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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5799A8 it is the complementary color #A86657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5799A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5799A8 shade: #5C99A3, #6DABB6, #7EBDC9, #8FCFDC and #A0E1EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5799A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5799A8 shade: #5799A8, #468795, #357582, #24636F and #13515C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5799A8 shade: #5799A8, #5783A8, #576DA8, #5757A8 and #6C57A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5799A8 shade: #5799A8, #5783A8, #576DA8 and #5757A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5799A8 shade matches the following richer shades: #5799A8, #42A6BD, #2DB3D2, #19C0E6 and #04CDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5799A8 shade: #5799A8, #6B8C94, #807F7F, #95726A and #A96556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5799A8 shade: #57A88C, #57A8A2, #5799A8, #5784A8 and #576EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5799A8 shade: #3B6872, #49808D, #5799A8, #72AAB6 and #8DBAC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5799A8 shade: #5799A8, #7657A8 and #A89757

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5799A8 shade: #5799A8, #A85799 and #99A857

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5799A8 shade: #5799A8, #7657A8, #A86657 and #89A857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5799A8 shade: #5799A8, #8E57A8, #A86657 and #71A857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

Complementary color

CMYK 0 / 39 / 48 / 34

HEX #A86657

RGB 168 102 87

HSL 11.11, 0.32%, 0.5%

LAB 50.12, 24.87, 19.73

 

CMYK 44 / 6 / 0 / 36

HEX #5C99A3

RGB 92 153 163

HSL 188.45, 0.28%, 0.5%

LAB 59.62, -17.03, -11.44

 

CMYK 40 / 6 / 0 / 29

HEX #6DABB6

RGB 109 171 182

HSL 189.04, 0.33%, 0.57%

LAB 66.33, -17.06, -11.95

 

CMYK 37 / 6 / 0 / 21

HEX #7EBDC9

RGB 126 189 201

HSL 189.6, 0.41%, 0.64%

LAB 72.92, -17.08, -12.44

 

CMYK 35 / 6 / 0 / 14

HEX #8FCFDC

RGB 143 207 220

HSL 190.13, 0.52%, 0.71%

LAB 79.4, -17.08, -12.92

 

CMYK 33 / 6 / 0 / 6

HEX #A0E1EF

RGB 160 225 239

HSL 190.63, 0.71%, 0.78%

LAB 85.78, -17.07, -13.38

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 53 / 9 / 0 / 42

HEX #468795

RGB 70 135 149

HSL 190.63, 0.36%, 0.43%

LAB 52.73, -16.68, -13.88

 

CMYK 59 / 10 / 0 / 49

HEX #357582

RGB 53 117 130

HSL 190.13, 0.42%, 0.36%

LAB 45.76, -16.36, -13.33

 

CMYK 68 / 11 / 0 / 56

HEX #24636F

RGB 36 99 111

HSL 189.6, 0.51%, 0.29%

LAB 38.63, -15.83, -12.72

 

CMYK 79 / 12 / 0 / 64

HEX #13515C

RGB 19 81 92

HSL 189.04, 0.66%, 0.22%

LAB 31.34, -14.93, -12

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 48 / 22 / 0 / 34

HEX #5783A8

RGB 87 131 168

HSL 207.41, 0.32%, 0.5%

LAB 53.04, -4.66, -24.33

 

CMYK 48 / 35 / 0 / 34

HEX #576DA8

RGB 87 109 168

HSL 223.7, 0.32%, 0.5%

LAB 46.7, 8.48, -34.21

 

CMYK 48 / 48 / 0 / 34

HEX #5757A8

RGB 87 87 168

HSL 240, 0.32%, 0.5%

LAB 40.69, 22.25, -43.74

 

CMYK 36 / 48 / 0 / 34

HEX #6C57A8

RGB 108 87 168

HSL 255.56, 0.32%, 0.5%

LAB 42.51, 27.63, -40.73

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 48 / 22 / 0 / 34

HEX #5783A8

RGB 87 131 168

HSL 207.41, 0.32%, 0.5%

LAB 53.04, -4.66, -24.33

 

CMYK 48 / 35 / 0 / 34

HEX #576DA8

RGB 87 109 168

HSL 223.7, 0.32%, 0.5%

LAB 46.7, 8.48, -34.21

 

CMYK 48 / 48 / 0 / 34

HEX #5757A8

RGB 87 87 168

HSL 240, 0.32%, 0.5%

LAB 40.69, 22.25, -43.74

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 65 / 12 / 0 / 26

HEX #42A6BD

RGB 66 166 189

HSL 191.22, 0.48%, 0.5%

LAB 63.43, -21.72, -20.4

 

CMYK 79 / 15 / 0 / 18

HEX #2DB3D2

RGB 45 179 210

HSL 191.27, 0.65%, 0.5%

LAB 67.61, -24.44, -25.68

 

