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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B75C7 it is the complementary color #848A38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B75C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B75C7 shade: #8075C2, #9187D5, #A299E8, #B3ABFB and #C4BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B75C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B75C7 shade: #7B75C7, #6A63B4, #5951A1, #483F8E and #372D7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B75C7 shade: #7B75C7, #9175C7, #A775C7, #BD75C7 and #C775BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B75C7 shade: #7B75C7 and #7575C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B75C7 shade matches the following richer shades: #7B75C7, #6E66D6, #6156E6 and #5346F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B75C7 shade: #7B75C7, #8985B7, #9695A7, #A4A498 and #B1B488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B75C7 shade: #759BC7, #7586C7, #7B75C7, #9175C7 and #A675C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B75C7 shade: #4B44A6, #5F58BB, #7B75C7, #9793D3 and #B3B0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B75C7 shade: #7B75C7, #C775B1 and #91C775

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B75C7 shade: #7B75C7, #C77B75 and #75C77B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B75C7 shade: #7B75C7, #C775B1, #C1C775 and #75C78B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B75C7 shade: #7B75C7, #C77599, #C1C775 and #75C7A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

Complementary color

CMYK 4 / 0 / 59 / 46

HEX #848A38

RGB 132 138 56

HSL 64.39, 0.42%, 0.38%

LAB 55.45, -14, 42.19

 

CMYK 34 / 40 / 0 / 24

HEX #8075C2

RGB 128 117 194

HSL 248.57, 0.39%, 0.61%

LAB 53.18, 22.19, -38.86

 

CMYK 32 / 37 / 0 / 16

HEX #9187D5

RGB 145 135 213

HSL 247.69, 0.48%, 0.68%

LAB 60.03, 21.41, -38.76

 

CMYK 30 / 34 / 0 / 9

HEX #A299E8

RGB 162 153 232

HSL 246.84, 0.63%, 0.75%

LAB 66.74, 20.71, -38.71

 

CMYK 29 / 32 / 0 / 2

HEX #B3ABFB

RGB 179 171 251

HSL 246, 0.91%, 0.83%

LAB 73.33, 20.08, -38.69

 

CMYK 23 / 26 / 0 / 0

HEX #C4BDFF

RGB 196 189 255

HSL 246.36, 1%, 0.87%

LAB 79.24, 16.02, -31.6

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 41 / 45 / 0 / 29

HEX #6A63B4

RGB 106 99 180

HSL 245.19, 0.35%, 0.55%

LAB 46.02, 23.19, -42.21

 

CMYK 45 / 50 / 0 / 37

HEX #5951A1

RGB 89 81 161

HSL 246, 0.33%, 0.47%

LAB 38.87, 24.35, -42.47

 

CMYK 49 / 56 / 0 / 44

HEX #483F8E

RGB 72 63 142

HSL 246.84, 0.39%, 0.4%

LAB 31.55, 25.73, -42.78

 

CMYK 55 / 63 / 0 / 52

HEX #372D7B

RGB 55 45 123

HSL 247.69, 0.46%, 0.33%

LAB 24.06, 27.39, -43.11

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 16 / 41 / 0 / 22

HEX #A775C7

RGB 167 117 199

HSL 276.59, 0.42%, 0.62%

LAB 57.14, 34.78, -35.24

 

CMYK 5 / 41 / 0 / 22

HEX #BD75C7

RGB 189 117 199

HSL 292.68, 0.42%, 0.62%

LAB 59.58, 41.43, -31.24

 

CMYK 0 / 41 / 7 / 22

HEX #C775BA

RGB 199 117 186

HSL 309.51, 0.42%, 0.62%

LAB 60.26, 42.14, -22.71

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 41 / 41 / 0 / 22

HEX #7575C7

RGB 117 117 199

HSL 240, 0.42%, 0.62%

LAB 52.54, 20.63, -42.78

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 49 / 52 / 0 / 16

HEX #6E66D6

RGB 110 102 214

HSL 244.29, 0.58%, 0.62%

LAB 49.1, 32.42, -56.85

 

CMYK 58 / 63 / 0 / 10

HEX #6156E6

RGB 97 86 230

HSL 244.58, 0.74%, 0.62%

LAB 45.51, 44.36, -71.79

 

CMYK 66 / 72 / 0 / 4

HEX #5346F6

RGB 83 70 246

HSL 244.43, 0.91%, 0.62%

LAB 42.57, 56.34, -85.66

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 25 / 27 / 0 / 28

HEX #8985B7

RGB 137 133 183

HSL 244.8, 0.26%, 0.62%

LAB 57.57, 12.58, -25.67

 

