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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9057A9 it is the complementary color #6FA856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9057A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9057A9 shade: #9557A4, #A669B7, #B77BCA, #C88DDD and #D99FF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9057A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9057A9 shade: #9057A9, #7F4596, #6E3383, #5D2170 and #4C0F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9057A9 shade: #8F57A8, #A557A8, #A85795, #A8577F and #A85769

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9057A9 shade: #8F57A8, #7957A8, #6357A8 and #5757A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9057A9 shade matches the following richer shades: #8F57A8, #9742BD, #A02DD2, #A819E6 and #B004FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9057A9 shade: #8F57A8, #876B94, #7F807F, #77956A and #6FA956

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9057A9 shade: #6357A8, #7957A8, #8E57A8, #A457A8 and #A85797

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9057A9 shade: #613B72, #78498D, #8F57A8, #A172B6 and #B48DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9057A9 shade: #9057A9, #A85760 and #57A86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9057A9 shade: #9057A9, #A88E57 and #57A88E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9057A9 shade: #9057A9, #A85760, #71A857 and #57A89F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9057A9 shade: #9057A9, #A86657, #71A857 and #5799A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

Complementary color

CMYK 34 / 0 / 49 / 34

HEX #6FA856

RGB 111 168 86

HSL 101.71, 0.32%, 0.5%

LAB 63.39, -34.1, 36.37

 

CMYK 9 / 47 / 0 / 36

HEX #9557A4

RGB 149 87 164

HSL 288.31, 0.31%, 0.49%

LAB 46.82, 38.52, -31.25

 

CMYK 9 / 43 / 0 / 28

HEX #A669B7

RGB 166 105 183

HSL 286.92, 0.35%, 0.56%

LAB 53.63, 37.72, -31.56

 

CMYK 9 / 39 / 0 / 21

HEX #B77BCA

RGB 183 123 202

HSL 285.57, 0.43%, 0.64%

LAB 60.34, 36.94, -31.82

 

CMYK 10 / 36 / 0 / 13

HEX #C88DDD

RGB 200 141 221

HSL 284.25, 0.54%, 0.71%

LAB 66.94, 36.19, -32.06

 

CMYK 10 / 34 / 0 / 6

HEX #D99FF0

RGB 217 159 240

HSL 282.96, 0.73%, 0.78%

LAB 73.44, 35.49, -32.3

 

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

CMYK 15 / 54 / 0 / 41

HEX #7F4596

RGB 127 69 150

HSL 282.96, 0.37%, 0.43%

LAB 39.53, 38.92, -34.56

 

CMYK 16 / 61 / 0 / 49

HEX #6E3383

RGB 110 51 131

HSL 284.25, 0.44%, 0.36%

LAB 32.53, 39.63, -34.17

 

CMYK 17 / 71 / 0 / 56

HEX #5D2170

RGB 93 33 112

HSL 285.57, 0.54%, 0.28%

LAB 25.52, 40.01, -33.5

 

CMYK 18 / 84 / 0 / 64

HEX #4C0F5D

RGB 76 15 93

HSL 286.92, 0.72%, 0.21%

LAB 18.66, 39.51, -32.24

 

CMYK 15 / 48 / 0 / 34

HEX #8F57A8

RGB 143 87 168

HSL 281.48, 0.32%, 0.5%

LAB 46.29, 37.59, -34.5

 

CMYK 2 / 48 / 0 / 34

HEX #A557A8

RGB 165 87 168

HSL 297.78, 0.32%, 0.5%

LAB 49.06, 44.12, -29.96

 

CMYK 0 / 48 / 11 / 34

HEX #A85795

RGB 168 87 149

HSL 314.07, 0.32%, 0.5%

LAB 48.65, 41.62, -19.34

 

CMYK 0 / 48 / 24 / 34

HEX #A8577F

RGB 168 87 127

HSL 330.37, 0.32%, 0.5%

LAB 47.85, 38.12, -7.39

 

CMYK 0 / 48 / 38 / 34

HEX #A85769

RGB 168 87 105

HSL 346.67, 0.32%, 0.5%

LAB 47.19, 35.14, 4.92

 

CMYK 15 / 48 / 0 / 34

HEX #8F57A8

RGB 143 87 168

HSL 281.48, 0.32%, 0.5%

LAB 46.29, 37.59, -34.5

 

CMYK 28 / 48 / 0 / 34

HEX #7957A8

RGB 121 87 168

HSL 265.19, 0.32%, 0.5%

LAB 43.81, 31.23, -38.58

 

CMYK 41 / 48 / 0 / 34

HEX #6357A8

RGB 99 87 168

HSL 248.89, 0.32%, 0.5%

LAB 41.68, 25.25, -42.09

 

CMYK 48 / 48 / 0 / 34

HEX #5757A8

RGB 87 87 168

HSL 240, 0.32%, 0.5%

LAB 40.69, 22.25, -43.74

 

CMYK 15 / 48 / 0 / 34

HEX #8F57A8

RGB 143 87 168

HSL 281.48, 0.32%, 0.5%

LAB 46.29, 37.59, -34.5

 

CMYK 20 / 65 / 0 / 26

HEX #9742BD

RGB 151 66 189

HSL 281.46, 0.48%, 0.5%

LAB 44.45, 55.02, -49.68

 

