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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #906F7B it is the complementary color #6F9084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #906F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #906F7B shade: #956F76, #A68189, #B7939C, #C8A5AF and #D9B7C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #906F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #906F7B shade: #906F7B, #7F5D68, #6E4B55, #5D3942 and #4C272F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #906F7B shade: #906F7B, #906F72 and #906F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #906F7B shade: #906F7B, #906F84, #906F8D, #8A6F90 and #816F90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #906F7B shade matches the following richer shades: #906F7B, #A55A75, #B94670, #CE316A and #E31C64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #906F7B shade: #906F7B, #7B8481, #679886, #52AD8C and #3EC191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #906F7B shade: #906F8D, #906F84, #906F7B, #906F72 and #90746F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #906F7B shade: #614B53, #795D67, #906F7B, #A28690 and #B49EA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #906F7B shade: #906F7B, #908B6F and #6F8890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #906F7B shade: #906F7B, #7B906F and #6F7B90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #906F7B shade: #906F7B, #908B6F, #6F9084 and #6F7490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #906F7B shade: #906F7B, #8C906F, #6F9084 and #736F90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

Complementary color

CMYK 23 / 0 / 8 / 44

HEX #6F9084

RGB 111 144 132

HSL 158.18, 0.13%, 0.5%

LAB 57.07, -14.15, 2.6

 

CMYK 0 / 26 / 21 / 42

HEX #956F76

RGB 149 111 118

HSL 348.95, 0.15%, 0.51%

LAB 50.76, 16.16, 2

 

CMYK 0 / 22 / 17 / 35

HEX #A68189

RGB 166 129 137

HSL 347.03, 0.17%, 0.58%

LAB 57.67, 15.52, 1.16

 

CMYK 0 / 20 / 15 / 28

HEX #B7939C

RGB 183 147 156

HSL 345, 0.2%, 0.65%

LAB 64.43, 14.95, 0.39

 

CMYK 0 / 18 / 13 / 22

HEX #C8A5AF

RGB 200 165 175

HSL 342.86, 0.24%, 0.72%

LAB 71.07, 14.45, -0.33

 

CMYK 0 / 16 / 11 / 15

HEX #D9B7C2

RGB 217 183 194

HSL 340.59, 0.31%, 0.78%

LAB 77.59, 13.99, -1.01

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 27 / 18 / 50

HEX #7F5D68

RGB 127 93 104

HSL 340.59, 0.15%, 0.43%

LAB 43.27, 15.71, -0.81

 

CMYK 0 / 32 / 23 / 57

HEX #6E4B55

RGB 110 75 85

HSL 342.86, 0.19%, 0.36%

LAB 35.99, 16.47, 0.09

 

CMYK 0 / 39 / 29 / 64

HEX #5D3942

RGB 93 57 66

HSL 345, 0.24%, 0.29%

LAB 28.5, 17.37, 1.14

 

CMYK 0 / 49 / 38 / 70

HEX #4C272F

RGB 76 39 47

HSL 347.03, 0.32%, 0.23%

LAB 20.8, 18.42, 2.49

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 23 / 21 / 44

HEX #906F72

RGB 144 111 114

HSL 354.55, 0.13%, 0.5%

LAB 50.11, 13.53, 3.36

 

CMYK 0 / 23 / 23 / 44

HEX #906F6F

RGB 144 111 111

HSL 0, 0.13%, 0.5%

LAB 50.03, 13.05, 5.02

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 23 / 8 / 44

HEX #906F84

RGB 144 111 132

HSL 321.82, 0.13%, 0.5%

LAB 50.65, 16.68, -6.52

 

CMYK 0 / 23 / 2 / 44

HEX #906F8D

RGB 144 111 141

HSL 305.45, 0.13%, 0.5%

LAB 50.95, 18.41, -11.38

 

CMYK 4 / 23 / 0 / 44

HEX #8A6F90

RGB 138 111 144

HSL 289.09, 0.13%, 0.5%

LAB 50.44, 16.87, -13.98

 

CMYK 10 / 23 / 0 / 44

HEX #816F90

RGB 129 111 144

HSL 272.73, 0.13%, 0.5%

LAB 49.56, 13.69, -15.4

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 45 / 29 / 35

HEX #A55A75

RGB 165 90 117

HSL 338.4, 0.29%, 0.5%

LAB 47.75, 34, -1.57

 

CMYK 0 / 62 / 39 / 27

HEX #B94670

RGB 185 70 112

HSL 338.09, 0.45%, 0.5%

LAB 46.8, 50.21, 0.43

 

CMYK 0 / 76 / 49 / 19

HEX #CE316A

RGB 206 49 106

HSL 338.22, 0.62%, 0.5%

LAB 47.44, 63.74, 5.5

 