CMYK 89 / 17 / 0 / 10

HEX #19C0E6

RGB 25 192 230

HSL 191.12, 0.8%, 0.5%

LAB 71.97, -25.89, -29.92

 

CMYK 98 / 18 / 0 / 2

HEX #04CDFB

RGB 4 205 251

HSL 191.17, 0.97%, 0.5%

LAB 76.47, -26.09, -34.31

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 28 / 5 / 0 / 42

HEX #6B8C94

RGB 107 140 148

HSL 191.71, 0.16%, 0.5%

LAB 56.11, -9.57, -8.03

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 0 / 23 / 29 / 42

HEX #95726A

RGB 149 114 106

HSL 11.16, 0.17%, 0.5%

LAB 51.23, 12.57, 9.74

 

CMYK 0 / 40 / 49 / 34

HEX #A96556

RGB 169 101 86

HSL 10.84, 0.33%, 0.5%

LAB 49.99, 25.74, 20.18

 

CMYK 48 / 0 / 17 / 34

HEX #57A88C

RGB 87 168 140

HSL 159.26, 0.32%, 0.5%

LAB 63.28, -31.66, 6.87

 

CMYK 48 / 0 / 4 / 34

HEX #57A8A2

RGB 87 168 162

HSL 175.56, 0.32%, 0.5%

LAB 63.87, -26.25, -4.57

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 48 / 21 / 0 / 34

HEX #5784A8

RGB 87 132 168

HSL 206.67, 0.32%, 0.5%

LAB 53.34, -5.24, -23.88

 

CMYK 48 / 35 / 0 / 34

HEX #576EA8

RGB 87 110 168

HSL 222.96, 0.32%, 0.5%

LAB 46.98, 7.87, -33.76

 

CMYK 48 / 9 / 0 / 55

HEX #3B6872

RGB 59 104 114

HSL 190.91, 0.32%, 0.34%

LAB 41.29, -12.54, -10.44

 

CMYK 48 / 9 / 0 / 45

HEX #49808D

RGB 73 128 141

HSL 191.47, 0.32%, 0.42%

LAB 50.43, -14.48, -12.68

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 37 / 7 / 0 / 29

HEX #72AAB6

RGB 114 170 182

HSL 190.59, 0.32%, 0.58%

LAB 66.29, -15.2, -11.98

 

CMYK 28 / 5 / 0 / 23

HEX #8DBAC4

RGB 141 186 196

HSL 190.91, 0.32%, 0.66%

LAB 72.74, -12.52, -9.91

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 30 / 48 / 0 / 34

HEX #7657A8

RGB 118 87 168

HSL 262.96, 0.32%, 0.5%

LAB 43.5, 30.39, -39.09

 

CMYK 0 / 10 / 48 / 34

HEX #A89757

RGB 168 151 87

HSL 47.41, 0.32%, 0.5%

LAB 62.63, -2.57, 35.83

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 0 / 48 / 9 / 34

HEX #A85799

RGB 168 87 153

HSL 311.11, 0.32%, 0.5%

LAB 48.81, 42.3, -21.46

 

CMYK 9 / 0 / 48 / 34

HEX #99A857

RGB 153 168 87

HSL 71.11, 0.32%, 0.5%

LAB 66.11, -17.86, 39.81

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 30 / 48 / 0 / 34

HEX #7657A8

RGB 118 87 168

HSL 262.96, 0.32%, 0.5%

LAB 43.5, 30.39, -39.09

 

CMYK 0 / 39 / 48 / 34

HEX #A86657

RGB 168 102 87

HSL 11.11, 0.32%, 0.5%

LAB 50.12, 24.87, 19.73

 

CMYK 18 / 0 / 48 / 34

HEX #89A857

RGB 137 168 87

HSL 82.96, 0.32%, 0.5%

LAB 64.97, -24.28, 38.16

 

CMYK 48 / 9 / 0 / 34

HEX #5799A8

RGB 87 153 168

HSL 191.11, 0.32%, 0.5%

LAB 59.56, -16.89, -14.38

 

CMYK 15 / 48 / 0 / 34

HEX #8E57A8

RGB 142 87 168

HSL 280.74, 0.32%, 0.5%

LAB 46.17, 37.3, -34.7

 

CMYK 0 / 39 / 48 / 34

HEX #A86657

RGB 168 102 87

HSL 11.11, 0.32%, 0.5%

LAB 50.12, 24.87, 19.73

 

CMYK 33 / 0 / 48 / 34

HEX #71A857

RGB 113 168 87

HSL 100.74, 0.32%, 0.5%

LAB 63.51, -33.27, 36.03

 

Description

Color code: HEX #5799A8 | qconv.com Color code: HEX #5799A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 153 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 153 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 9 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 9% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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