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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90EC87 it is the complementary color #6F1378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90EC87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #90EC87: #95EC82, #A6FE95, #B7FFA8, #C8FFBB and #D9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90EC87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #90EC87: #90EC87, #7FDA74, #6EC861, #5DB64E and #4CA43B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

Complementary color

CMYK 8 / 84 / 0 / 53

HEX #6F1378

RGB 111 19 120

HSL 294.65, 0.73%, 0.27%

LAB 27.3, 50.8, -35.59

 

CMYK 37 / 0 / 45 / 7

HEX #95EC82

RGB 149 236 130

HSL 109.25, 0.74%, 0.72%

LAB 86, -45.91, 43.18

 

CMYK 35 / 0 / 41 / 0

HEX #A6FE95

RGB 166 254 149

HSL 110.29, 0.98%, 0.79%

LAB 92.2, -45.75, 42

 

CMYK 28 / 0 / 34 / 0

HEX #B7FFA8

RGB 183 255 168

HSL 109.66, 1%, 0.83%

LAB 93.63, -38.08, 34.66

 

CMYK 22 / 0 / 27 / 0

HEX #C8FFBB

RGB 200 255 187

HSL 108.53, 1%, 0.87%

LAB 94.9, -29.64, 27

 

CMYK 15 / 0 / 19 / 0

HEX #D9FFCE

RGB 217 255 206

HSL 106.53, 1%, 0.9%

LAB 96.3, -20.95, 19.44

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 42 / 0 / 47 / 15

HEX #7FDA74

RGB 127 218 116

HSL 113.53, 0.58%, 0.65%

LAB 79.57, -46.92, 41.7

 

CMYK 45 / 0 / 52 / 22

HEX #6EC861

RGB 110 200 97

HSL 112.43, 0.48%, 0.58%

LAB 73.21, -46.99, 42.94

 

CMYK 49 / 0 / 57 / 29

HEX #5DB64E

RGB 93 182 78

HSL 111.35, 0.42%, 0.51%

LAB 66.77, -46.94, 44.16

 

CMYK 54 / 0 / 64 / 36

HEX #4CA43B

RGB 76 164 59

HSL 110.29, 0.47%, 0.44%

LAB 60.25, -46.71, 45.25

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 0 / 40 / 7

HEX #87EC8E

RGB 135 236 142

HSL 124.16, 0.73%, 0.73%

LAB 85.55, -48.4, 36.57

 

CMYK 43 / 0 / 33 / 7

HEX #87EC9F

RGB 135 236 159

HSL 134.26, 0.73%, 0.73%

LAB 85.83, -45.66, 28.36

 

CMYK 43 / 0 / 25 / 7

HEX #87ECB0

RGB 135 236 176

HSL 144.36, 0.73%, 0.73%

LAB 86.14, -42.59, 20.05

 

CMYK 43 / 0 / 19 / 7

HEX #87ECC0

RGB 135 236 192

HSL 153.86, 0.73%, 0.73%

LAB 86.48, -39.43, 12.2

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 38 / 0 / 44 / 87

HEX #142012

RGB 20 32 18

HSL 111.43, 0.28%, 0.1%

LAB 10.74, -8.94, 7.64

 

CMYK 39 / 0 / 43 / 67

HEX #33532F

RGB 51 83 47

HSL 113.33, 0.28%, 0.25%

LAB 32.02, -20.01, 17.46

 

CMYK 39 / 0 / 43 / 47

HEX #52864D

RGB 82 134 77

HSL 114.74, 0.27%, 0.41%

LAB 51.13, -29.48, 25.33

 

CMYK 39 / 0 / 43 / 27

HEX #71B96A

RGB 113 185 106

HSL 114.68, 0.36%, 0.57%

LAB 68.93, -38.37, 33.12

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 4 / 0 / 7

HEX #87E2EC

RGB 135 226 236

HSL 185.94, 0.73%, 0.73%

LAB 84.79, -24.65, -13.4

 

CMYK 0 / 43 / 21 / 7

HEX #EC87BA

RGB 236 135 186

HSL 329.7, 0.73%, 0.73%

LAB 68.54, 44.86, -9.75

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 39 / 0 / 7

HEX #8791EC

RGB 135 145 236

HSL 234.06, 0.73%, 0.73%

LAB 62.89, 19.21, -47.1

 

CMYK 0 / 43 / 39 / 7

HEX #EC8791

RGB 236 135 145

HSL 354.06, 0.73%, 0.73%

LAB 67.43, 39.57, 11.68

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 4 / 0 / 7

HEX #87E2EC

RGB 135 226 236

HSL 185.94, 0.73%, 0.73%

LAB 84.79, -24.65, -13.4

 

CMYK 4 / 43 / 0 / 7

HEX #E287EC

RGB 226 135 236

HSL 294.06, 0.73%, 0.73%

LAB 69.15, 50.06, -36.68

 

CMYK 0 / 39 / 43 / 7

HEX #EC9187

RGB 236 145 135

HSL 5.94, 0.73%, 0.73%

LAB 69.35, 33.28, 19.94

 

CMYK 39 / 0 / 43 / 7

HEX #90EC87

RGB 144 236 135

HSL 114.65, 0.73%, 0.73%

LAB 85.84, -46.78, 40.48

 

CMYK 43 / 17 / 0 / 7

HEX #87C4EC

RGB 135 196 236

HSL 203.76, 0.73%, 0.73%

LAB 76.49, -9.33, -25.96

 

CMYK 4 / 43 / 0 / 7

HEX #E287EC

RGB 226 135 236

HSL 294.06, 0.73%, 0.73%

LAB 69.15, 50.06, -36.68

 

CMYK 0 / 25 / 43 / 7

HEX #ECB087

RGB 236 176 135

HSL 24.36, 0.73%, 0.73%

LAB 76.46, 16.85, 29.52

 

Description

Color code: HEX #90EC87 | qconv.com Color code: HEX #90EC87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 236 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 236 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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