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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #914B2E it is the complementary color #6EB4D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #914B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #914B2E: #964B29, #A75D3C, #B86F4F, #C98162 and #DA9375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #914B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #914B2E: #914B2E, #80391B, #6F2708, #5E1500 and #4D0300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

Complementary color

CMYK 47 / 14 / 0 / 18

HEX #6EB4D1

RGB 110 180 209

HSL 197.58, 0.52%, 0.63%

LAB 69.87, -14.28, -21.51

 

CMYK 0 / 50 / 73 / 41

HEX #964B29

RGB 150 75 41

HSL 18.72, 0.57%, 0.37%

LAB 40.7, 28.75, 33.95

 

CMYK 0 / 44 / 64 / 35

HEX #A75D3C

RGB 167 93 60

HSL 18.5, 0.47%, 0.45%

LAB 47.46, 27.14, 31.87

 

CMYK 0 / 40 / 57 / 28

HEX #B86F4F

RGB 184 111 79

HSL 18.29, 0.43%, 0.52%

LAB 54.16, 25.72, 29.98

 

CMYK 0 / 36 / 51 / 21

HEX #C98162

RGB 201 129 98

HSL 18.06, 0.49%, 0.59%

LAB 60.78, 24.48, 28.28

 

CMYK 0 / 33 / 46 / 15

HEX #DA9375

RGB 218 147 117

HSL 17.82, 0.58%, 0.66%

LAB 67.32, 23.38, 26.76

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 0 / 55 / 79 / 50

HEX #80391B

RGB 128 57 27

HSL 17.82, 0.65%, 0.3%

LAB 33.12, 28.65, 32.4

 

CMYK 0 / 65 / 93 / 56

HEX #6F2708

RGB 111 39 8

HSL 18.06, 0.87%, 0.23%

LAB 26.3, 30.46, 34.19

 

CMYK 0 / 78 / 100 / 63

HEX #5E1500

RGB 94 21 0

HSL 13.4, 1%, 0.18%

LAB 19.7, 31.99, 29.6

 

CMYK 0 / 96 / 100 / 70

HEX #4D0300

RGB 77 3 0

HSL 2.34, 1%, 0.15%

LAB 13.49, 32.52, 21.05

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 0 / 38 / 69 / 44

HEX #8F592D

RGB 143 89 45

HSL 26.94, 0.52%, 0.37%

LAB 43.02, 18.01, 34.11

 

CMYK 0 / 27 / 69 / 44

HEX #8F692D

RGB 143 105 45

HSL 36.73, 0.52%, 0.37%

LAB 47.15, 8.71, 38.68

 

CMYK 0 / 15 / 69 / 44

HEX #8F7A2D

RGB 143 122 45

HSL 47.14, 0.52%, 0.37%

LAB 51.78, -1.03, 43.63

 

CMYK 0 / 3 / 69 / 44

HEX #8F8A2D

RGB 143 138 45

HSL 56.94, 0.52%, 0.37%

LAB 56.29, -9.87, 48.31

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 0 / 48 / 68 / 23

HEX #C4653E

RGB 196 101 62

HSL 17.46, 0.53%, 0.51%

LAB 53.37, 34.8, 38.75

 

CMYK 0 / 48 / 68 / 3

HEX #F7804E

RGB 247 128 78

HSL 17.75, 0.91%, 0.64%

LAB 66.34, 41.75, 47.12

 

CMYK 0 / 49 / 67 / 83

HEX #2B160E

RGB 43 22 14

HSL 16.55, 0.51%, 0.11%

LAB 9.95, 9.62, 9.14

 

CMYK 0 / 48 / 68 / 63

HEX #5E311E

RGB 94 49 30

HSL 17.81, 0.52%, 0.24%

LAB 25.77, 18.46, 20.92

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 34 / 0 / 69 / 44

HEX #5F8F2D

RGB 95 143 45

HSL 89.39, 0.52%, 0.37%

LAB 54.31, -32.76, 45.16

 

CMYK 69 / 61 / 0 / 44

HEX #2D388F

RGB 45 56 143

HSL 233.27, 0.52%, 0.37%

LAB 27.76, 25.39, -49.62

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 69 / 0 / 49 / 44

HEX #2D8F49

RGB 45 143 73

HSL 137.14, 0.52%, 0.37%

LAB 52.6, -44.12, 29.09

 

CMYK 49 / 69 / 0 / 44

HEX #492D8F

RGB 73 45 143

HSL 257.14, 0.52%, 0.37%

LAB 27.51, 37.32, -49.93

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 34 / 0 / 69 / 44

HEX #5F8F2D

RGB 95 143 45

HSL 89.39, 0.52%, 0.37%

LAB 54.31, -32.76, 45.16

 

CMYK 69 / 20 / 0 / 44

HEX #2D738F

RGB 45 115 143

HSL 197.14, 0.52%, 0.37%

LAB 45.36, -12.48, -21.69

 

CMYK 36 / 69 / 0 / 44

HEX #5C2D8F

RGB 92 45 143

HSL 268.78, 0.52%, 0.37%

LAB 29.75, 41.25, -46.19

 

CMYK 0 / 48 / 68 / 43

HEX #914B2E

RGB 145 75 46

HSL 17.58, 0.52%, 0.37%

LAB 40, 26.94, 30.16

 

CMYK 54 / 0 / 69 / 44

HEX #428F2D

RGB 66 143 45

HSL 107.14, 0.52%, 0.37%

LAB 52.94, -42.6, 43.3

 

CMYK 69 / 20 / 0 / 44

HEX #2D738F

RGB 45 115 143

HSL 197.14, 0.52%, 0.37%

LAB 45.36, -12.48, -21.69

 

CMYK 15 / 69 / 0 / 44

HEX #7A2D8F

RGB 122 45 143

HSL 287.14, 0.52%, 0.37%

LAB 33.98, 48.15, -39.17

 

Description

Color code: HEX #914B2E | qconv.com Color code: HEX #914B2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 75 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 75 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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