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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2ACED it is the complementary color #3D5312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2ACED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2ACED shade: #C7ACE8, #D8BEFB, #E9D0FF, #FAE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2ACED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2ACED shade: #C2ACED, #B19ADA, #A088C7, #8F76B4 and #7E64A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2ACED shade: #C1ABED, #D3ABED, #E5ABED, #EDABE3 and #EDABD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2ACED shade: #C1ABED, #B0ABED and #ABABED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2ACED shade matches the following richer shades: #C1ABED, #BFA3F5 and #BC9BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2ACED shade: #C1ABED, #C4B4E4, #C7BCDC, #C9C4D4 and #CCCCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2ACED shade: #ABB8ED, #B0ABED, #C1ABED, #D3ABED and #E4ABED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2ACED shade: #9068DE, #A98AE5, #C1ABED, #DACDF4 and #F3EFFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2ACED shade: #C2ACED, #EDABCA and #B0EDAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2ACED shade: #C2ACED, #EDC1AB and #ABEDC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2ACED shade: #C2ACED, #EDABCA, #D7EDAB and #ABEDCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2ACED shade: #C2ACED, #EDABB6, #D7EDAB and #ABEDE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

Complementary color

CMYK 27 / 0 / 78 / 67

HEX #3D5312

RGB 61 83 18

HSL 80.31, 0.64%, 0.2%

LAB 32.31, -19.3, 33.34

 

CMYK 14 / 26 / 0 / 9

HEX #C7ACE8

RGB 199 172 232

HSL 267, 0.57%, 0.79%

LAB 74.49, 21.16, -26.47

 

CMYK 14 / 24 / 0 / 2

HEX #D8BEFB

RGB 216 190 251

HSL 265.57, 0.88%, 0.86%

LAB 80.96, 20.66, -26.69

 

CMYK 9 / 18 / 0 / 0

HEX #E9D0FF

RGB 233 208 255

HSL 271.91, 1%, 0.91%

LAB 86.83, 17.19, -19.76

 

CMYK 2 / 11 / 0 / 0

HEX #FAE2FF

RGB 250 226 255

HSL 289.66, 1%, 0.94%

LAB 92.55, 13.22, -11.04

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

CMYK 19 / 29 / 0 / 15

HEX #B19ADA

RGB 177 154 218

HSL 261.56, 0.46%, 0.73%

LAB 67.67, 21.24, -29.46

 

CMYK 20 / 32 / 0 / 22

HEX #A088C7

RGB 160 136 199

HSL 262.86, 0.36%, 0.66%

LAB 60.96, 21.84, -29.34

 

CMYK 21 / 34 / 0 / 29

HEX #8F76B4

RGB 143 118 180

HSL 264.19, 0.29%, 0.58%

LAB 54.12, 22.5, -29.24

 

CMYK 22 / 38 / 0 / 37

HEX #7E64A1

RGB 126 100 161

HSL 265.57, 0.24%, 0.51%

LAB 47.14, 23.23, -29.18

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 11 / 28 / 0 / 7

HEX #D3ABED

RGB 211 171 237

HSL 276.36, 0.65%, 0.8%

LAB 75.51, 26.51, -27.54

 

CMYK 3 / 28 / 0 / 7

HEX #E5ABED

RGB 229 171 237

HSL 292.73, 0.65%, 0.8%

LAB 77.22, 32.2, -24.77

 

CMYK 0 / 28 / 4 / 7

HEX #EDABE3

RGB 237 171 227

HSL 309.09, 0.65%, 0.8%

LAB 77.68, 32.96, -18.57

 

CMYK 0 / 28 / 12 / 7

HEX #EDABD1

RGB 237 171 209

HSL 325.45, 0.65%, 0.8%

LAB 77.12, 29.89, -9.64

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 26 / 28 / 0 / 7

HEX #B0ABED

RGB 176 171 237

HSL 244.55, 0.65%, 0.8%

LAB 72.54, 15.84, -32.35

 

CMYK 28 / 28 / 0 / 7

HEX #ABABED

RGB 171 171 237

HSL 240, 0.65%, 0.8%

LAB 72.16, 14.38, -32.97

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 22 / 33 / 0 / 4

HEX #BFA3F5

RGB 191 163 245

HSL 260.49, 0.8%, 0.8%

LAB 72.14, 26.57, -37.23

 

CMYK 26 / 39 / 0 / 1

HEX #BC9BFD

RGB 188 155 253

HSL 260.2, 0.96%, 0.8%

LAB 70.33, 32.01, -44.41

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 14 / 21 / 0 / 11

HEX #C4B4E4

RGB 196 180 228

HSL 260, 0.47%, 0.8%

LAB 76.06, 14.98, -21.94

 

