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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916ADE it is the complementary color #6E9521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #916ADE: #966AD9, #A77CEC, #B88EFF, #C9A0FF and #DAB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #916ADE: #916ADE, #8058CB, #6F46B8, #5E34A5 and #4D2292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

Complementary color

CMYK 26 / 0 / 78 / 42

HEX #6E9521

RGB 110 149 33

HSL 80.17, 0.64%, 0.36%

LAB 57, -30.45, 52.7

 

CMYK 31 / 51 / 0 / 15

HEX #966AD9

RGB 150 106 217

HSL 263.78, 0.59%, 0.63%

LAB 53.82, 40.47, -50.8

 

CMYK 29 / 47 / 0 / 7

HEX #A77CEC

RGB 167 124 236

HSL 263.04, 0.75%, 0.71%

LAB 60.5, 39.5, -50.7

 

CMYK 28 / 44 / 0 / 0

HEX #B88EFF

RGB 184 142 255

HSL 262.3, 1%, 0.78%

LAB 67.09, 38.59, -50.62

 

CMYK 21 / 37 / 0 / 0

HEX #C9A0FF

RGB 201 160 255

HSL 265.89, 1%, 0.81%

LAB 72.75, 33.39, -41.63

 

CMYK 15 / 30 / 0 / 0

HEX #DAB2FF

RGB 218 178 255

HSL 271.17, 1%, 0.85%

LAB 78.44, 28.6, -32.68

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 37 / 57 / 0 / 20

HEX #8058CB

RGB 128 88 203

HSL 260.87, 0.53%, 0.57%

LAB 46.82, 41.59, -54.14

 

CMYK 40 / 62 / 0 / 28

HEX #6F46B8

RGB 111 70 184

HSL 261.58, 0.45%, 0.5%

LAB 39.95, 42.73, -54.25

 

CMYK 43 / 68 / 0 / 35

HEX #5E34A5

RGB 94 52 165

HSL 262.3, 0.52%, 0.43%

LAB 33.03, 43.84, -54.25

 

CMYK 47 / 77 / 0 / 43

HEX #4D2292

RGB 77 34 146

HSL 263.04, 0.62%, 0.35%

LAB 26.15, 44.7, -53.99

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 26 / 53 / 0 / 13

HEX #A368DD

RGB 163 104 221

HSL 270.26, 0.63%, 0.64%

LAB 54.98, 45.86, -51.13

 

CMYK 18 / 53 / 0 / 13

HEX #B668DD

RGB 182 104 221

HSL 280, 0.63%, 0.64%

LAB 57.14, 50.79, -47.56

 

CMYK 9 / 53 / 0 / 13

HEX #CA68DD

RGB 202 104 221

HSL 290.26, 0.63%, 0.64%

LAB 59.6, 56.07, -43.51

 

CMYK 0 / 53 / 0 / 13

HEX #DD68DD

RGB 221 104 221

HSL 300, 0.63%, 0.64%

LAB 62.08, 61.13, -39.44

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 33 / 50 / 0 / 93

HEX #0C0912

RGB 12 9 18

HSL 260, 0.33%, 0.05%

LAB 2.87, 2.33, -3.85

 

CMYK 35 / 52 / 0 / 73

HEX #2D2145

RGB 45 33 69

HSL 260, 0.35%, 0.2%

LAB 15.88, 15.16, -20.67

 

CMYK 35 / 53 / 0 / 53

HEX #4E3978

RGB 78 57 120

HSL 260, 0.36%, 0.35%

LAB 29.16, 24.41, -32.88

 

CMYK 35 / 52 / 0 / 33

HEX #7052AB

RGB 112 82 171

HSL 260.22, 0.35%, 0.5%

LAB 41.88, 32.53, -43.49

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 0 / 53 / 28 / 13

HEX #DD689F

RGB 221 104 159

HSL 331.79, 0.63%, 0.64%

LAB 59.69, 51.64, -7.8

 

CMYK 49 / 0 / 53 / 13

HEX #70DD68

RGB 112 221 104

HSL 115.9, 0.63%, 0.64%

LAB 79.7, -54, 47.49

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 0 / 35 / 53 / 13

HEX #DD8F68

RGB 221 143 104

HSL 20, 0.63%, 0.64%

LAB 66.53, 25.52, 32.88

 

CMYK 53 / 0 / 35 / 13

HEX #68DD8F

RGB 104 221 143

HSL 140, 0.63%, 0.64%

LAB 79.98, -50.18, 28.48

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 0 / 53 / 28 / 13

HEX #DD689F

RGB 221 104 159

HSL 331.79, 0.63%, 0.64%

LAB 59.69, 51.64, -7.8

 

CMYK 18 / 0 / 53 / 13

HEX #B6DD68

RGB 182 221 104

HSL 80, 0.63%, 0.64%

LAB 83.26, -30.66, 52.59

 

CMYK 53 / 0 / 24 / 13

HEX #68DDA7

RGB 104 221 167

HSL 152.31, 0.63%, 0.64%

LAB 80.43, -45.57, 16.61

 

CMYK 35 / 52 / 0 / 13

HEX #916ADE

RGB 145 106 222

HSL 260.17, 0.64%, 0.64%

LAB 53.6, 40.48, -53.99

 

CMYK 0 / 53 / 44 / 13

HEX #DD687C

RGB 221 104 124

HSL 349.74, 0.63%, 0.64%

LAB 58.72, 47.58, 11.11

 

CMYK 18 / 0 / 53 / 13

HEX #B6DD68

RGB 182 221 104

HSL 80, 0.63%, 0.64%

LAB 83.26, -30.66, 52.59

 

CMYK 53 / 0 / 9 / 13

HEX #68DDCA

RGB 104 221 202

HSL 170.26, 0.63%, 0.64%

LAB 81.25, -37.65, -0.75

 

Description

Color code: HEX #916ADE | qconv.com Color code: HEX #916ADE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 106 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 106 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 52 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 52% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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