CMYK 24 / 79 / 0 / 18

HEX #A02DD2

RGB 160 45 210

HSL 281.82, 0.65%, 0.5%

LAB 44.24, 69.32, -62.13

 

CMYK 27 / 89 / 0 / 10

HEX #A819E6

RGB 168 25 230

HSL 281.85, 0.8%, 0.5%

LAB 45.27, 79.27, -71.84

 

CMYK 30 / 98 / 0 / 2

HEX #B004FB

RGB 176 4 251

HSL 281.78, 0.97%, 0.5%

LAB 47.34, 86.58, -80.24

 

CMYK 15 / 48 / 0 / 34

HEX #8F57A8

RGB 143 87 168

HSL 281.48, 0.32%, 0.5%

LAB 46.29, 37.59, -34.5

 

CMYK 9 / 28 / 0 / 42

HEX #876B94

RGB 135 107 148

HSL 280.98, 0.16%, 0.5%

LAB 49.26, 19.03, -18.16

 

CMYK 1 / 0 / 1 / 50

HEX #7F807F

RGB 127 128 127

HSL 120, 0%, 0.5%

LAB 53.47, -0.57, 0.4

 

CMYK 20 / 0 / 29 / 42

HEX #77956A

RGB 119 149 106

HSL 101.86, 0.17%, 0.5%

LAB 58.47, -18.92, 19.37

 

CMYK 34 / 0 / 49 / 34

HEX #6FA956

RGB 111 169 86

HSL 101.93, 0.33%, 0.5%

LAB 63.69, -34.56, 36.74

 

CMYK 41 / 48 / 0 / 34

HEX #6357A8

RGB 99 87 168

HSL 248.89, 0.32%, 0.5%

LAB 41.68, 25.25, -42.09

 

CMYK 28 / 48 / 0 / 34

HEX #7957A8

RGB 121 87 168

HSL 265.19, 0.32%, 0.5%

LAB 43.81, 31.23, -38.58

 

CMYK 15 / 48 / 0 / 34

HEX #8E57A8

RGB 142 87 168

HSL 280.74, 0.32%, 0.5%

LAB 46.17, 37.3, -34.7

 

CMYK 2 / 48 / 0 / 34

HEX #A457A8

RGB 164 87 168

HSL 297.04, 0.32%, 0.5%

LAB 48.93, 43.82, -30.18

 

CMYK 0 / 48 / 10 / 34

HEX #A85797

RGB 168 87 151

HSL 312.59, 0.32%, 0.5%

LAB 48.73, 41.96, -20.4

 

CMYK 15 / 48 / 0 / 55

HEX #613B72

RGB 97 59 114

HSL 281.45, 0.32%, 0.34%

LAB 31.54, 27.37, -25.19

 

CMYK 15 / 48 / 0 / 45

HEX #78498D

RGB 120 73 141

HSL 281.47, 0.32%, 0.42%

LAB 39.04, 32.58, -29.94

 

CMYK 15 / 48 / 0 / 34

HEX #8F57A8

RGB 143 87 168

HSL 281.48, 0.32%, 0.5%

LAB 46.29, 37.59, -34.5

 

CMYK 12 / 37 / 0 / 29

HEX #A172B6

RGB 161 114 182

HSL 281.47, 0.32%, 0.58%

LAB 55.06, 30.92, -28.8

 

CMYK 8 / 28 / 0 / 23

HEX #B48DC4

RGB 180 141 196

HSL 282.55, 0.32%, 0.66%

LAB 63.95, 24.74, -22.9

 

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 48 / 0 / 35 / 34

HEX #57A86E

RGB 87 168 110

HSL 137.04, 0.32%, 0.5%

LAB 62.64, -37.91, 22.52

 

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

CMYK 0 / 15 / 48 / 34

HEX #A88E57

RGB 168 142 87

HSL 40.74, 0.32%, 0.5%

LAB 60.21, 2.37, 32.82

 

CMYK 48 / 0 / 15 / 34

HEX #57A88E

RGB 87 168 142

HSL 160.74, 0.32%, 0.5%

LAB 63.33, -31.2, 5.83

 

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 33 / 0 / 48 / 34

HEX #71A857

RGB 113 168 87

HSL 100.74, 0.32%, 0.5%

LAB 63.51, -33.27, 36.03

 

CMYK 48 / 0 / 5 / 34

HEX #57A89F

RGB 87 168 159

HSL 173.33, 0.32%, 0.5%

LAB 63.78, -27.02, -3.02

 

CMYK 15 / 49 / 0 / 34

HEX #9057A9

RGB 144 87 169

HSL 281.71, 0.32%, 0.5%

LAB 46.46, 38.11, -34.82

 

CMYK 0 / 39 / 48 / 34

HEX #A86657

RGB 168 102 87

HSL 11.11, 0.32%, 0.5%

LAB 50.12, 24.87, 19.73

 

CMYK 33 / 0 / 48 / 34

HEX #71A857

RGB 113 168 87

HSL 100.74, 0.32%, 0.5%

LAB 63.51, -33.27, 36.03

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

Description

Color code: HEX #9057A9 | qconv.com Color code: HEX #9057A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 87 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 87 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 49 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 49% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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