CMYK 10 / 15 / 0 / 14

HEX #C7BCDC

RGB 199 188 220

HSL 260.63, 0.31%, 0.8%

LAB 78.04, 9.94, -14.59

 

CMYK 5 / 8 / 0 / 17

HEX #C9C4D4

RGB 201 196 212

HSL 258.75, 0.16%, 0.8%

LAB 79.98, 4.73, -7.36

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCC

RGB 204 204 204

HSL 0, 0%, 0.8%

LAB 82.05, 0, -0.01

 

CMYK 28 / 22 / 0 / 7

HEX #ABB8ED

RGB 171 184 237

HSL 228.18, 0.65%, 0.8%

LAB 75.48, 7.19, -27.85

 

CMYK 26 / 28 / 0 / 7

HEX #B0ABED

RGB 176 171 237

HSL 244.55, 0.65%, 0.8%

LAB 72.54, 15.84, -32.35

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 11 / 28 / 0 / 7

HEX #D3ABED

RGB 211 171 237

HSL 276.36, 0.65%, 0.8%

LAB 75.51, 26.51, -27.54

 

CMYK 4 / 28 / 0 / 7

HEX #E4ABED

RGB 228 171 237

HSL 291.82, 0.65%, 0.8%

LAB 77.12, 31.88, -24.92

 

CMYK 35 / 53 / 0 / 13

HEX #9068DE

RGB 144 104 222

HSL 260.34, 0.64%, 0.64%

LAB 53.06, 41.37, -54.86

 

CMYK 26 / 40 / 0 / 10

HEX #A98AE5

RGB 169 138 229

HSL 260.44, 0.64%, 0.72%

LAB 63.56, 30.47, -41.98

 

CMYK 19 / 28 / 0 / 7

HEX #C1ABED

RGB 193 171 237

HSL 260, 0.65%, 0.8%

LAB 73.92, 20.94, -30.11

 

CMYK 11 / 16 / 0 / 4

HEX #DACDF4

RGB 218 205 244

HSL 260, 0.64%, 0.88%

LAB 84.54, 11.81, -17.52

 

CMYK 3 / 5 / 0 / 2

HEX #F3EFFB

RGB 243 239 251

HSL 260, 0.6%, 0.96%

LAB 95.06, 3.48, -5.31

 

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

CMYK 0 / 28 / 15 / 7

HEX #EDABCA

RGB 237 171 202

HSL 331.82, 0.65%, 0.8%

LAB 76.92, 28.77, -6.13

 

CMYK 26 / 0 / 28 / 7

HEX #B0EDAB

RGB 176 237 171

HSL 115.45, 0.65%, 0.8%

LAB 88.32, -31.65, 25.94

 

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

CMYK 0 / 19 / 28 / 7

HEX #EDC1AB

RGB 237 193 171

HSL 20, 0.65%, 0.8%

LAB 81.34, 12.54, 17

 

CMYK 28 / 0 / 19 / 7

HEX #ABEDC1

RGB 171 237 193

HSL 140, 0.65%, 0.8%

LAB 88.48, -29.45, 14.76

 

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

CMYK 0 / 28 / 15 / 7

HEX #EDABCA

RGB 237 171 202

HSL 331.82, 0.65%, 0.8%

LAB 76.92, 28.77, -6.13

 

CMYK 9 / 0 / 28 / 7

HEX #D7EDAB

RGB 215 237 171

HSL 80, 0.65%, 0.8%

LAB 90.76, -18.17, 29.65

 

CMYK 28 / 0 / 13 / 7

HEX #ABEDCE

RGB 171 237 206

HSL 151.82, 0.65%, 0.8%

LAB 88.77, -26.97, 8.4

 

CMYK 18 / 27 / 0 / 7

HEX #C2ACED

RGB 194 172 237

HSL 260.31, 0.64%, 0.8%

LAB 74.25, 20.7, -29.6

 

CMYK 0 / 28 / 23 / 7

HEX #EDABB6

RGB 237 171 182

HSL 350, 0.65%, 0.8%

LAB 76.38, 25.74, 4

 

CMYK 9 / 0 / 28 / 7

HEX #D7EDAB

RGB 215 237 171

HSL 80, 0.65%, 0.8%

LAB 90.76, -18.17, 29.65

 

CMYK 28 / 0 / 5 / 7

HEX #ABEDE2

RGB 171 237 226

HSL 170, 0.65%, 0.8%

LAB 89.26, -22.88, -1.34

 

Description

Color code: HEX #C2ACED | qconv.com Color code: HEX #C2ACED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 172 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 172 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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