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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 23 / 0 / 44 it is the complementary color CMYK 13 / 0 / 23 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 23 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 23 / 0 / 44: CMYK 3 / 20 / 0 / 46, CMYK 4 / 18 / 0 / 38, CMYK 5 / 17 / 0 / 31, CMYK 5 / 16 / 0 / 24 and CMYK 6 / 15 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 23 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 23 / 0 / 44: CMYK 10 / 23 / 0 / 44, CMYK 10 / 26 / 0 / 51, CMYK 10 / 30 / 0 / 59, CMYK 9 / 35 / 0 / 66 and CMYK 9 / 43 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

Complementary color

CMYK 13 / 0 / 23 / 43

HEX #7E9170

RGB 126 145 112

HSL 94.55, 0.13%, 0.5%

LAB 57.9, -13.16, 15.3

 

CMYK 3 / 20 / 0 / 46

HEX #866E8A

RGB 134 110 138

HSL 291.43, 0.11%, 0.49%

LAB 49.56, 14.77, -11.79

 

CMYK 4 / 18 / 0 / 38

HEX #97809D

RGB 151 128 157

HSL 287.59, 0.13%, 0.56%

LAB 56.54, 14.26, -12.22

 

CMYK 5 / 17 / 0 / 31

HEX #A892B0

RGB 168 146 176

HSL 284, 0.16%, 0.63%

LAB 63.36, 13.8, -12.65

 

CMYK 5 / 16 / 0 / 24

HEX #B9A4C3

RGB 185 164 195

HSL 280.65, 0.21%, 0.7%

LAB 70.04, 13.37, -13.06

 

CMYK 6 / 15 / 0 / 16

HEX #CAB6D6

RGB 202 182 214

HSL 277.5, 0.28%, 0.78%

LAB 76.6, 12.99, -13.48

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 10 / 26 / 0 / 51

HEX #705C7C

RGB 112 92 124

HSL 277.5, 0.15%, 0.42%

LAB 42.08, 14.62, -14.94

 

CMYK 10 / 30 / 0 / 59

HEX #5F4A69

RGB 95 74 105

HSL 280.65, 0.17%, 0.35%

LAB 34.7, 15.26, -14.63

 

CMYK 9 / 35 / 0 / 66

HEX #4E3856

RGB 78 56 86

HSL 284, 0.21%, 0.28%

LAB 27.07, 16, -14.33

 

CMYK 9 / 43 / 0 / 74

HEX #3D2643

RGB 61 38 67

HSL 287.59, 0.28%, 0.21%

LAB 19.16, 16.86, -14.01

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 6 / 24 / 0 / 44

HEX #876E90

RGB 135 110 144

HSL 284.12, 0.13%, 0.5%

LAB 49.88, 16.39, -14.85

 

CMYK 3 / 24 / 0 / 44

HEX #8C6E90

RGB 140 110 144

HSL 292.94, 0.13%, 0.5%

LAB 50.38, 18.17, -14.04

 

CMYK 0 / 24 / 2 / 44

HEX #906E8D

RGB 144 110 141

HSL 305.29, 0.13%, 0.5%

LAB 50.69, 18.99, -11.76

 

CMYK 0 / 24 / 6 / 44

HEX #906E88

RGB 144 110 136

HSL 314.12, 0.13%, 0.5%

LAB 50.52, 18.02, -9.07

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 10 / 23 / 0 / 24

HEX #AF95C2

RGB 175 149 194

HSL 274.67, 0.27%, 0.67%

LAB 65.36, 18.18, -19.67

 

CMYK 10 / 23 / 0 / 4

HEX #DDBCF5

RGB 221 188 245

HSL 274.74, 0.74%, 0.85%

LAB 80.7, 22.08, -23.83

 

CMYK 10 / 22 / 0 / 84

HEX #252029

RGB 37 32 41

HSL 273.33, 0.12%, 0.14%

LAB 13.15, 4.6, -5.16

 

CMYK 10 / 23 / 0 / 64

HEX #53475C

RGB 83 71 92

HSL 274.29, 0.13%, 0.32%

LAB 32.07, 9.62, -10.52

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 0 / 24 / 18 / 44

HEX #906E76

RGB 144 110 118

HSL 345.88, 0.13%, 0.5%

LAB 49.96, 14.78, 0.77

 

CMYK 24 / 0 / 19 / 44

HEX #6E9074

RGB 110 144 116

HSL 130.59, 0.13%, 0.5%

LAB 56.61, -17.78, 11.07

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 0 / 10 / 24 / 44

HEX #90816E

RGB 144 129 110

HSL 33.53, 0.13%, 0.5%

LAB 54.82, 2.51, 12.39

 

CMYK 24 / 0 / 10 / 44

HEX #6E9081

RGB 110 144 129

HSL 153.53, 0.13%, 0.5%

LAB 56.93, -15.14, 4.1

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 0 / 24 / 18 / 44

HEX #906E76

RGB 144 110 118

HSL 345.88, 0.13%, 0.5%

LAB 49.96, 14.78, 0.77

 

CMYK 13 / 0 / 24 / 44

HEX #7D906E

RGB 125 144 110

HSL 93.53, 0.13%, 0.5%

LAB 57.49, -13.34, 15.86

 

CMYK 24 / 0 / 6 / 44

HEX #6E9088

RGB 110 144 136

HSL 165.88, 0.13%, 0.5%

LAB 57.11, -13.61, 0.37

 

CMYK 10 / 23 / 0 / 44

HEX #816E8F

RGB 129 110 143

HSL 274.55, 0.13%, 0.5%

LAB 49.26, 14.06, -15.26

 

CMYK 0 / 22 / 24 / 44

HEX #90716E

RGB 144 113 110

HSL 5.29, 0.13%, 0.5%

LAB 50.53, 11.72, 6.32

 

CMYK 13 / 0 / 24 / 44

HEX #7D906E

RGB 125 144 110

HSL 93.53, 0.13%, 0.5%

LAB 57.49, -13.34, 15.86

 

CMYK 24 / 2 / 0 / 44

HEX #6E8D90

RGB 110 141 144

HSL 185.29, 0.13%, 0.5%

LAB 56.46, -10.13, -5.18

 

Description

Color code: CMYK 10 / 23 / 0 / 44 | qconv.com Color code: CMYK 10 / 23 / 0 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 110 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 110 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 23 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 23% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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