CMYK 10 / 11 / 0 / 35

HEX #9695A7

RGB 150 149 167

HSL 243.33, 0.09%, 0.62%

LAB 62.31, 4.01, -9.29

 

CMYK 0 / 0 / 7 / 36

HEX #A4A498

RGB 164 164 152

HSL 60, 0.06%, 0.62%

LAB 67.06, -2.2, 6.22

 

CMYK 2 / 0 / 24 / 29

HEX #B1B488

RGB 177 180 136

HSL 64.09, 0.23%, 0.62%

LAB 72.07, -8.41, 22.16

 

CMYK 41 / 22 / 0 / 22

HEX #759BC7

RGB 117 155 199

HSL 212.2, 0.42%, 0.62%

LAB 62.8, -1.64, -26.76

 

CMYK 41 / 33 / 0 / 22

HEX #7586C7

RGB 117 134 199

HSL 227.56, 0.42%, 0.62%

LAB 57.03, 10.49, -35.71

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 27 / 41 / 0 / 22

HEX #9175C7

RGB 145 117 199

HSL 260.49, 0.42%, 0.62%

LAB 54.93, 28.31, -38.84

 

CMYK 17 / 41 / 0 / 22

HEX #A675C7

RGB 166 117 199

HSL 275.85, 0.42%, 0.62%

LAB 57.03, 34.48, -35.41

 

CMYK 55 / 59 / 0 / 35

HEX #4B44A6

RGB 75 68 166

HSL 244.29, 0.42%, 0.46%

LAB 34.77, 30.96, -52.12

 

CMYK 49 / 53 / 0 / 27

HEX #5F58BB

RGB 95 88 187

HSL 244.24, 0.42%, 0.54%

LAB 42.76, 29.41, -51.55

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 28 / 30 / 0 / 17

HEX #9793D3

RGB 151 147 211

HSL 243.75, 0.42%, 0.7%

LAB 63.47, 15.7, -32.24

 

CMYK 20 / 21 / 0 / 13

HEX #B3B0DF

RGB 179 176 223

HSL 243.83, 0.42%, 0.78%

LAB 73.52, 10.74, -23.21

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 0 / 41 / 11 / 22

HEX #C775B1

RGB 199 117 177

HSL 316.1, 0.42%, 0.62%

LAB 59.92, 40.6, -18.09

 

CMYK 27 / 0 / 41 / 22

HEX #91C775

RGB 145 199 117

HSL 99.51, 0.42%, 0.62%

LAB 74.92, -32.45, 35.51

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 0 / 38 / 41 / 22

HEX #C77B75

RGB 199 123 117

HSL 4.39, 0.42%, 0.62%

LAB 59.52, 28.89, 15.82

 

CMYK 41 / 0 / 38 / 22

HEX #75C77B

RGB 117 199 123

HSL 124.39, 0.42%, 0.62%

LAB 73.58, -40.73, 30.41

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 0 / 41 / 11 / 22

HEX #C775B1

RGB 199 117 177

HSL 316.1, 0.42%, 0.62%

LAB 59.92, 40.6, -18.09

 

CMYK 3 / 0 / 41 / 22

HEX #C1C775

RGB 193 199 117

HSL 64.39, 0.42%, 0.62%

LAB 78.15, -14.32, 40.28

 

CMYK 41 / 0 / 30 / 22

HEX #75C78B

RGB 117 199 139

HSL 136.1, 0.42%, 0.62%

LAB 73.86, -38, 22.4

 

CMYK 38 / 41 / 0 / 22

HEX #7B75C7

RGB 123 117 199

HSL 244.39, 0.42%, 0.62%

LAB 53.01, 22.2, -42

 

CMYK 0 / 41 / 23 / 22

HEX #C77599

RGB 199 117 153

HSL 333.66, 0.42%, 0.62%

LAB 59.13, 36.81, -5.49

 

CMYK 3 / 0 / 41 / 22

HEX #C1C775

RGB 193 199 117

HSL 64.39, 0.42%, 0.62%

LAB 78.15, -14.32, 40.28

 

CMYK 41 / 0 / 18 / 22

HEX #75C7A4

RGB 117 199 164

HSL 154.39, 0.42%, 0.62%

LAB 74.39, -33.07, 9.75

 

Description

Color code: HEX #7B75C7 | qconv.com Color code: HEX #7B75C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 117 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 117 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 41 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 41% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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