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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90B6C2 it is the complementary color #6F493D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90B6C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #90B6C2: #95B6BD, #A6C8D0, #B7DAE3, #C8ECF6 and #D9FEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90B6C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #90B6C2: #90B6C2, #7FA4AF, #6E929C, #5D8089 and #4C6E76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

Complementary color

CMYK 0 / 34 / 45 / 56

HEX #6F493D

RGB 111 73 61

HSL 14.4, 0.29%, 0.34%

LAB 34.97, 14.62, 13.78

 

CMYK 21 / 4 / 0 / 26

HEX #95B6BD

RGB 149 182 189

HSL 190.5, 0.23%, 0.66%

LAB 71.91, -9.57, -7.26

 

CMYK 20 / 4 / 0 / 18

HEX #A6C8D0

RGB 166 200 208

HSL 191.43, 0.31%, 0.73%

LAB 78.44, -9.56, -7.76

 

CMYK 19 / 4 / 0 / 11

HEX #B7DAE3

RGB 183 218 227

HSL 192.27, 0.44%, 0.8%

LAB 84.87, -9.56, -8.25

 

CMYK 19 / 4 / 0 / 4

HEX #C8ECF6

RGB 200 236 246

HSL 193.04, 0.72%, 0.87%

LAB 91.2, -9.57, -8.74

 

CMYK 15 / 0 / 0 / 0

HEX #D9FEFF

RGB 217 254 255

HSL 181.58, 1%, 0.93%

LAB 97.17, -11.6, -4.46

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 27 / 6 / 0 / 31

HEX #7FA4AF

RGB 127 164 175

HSL 193.75, 0.23%, 0.59%

LAB 65.09, -9.97, -9.81

 

CMYK 29 / 6 / 0 / 39

HEX #6E929C

RGB 110 146 156

HSL 193.04, 0.19%, 0.52%

LAB 58.3, -9.98, -9.33

 

CMYK 32 / 7 / 0 / 46

HEX #5D8089

RGB 93 128 137

HSL 192.27, 0.19%, 0.45%

LAB 51.35, -9.98, -8.85

 

CMYK 36 / 7 / 0 / 54

HEX #4C6E76

RGB 76 110 118

HSL 191.43, 0.22%, 0.38%

LAB 44.23, -9.98, -8.35

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 26 / 10 / 0 / 24

HEX #8FADC1

RGB 143 173 193

HSL 204, 0.29%, 0.66%

LAB 69.17, -5.68, -13.59

 

CMYK 26 / 15 / 0 / 24

HEX #8FA4C1

RGB 143 164 193

HSL 214.8, 0.29%, 0.66%

LAB 66.7, -0.75, -17.31

 

CMYK 26 / 19 / 0 / 24

HEX #8F9CC1

RGB 143 156 193

HSL 224.4, 0.29%, 0.66%

LAB 64.54, 3.72, -20.6

 

CMYK 26 / 23 / 0 / 24

HEX #8F94C1

RGB 143 148 193

HSL 234, 0.29%, 0.66%

LAB 62.4, 8.25, -23.87

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 26 / 6 / 0 / 4

HEX #B6E6F5

RGB 182 230 245

HSL 194.29, 0.76%, 0.84%

LAB 88.51, -12.07, -12.33

 

CMYK 27 / 7 / 0 / 84

HEX #1E2629

RGB 30 38 41

HSL 196.36, 0.15%, 0.14%

LAB 14.53, -2.67, -3.16

 

CMYK 26 / 7 / 0 / 64

HEX #44565C

RGB 68 86 92

HSL 195, 0.15%, 0.31%

LAB 35.32, -5.37, -5.77

 

CMYK 26 / 6 / 0 / 44

HEX #6A868F

RGB 106 134 143

HSL 194.59, 0.15%, 0.49%

LAB 54.13, -7.76, -8.1

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 15 / 26 / 0 / 24

HEX #A48FC1

RGB 164 143 193

HSL 265.2, 0.29%, 0.66%

LAB 62.83, 17.75, -23.05

 

CMYK 0 / 4 / 26 / 24

HEX #C1B98F

RGB 193 185 143

HSL 50.4, 0.29%, 0.66%

LAB 74.84, -3.87, 22.38

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 0 / 26 / 6 / 24

HEX #C18FB5

RGB 193 143 181

HSL 314.4, 0.29%, 0.66%

LAB 65.21, 25.12, -12.43

 

CMYK 6 / 0 / 26 / 24

HEX #B5C18F

RGB 181 193 143

HSL 74.4, 0.29%, 0.66%

LAB 76.04, -12.62, 23.86

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 15 / 26 / 0 / 24

HEX #A48FC1

RGB 164 143 193

HSL 265.2, 0.29%, 0.66%

LAB 62.83, 17.75, -23.05

 

CMYK 0 / 20 / 26 / 24

HEX #C19A8F

RGB 193 154 143

HSL 13.2, 0.29%, 0.66%

LAB 66.85, 12.86, 11.29

 

CMYK 11 / 0 / 26 / 24

HEX #ABC18F

RGB 171 193 143

HSL 86.4, 0.29%, 0.66%

LAB 75.31, -16.35, 22.76

 

CMYK 26 / 6 / 0 / 24

HEX #90B6C2

RGB 144 182 194

HSL 194.4, 0.29%, 0.66%

LAB 71.74, -9.97, -10.27

 

CMYK 7 / 26 / 0 / 24

HEX #B48FC1

RGB 180 143 193

HSL 284.4, 0.29%, 0.66%

LAB 64.32, 23, -20.64

 

CMYK 0 / 20 / 26 / 24

HEX #C19A8F

RGB 193 154 143

HSL 13.2, 0.29%, 0.66%

LAB 66.85, 12.86, 11.29

 

CMYK 19 / 0 / 26 / 24

HEX #9CC18F

RGB 156 193 143

HSL 104.4, 0.29%, 0.66%

LAB 74.31, -21.78, 21.22

 

Description

Color code: HEX #90B6C2 | qconv.com Color code: HEX #90B6C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 182 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 182 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 6 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 6% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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