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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F1B8 it is the complementary color #6F0E47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F1B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F1B8 shade: #95F1B3, #A6FFC6, #B7FFD9, #C8FFEC and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F1B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F1B8 shade: #90F1B8, #7FDFA5, #6ECD92, #5DBB7F and #4CA96C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F1B8 shade: #8EF1B7, #8EF19C, #9AF18E, #B5F18E and #D0F18E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F1B8 shade: #8EF1B7, #8EF1D1, #8EF1EC, #8EDBF1 and #8EC0F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F1B8 shade matches the following richer shades: #8EF1B7 and #83FBB5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F1B8 shade: #8EF1B7, #98E7B8, #A2DCBA, #ACD2BC and #B7C8BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F1B8 shade: #9BF18E, #8EF19B, #8EF1B5, #8EF1D0 and #8EF1EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F1B8 shade: #44E888, #69EC9F, #8EF1B7, #B2F6CE and #D7FAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F1B8 shade: #90F1B8, #8EB5F1 and #F18E8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F1B8 shade: #90F1B8, #B58EF1 and #F1B58E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F1B8 shade: #90F1B8, #8EB5F1, #F18EC9 and #F1C98E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F1B8 shade: #90F1B8, #8E97F1, #F18EC9 and #F1E78E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

Complementary color

CMYK 0 / 87 / 36 / 56

HEX #6F0E47

RGB 111 14 71

HSL 324.74, 0.78%, 0.25%

LAB 24.16, 44.66, -8.32

 

CMYK 38 / 0 / 26 / 5

HEX #95F1B3

RGB 149 241 179

HSL 139.57, 0.77%, 0.76%

LAB 88.23, -40.39, 21.49

 

CMYK 35 / 0 / 22 / 0

HEX #A6FFC6

RGB 166 255 198

HSL 141.57, 1%, 0.83%

LAB 93.32, -38.33, 18.94

 

CMYK 28 / 0 / 15 / 0

HEX #B7FFD9

RGB 183 255 217

HSL 148.33, 1%, 0.86%

LAB 94.57, -29.8, 11.08

 

CMYK 22 / 0 / 7 / 0

HEX #C8FFEC

RGB 200 255 236

HSL 159.27, 1%, 0.89%

LAB 95.94, -21.02, 3.4

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

CMYK 43 / 0 / 26 / 13

HEX #7FDFA5

RGB 127 223 165

HSL 143.75, 0.6%, 0.69%

LAB 81.84, -41.09, 19.75

 

CMYK 46 / 0 / 29 / 20

HEX #6ECD92

RGB 110 205 146

HSL 142.74, 0.49%, 0.62%

LAB 75.48, -41.32, 20.86

 

CMYK 50 / 0 / 32 / 27

HEX #5DBB7F

RGB 93 187 127

HSL 141.7, 0.41%, 0.55%

LAB 69.04, -41.5, 22.05

 

CMYK 55 / 0 / 36 / 34

HEX #4CA96C

RGB 76 169 108

HSL 140.65, 0.38%, 0.48%

LAB 62.5, -41.6, 23.35

 

CMYK 41 / 0 / 24 / 5

HEX #8EF1B7

RGB 142 241 183

HSL 144.85, 0.78%, 0.75%

LAB 88.01, -41.59, 19.07

 

CMYK 41 / 0 / 35 / 5

HEX #8EF19C

RGB 142 241 156

HSL 128.48, 0.78%, 0.75%

LAB 87.51, -46.33, 32.19

 

CMYK 36 / 0 / 41 / 5

HEX #9AF18E

RGB 154 241 142

HSL 112.73, 0.78%, 0.75%

LAB 87.84, -44.87, 39.7

 

CMYK 25 / 0 / 41 / 5

HEX #B5F18E

RGB 181 241 142

HSL 96.36, 0.78%, 0.75%

LAB 89.25, -36, 41.78

 

CMYK 14 / 0 / 41 / 5

HEX #D0F18E

RGB 208 241 142

HSL 80, 0.78%, 0.75%

LAB 90.9, -26.35, 44.24

 

CMYK 41 / 0 / 24 / 5

HEX #8EF1B7

RGB 142 241 183

HSL 144.85, 0.78%, 0.75%

LAB 88.01, -41.59, 19.07

 

CMYK 41 / 0 / 13 / 5

HEX #8EF1D1

RGB 142 241 209

HSL 160.61, 0.78%, 0.75%

LAB 88.57, -36.33, 6.37

 

CMYK 41 / 0 / 2 / 5

HEX #8EF1EC

RGB 142 241 236

HSL 176.97, 0.78%, 0.75%

LAB 89.26, -30.22, -6.72

 

CMYK 41 / 9 / 0 / 5

HEX #8EDBF1

RGB 142 219 241

HSL 193.33, 0.78%, 0.75%

LAB 83.32, -18.21, -18.23

 

CMYK 41 / 20 / 0 / 5

HEX #8EC0F1

RGB 142 192 241

HSL 209.7, 0.78%, 0.75%

LAB 75.95, -4.1, -29.45

 

CMYK 41 / 0 / 24 / 5

HEX #8EF1B7

RGB 142 241 183

HSL 144.85, 0.78%, 0.75%

LAB 88.01, -41.59, 19.07

 

CMYK 48 / 0 / 28 / 2

HEX #83FBB5

RGB 131 251 181

HSL 145, 0.94%, 0.75%

LAB 90.39, -49.14, 23.33

 

