAB 74.91, -28.36, -0.85

 

Description

Color code: HEX #9175C7 | qconv.com Color code: HEX #9175C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 117 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 117 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 41 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 41% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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