CMYK 0 / 88 / 56 / 11

HEX #E31C64

RGB 227 28 100

HSL 338.29, 0.78%, 0.5%

LAB 49.59, 73.57, 12.79

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 7 / 0 / 2 / 48

HEX #7B8481

RGB 123 132 129

HSL 160, 0.04%, 0.5%

LAB 54.34, -3.92, 0.47

 

CMYK 32 / 0 / 12 / 40

HEX #679886

RGB 103 152 134

HSL 157.96, 0.19%, 0.5%

LAB 59.03, -20.54, 4.24

 

CMYK 53 / 0 / 19 / 32

HEX #52AD8C

RGB 82 173 140

HSL 158.24, 0.36%, 0.5%

LAB 64.62, -35.23, 8.76

 

CMYK 68 / 0 / 25 / 24

HEX #3EC191

RGB 62 193 145

HSL 158.02, 0.51%, 0.5%

LAB 70.32, -46.81, 14

 

CMYK 0 / 23 / 2 / 44

HEX #906F8D

RGB 144 111 141

HSL 305.45, 0.13%, 0.5%

LAB 50.95, 18.41, -11.38

 

CMYK 0 / 23 / 8 / 44

HEX #906F84

RGB 144 111 132

HSL 321.82, 0.13%, 0.5%

LAB 50.65, 16.68, -6.52

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 23 / 21 / 44

HEX #906F72

RGB 144 111 114

HSL 354.55, 0.13%, 0.5%

LAB 50.11, 13.53, 3.36

 

CMYK 0 / 19 / 23 / 44

HEX #90746F

RGB 144 116 111

HSL 9.09, 0.13%, 0.5%

LAB 51.34, 10.14, 6.9

 

CMYK 0 / 23 / 14 / 62

HEX #614B53

RGB 97 75 83

HSL 338.18, 0.13%, 0.34%

LAB 34.39, 10.75, -1.17

 

CMYK 0 / 23 / 15 / 53

HEX #795D67

RGB 121 93 103

HSL 338.57, 0.13%, 0.42%

LAB 42.57, 13.14, -1.3

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 17 / 11 / 36

HEX #A28690

RGB 162 134 144

HSL 338.57, 0.13%, 0.58%

LAB 58.74, 12.36, -1.35

 

CMYK 0 / 12 / 8 / 29

HEX #B49EA6

RGB 180 158 166

HSL 338.18, 0.13%, 0.66%

LAB 67.21, 9.46, -1.19

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 3 / 23 / 44

HEX #908B6F

RGB 144 139 111

HSL 50.91, 0.13%, 0.5%

LAB 57.6, -2.96, 15.68

 

CMYK 23 / 6 / 0 / 44

HEX #6F8890

RGB 111 136 144

HSL 194.55, 0.13%, 0.5%

LAB 55.07, -7.02, -7.24

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 15 / 0 / 23 / 44

HEX #7B906F

RGB 123 144 111

HSL 98.18, 0.13%, 0.5%

LAB 57.37, -13.93, 15.1

 

CMYK 23 / 15 / 0 / 44

HEX #6F7B90

RGB 111 123 144

HSL 218.18, 0.13%, 0.5%

LAB 51.33, 0.43, -12.85

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 0 / 3 / 23 / 44

HEX #908B6F

RGB 144 139 111

HSL 50.91, 0.13%, 0.5%

LAB 57.6, -2.96, 15.68

 

CMYK 23 / 0 / 8 / 44

HEX #6F9084

RGB 111 144 132

HSL 158.18, 0.13%, 0.5%

LAB 57.07, -14.15, 2.6

 

CMYK 23 / 19 / 0 / 44

HEX #6F7490

RGB 111 116 144

HSL 230.91, 0.13%, 0.5%

LAB 49.35, 4.55, -15.85

 

CMYK 0 / 23 / 15 / 44

HEX #906F7B

RGB 144 111 123

HSL 338.18, 0.13%, 0.5%

LAB 50.37, 15.05, -1.6

 

CMYK 3 / 0 / 23 / 44

HEX #8C906F

RGB 140 144 111

HSL 67.27, 0.13%, 0.5%

LAB 58.67, -7.32, 17.09

 

CMYK 23 / 0 / 8 / 44

HEX #6F9084

RGB 111 144 132

HSL 158.18, 0.13%, 0.5%

LAB 57.07, -14.15, 2.6

 

CMYK 20 / 23 / 0 / 44

HEX #736F90

RGB 115 111 144

HSL 247.27, 0.13%, 0.5%

LAB 48.29, 8.87, -17.43

 

Description

Color code: HEX #906F7B | qconv.com Color code: HEX #906F7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 111 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 111 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 15 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 15% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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