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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 41 / 25 / 0 / 5 it is the complementary color CMYK 0 / 35 / 88 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 41 / 25 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 41 / 25 / 0 / 5: CMYK 38 / 23 / 0 / 7, CMYK 35 / 22 / 0 / 0, CMYK 29 / 15 / 0 / 0, CMYK 22 / 7 / 0 / 0 and CMYK 15 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 41 / 25 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 41 / 25 / 0 / 5: CMYK 41 / 25 / 0 / 5, CMYK 43 / 26 / 0 / 13, CMYK 47 / 28 / 0 / 20, CMYK 50 / 31 / 0 / 27 and CMYK 55 / 34 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

Complementary color

CMYK 0 / 35 / 88 / 56

HEX #70490D

RGB 112 73 13

HSL 36.36, 0.79%, 0.25%

LAB 34.48, 11.48, 39.19

 

CMYK 38 / 23 / 0 / 7

HEX #94B6ED

RGB 148 182 237

HSL 217.08, 0.71%, 0.75%

LAB 73.46, 1.86, -31.09

 

CMYK 35 / 22 / 0 / 0

HEX #A5C8FF

RGB 165 200 255

HSL 216.67, 1%, 0.82%

LAB 79.91, 1.26, -30.75

 

CMYK 29 / 15 / 0 / 0

HEX #B6DAFF

RGB 182 218 255

HSL 210.41, 1%, 0.86%

LAB 85.66, -3.59, -21.89

 

CMYK 22 / 7 / 0 / 0

HEX #C7ECFF

RGB 199 236 255

HSL 200.36, 1%, 0.89%

LAB 91.39, -7.96, -13.15

 

CMYK 15 / 0 / 0 / 0

HEX #D8FEFF

RGB 216 254 255

HSL 181.54, 1%, 0.92%

LAB 97.11, -11.91, -4.56

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 43 / 26 / 0 / 13

HEX #7EA4DF

RGB 126 164 223

HSL 216.49, 0.6%, 0.68%

LAB 66.76, 2.34, -33.91

 

CMYK 47 / 28 / 0 / 20

HEX #6D92CC

RGB 109 146 204

HSL 216.63, 0.48%, 0.61%

LAB 60.04, 2.88, -33.87

 

CMYK 50 / 31 / 0 / 27

HEX #5C80B9

RGB 92 128 185

HSL 216.77, 0.4%, 0.54%

LAB 53.19, 3.53, -33.87

 

CMYK 55 / 34 / 0 / 35

HEX #4B6EA6

RGB 75 110 166

HSL 216.92, 0.38%, 0.47%

LAB 46.18, 4.34, -33.9

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 42 / 32 / 0 / 5

HEX #8CA4F1

RGB 140 164 241

HSL 225.74, 0.78%, 0.75%

LAB 68.37, 10.93, -41.21

 

CMYK 42 / 39 / 0 / 5

HEX #8C93F1

RGB 140 147 241

HSL 235.84, 0.78%, 0.75%

LAB 63.99, 20.7, -48.09

 

CMYK 38 / 42 / 0 / 5

HEX #968CF1

RGB 150 140 241

HSL 245.94, 0.78%, 0.75%

LAB 63, 27.27, -49.6

 

CMYK 31 / 42 / 0 / 5

HEX #A78CF1

RGB 167 140 241

HSL 256.04, 0.78%, 0.75%

LAB 64.42, 31.74, -47.27

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 42 / 24 / 0 / 85

HEX #161D26

RGB 22 29 38

HSL 213.75, 0.27%, 0.12%

LAB 10.48, -0.35, -7.16

 

CMYK 40 / 25 / 0 / 65

HEX #354359

RGB 53 67 89

HSL 216.67, 0.25%, 0.28%

LAB 28.09, 0.7, -14.91

 

CMYK 41 / 25 / 0 / 45

HEX #53698C

RGB 83 105 140

HSL 216.84, 0.26%, 0.44%

LAB 44, 1.32, -21.86

 

CMYK 41 / 25 / 0 / 25

HEX #7190BF

RGB 113 144 191

HSL 216.15, 0.38%, 0.6%

LAB 59.18, 1.32, -27.87

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 8 / 42 / 0 / 5

HEX #DD8CF1

RGB 221 140 241

HSL 288.12, 0.78%, 0.75%

LAB 69.81, 46.97, -38.44

 

CMYK 8 / 0 / 42 / 5

HEX #DDF18C

RGB 221 241 140

HSL 71.88, 0.78%, 0.75%

LAB 91.76, -21.72, 46.48

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 0 / 42 / 25 / 5

HEX #F18CB5

RGB 241 140 181

HSL 335.64, 0.78%, 0.75%

LAB 70.03, 43.28, -4.67

 

CMYK 25 / 0 / 42 / 5

HEX #B5F18C

RGB 181 241 140

HSL 95.64, 0.78%, 0.75%

LAB 89.22, -36.25, 42.73

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 8 / 42 / 0 / 5

HEX #DD8CF1

RGB 221 140 241

HSL 288.12, 0.78%, 0.75%

LAB 69.81, 46.97, -38.44

 

CMYK 0 / 17 / 42 / 5

HEX #F1C98C

RGB 241 201 140

HSL 36.24, 0.78%, 0.75%

LAB 83.11, 6.2, 35.74

 

CMYK 33 / 0 / 42 / 5

HEX #A1F18C

RGB 161 241 140

HSL 107.52, 0.78%, 0.75%

LAB 88.15, -42.93, 41.15

 

CMYK 41 / 25 / 0 / 5

HEX #8FB6F2

RGB 143 182 242

HSL 216.36, 0.79%, 0.75%

LAB 73.35, 1.88, -33.99

 

CMYK 0 / 42 / 4 / 5

HEX #F18CE7

RGB 241 140 231

HSL 305.94, 0.78%, 0.75%

LAB 71.71, 51.05, -29.83

 

CMYK 0 / 17 / 42 / 5

HEX #F1C98C

RGB 241 201 140

HSL 36.24, 0.78%, 0.75%

LAB 83.11, 6.2, 35.74

 

CMYK 42 / 0 / 38 / 5

HEX #8CF196

RGB 140 241 150

HSL 125.94, 0.78%, 0.75%

LAB 87.33, -47.85, 34.94

 

Description

Color code: CMYK 41 / 25 / 0 / 5 | qconv.com Color code: CMYK 41 / 25 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 182 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 182 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 25 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 25% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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