CMYK 41 / 0 / 24 / 5

HEX #8EF1B7

RGB 142 241 183

HSL 144.85, 0.78%, 0.75%

LAB 88.01, -41.59, 19.07

 

CMYK 34 / 0 / 20 / 9

HEX #98E7B8

RGB 152 231 184

HSL 144.3, 0.62%, 0.75%

LAB 85.65, -34.04, 15.31

 

CMYK 26 / 0 / 15 / 14

HEX #A2DCBA

RGB 162 220 186

HSL 144.83, 0.45%, 0.75%

LAB 83.13, -25.41, 10.77

 

CMYK 18 / 0 / 10 / 18

HEX #ACD2BC

RGB 172 210 188

HSL 145.26, 0.3%, 0.75%

LAB 81.01, -16.87, 6.76

 

CMYK 9 / 0 / 5 / 22

HEX #B7C8BE

RGB 183 200 190

HSL 144.71, 0.13%, 0.75%

LAB 79.1, -7.68, 3.01

 

CMYK 36 / 0 / 41 / 5

HEX #9BF18E

RGB 155 241 142

HSL 112.12, 0.78%, 0.75%

LAB 87.89, -44.55, 39.77

 

CMYK 41 / 0 / 36 / 5

HEX #8EF19B

RGB 142 241 155

HSL 127.88, 0.78%, 0.75%

LAB 87.5, -46.49, 32.67

 

CMYK 41 / 0 / 25 / 5

HEX #8EF1B5

RGB 142 241 181

HSL 143.64, 0.78%, 0.75%

LAB 87.97, -41.96, 20.04

 

CMYK 41 / 0 / 14 / 5

HEX #8EF1D0

RGB 142 241 208

HSL 160, 0.78%, 0.75%

LAB 88.55, -36.54, 6.86

 

CMYK 41 / 0 / 3 / 5

HEX #8EF1EA

RGB 142 241 234

HSL 175.76, 0.78%, 0.75%

LAB 89.21, -30.69, -5.76

 

CMYK 71 / 0 / 41 / 9

HEX #44E888

RGB 68 232 136

HSL 144.88, 0.78%, 0.59%

LAB 82.23, -62.69, 34.84

 

CMYK 56 / 0 / 33 / 7

HEX #69EC9F

RGB 105 236 159

HSL 144.73, 0.78%, 0.67%

LAB 84.74, -53.14, 26.7

 

CMYK 41 / 0 / 24 / 5

HEX #8EF1B7

RGB 142 241 183

HSL 144.85, 0.78%, 0.75%

LAB 88.01, -41.59, 19.07

 

CMYK 28 / 0 / 16 / 4

HEX #B2F6CE

RGB 178 246 206

HSL 144.71, 0.79%, 0.83%

LAB 91.61, -29.14, 12.5

 

CMYK 14 / 0 / 8 / 2

HEX #D7FAE5

RGB 215 250 229

HSL 144, 0.78%, 0.91%

LAB 95.36, -15.2, 6.28

 

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

CMYK 41 / 25 / 0 / 5

HEX #8EB5F1

RGB 142 181 241

HSL 216.36, 0.78%, 0.75%

LAB 72.99, 1.91, -34.01

 

CMYK 0 / 41 / 41 / 5

HEX #F18E8E

RGB 241 142 142

HSL 0, 0.78%, 0.75%

LAB 69.47, 37.45, 16.31

 

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

CMYK 25 / 41 / 0 / 5

HEX #B58EF1

RGB 181 142 241

HSL 263.64, 0.78%, 0.75%

LAB 66.15, 34.45, -44.46

 

CMYK 0 / 25 / 41 / 5

HEX #F1B58E

RGB 241 181 142

HSL 23.64, 0.78%, 0.75%

LAB 78.29, 16.91, 28.34

 

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

CMYK 41 / 25 / 0 / 5

HEX #8EB5F1

RGB 142 181 241

HSL 216.36, 0.78%, 0.75%

LAB 72.99, 1.91, -34.01

 

CMYK 0 / 41 / 17 / 5

HEX #F18EC9

RGB 241 142 201

HSL 324.24, 0.78%, 0.75%

LAB 71.05, 45.16, -14.28

 

CMYK 0 / 17 / 41 / 5

HEX #F1C98E

RGB 241 201 142

HSL 35.76, 0.78%, 0.75%

LAB 83.14, 6.41, 34.75

 

CMYK 40 / 0 / 24 / 5

HEX #90F1B8

RGB 144 241 184

HSL 144.74, 0.78%, 0.75%

LAB 88.11, -40.85, 18.71

 

CMYK 41 / 37 / 0 / 5

HEX #8E97F1

RGB 142 151 241

HSL 234.55, 0.78%, 0.75%

LAB 65.15, 18.88, -46.26

 

CMYK 0 / 41 / 17 / 5

HEX #F18EC9

RGB 241 142 201

HSL 324.24, 0.78%, 0.75%

LAB 71.05, 45.16, -14.28

 

CMYK 0 / 4 / 41 / 5

HEX #F1E78E

RGB 241 231 142

HSL 53.94, 0.78%, 0.75%

LAB 90.69, -8.91, 44.47

 

Description

Color code: HEX #90F1B8 | qconv.com Color code: HEX #90F1B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 241 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 241 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 24 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 24% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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