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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #904F4B it is the complementary color #6FB0B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #904F4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #904F4B: #954F46, #A66159, #B7736C, #C8857F and #D99792

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #904F4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #904F4B: #904F4B, #7F3D38, #6E2B25, #5D1912 and #4C0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

Complementary color

CMYK 38 / 2 / 0 / 29

HEX #6FB0B4

RGB 111 176 180

HSL 183.48, 0.32%, 0.57%

LAB 67.82, -19.65, -8.61

 

CMYK 0 / 47 / 53 / 42

HEX #954F46

RGB 149 79 70

HSL 6.84, 0.36%, 0.43%

LAB 41.88, 28.28, 18.42

 

CMYK 0 / 42 / 46 / 35

HEX #A66159

RGB 166 97 89

HSL 6.23, 0.3%, 0.5%

LAB 48.73, 27.06, 16.64

 

CMYK 0 / 37 / 41 / 28

HEX #B7736C

RGB 183 115 108

HSL 5.6, 0.34%, 0.57%

LAB 55.49, 25.97, 15.13

 

CMYK 0 / 34 / 37 / 22

HEX #C8857F

RGB 200 133 127

HSL 4.93, 0.4%, 0.64%

LAB 62.16, 25.01, 13.8

 

CMYK 0 / 30 / 33 / 15

HEX #D99792

RGB 217 151 146

HSL 4.23, 0.48%, 0.71%

LAB 68.72, 24.14, 12.62

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 0 / 52 / 56 / 50

HEX #7F3D38

RGB 127 61 56

HSL 4.23, 0.39%, 0.36%

LAB 34.26, 28.01, 16.38

 

CMYK 0 / 61 / 66 / 57

HEX #6E2B25

RGB 110 43 37

HSL 4.93, 0.5%, 0.29%

LAB 27.23, 29.33, 18.87

 

CMYK 0 / 73 / 81 / 64

HEX #5D1912

RGB 93 25 18

HSL 5.6, 0.68%, 0.22%

LAB 20.31, 30.49, 22.11

 

CMYK 0 / 91 / 100 / 70

HEX #4C0700

RGB 76 7 0

HSL 5.53, 1%, 0.15%

LAB 13.76, 30.73, 21.37

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 0 / 38 / 49 / 44

HEX #90594A

RGB 144 89 74

HSL 12.86, 0.32%, 0.43%

LAB 43.61, 20.92, 18.18

 

CMYK 0 / 30 / 49 / 44

HEX #90654A

RGB 144 101 74

HSL 23.14, 0.32%, 0.43%

LAB 46.62, 13.95, 22.16

 

CMYK 0 / 22 / 49 / 44

HEX #90714A

RGB 144 113 74

HSL 33.43, 0.32%, 0.43%

LAB 49.78, 6.98, 26.24

 

CMYK 0 / 14 / 49 / 44

HEX #907C4A

RGB 144 124 74

HSL 42.86, 0.32%, 0.43%

LAB 52.77, 0.69, 30.03

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 0 / 45 / 48 / 24

HEX #C36B66

RGB 195 107 102

HSL 3.23, 0.44%, 0.58%

LAB 55.15, 34.36, 18.39

 

CMYK 0 / 45 / 48 / 4

HEX #F68780

RGB 246 135 128

HSL 3.56, 0.87%, 0.73%

LAB 68.37, 41.47, 22.7

 

CMYK 0 / 45 / 48 / 84

HEX #2A1716

RGB 42 23 22

HSL 3, 0.31%, 0.13%

LAB 10.28, 9.46, 4.72

 

CMYK 0 / 45 / 48 / 64

HEX #5D3330

RGB 93 51 48

HSL 4, 0.32%, 0.28%

LAB 26.47, 18.55, 10.15

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 12 / 0 / 49 / 44

HEX #7F904A

RGB 127 144 74

HSL 74.57, 0.32%, 0.43%

LAB 57.03, -17.58, 34.95

 

CMYK 49 / 31 / 0 / 44

HEX #4A6390

RGB 74 99 144

HSL 218.57, 0.32%, 0.43%

LAB 41.83, 3.76, -27.66

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 49 / 0 / 46 / 44

HEX #4A904E

RGB 74 144 78

HSL 123.43, 0.32%, 0.43%

LAB 53.98, -36.48, 28.36

 

CMYK 46 / 49 / 0 / 44

HEX #4E4A90

RGB 78 74 144

HSL 243.43, 0.32%, 0.43%

LAB 35.06, 20.75, -38.34

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 12 / 0 / 49 / 44

HEX #7F904A

RGB 127 144 74

HSL 74.57, 0.32%, 0.43%

LAB 57.03, -17.58, 34.95

 

CMYK 49 / 2 / 0 / 44

HEX #4A8D90

RGB 74 141 144

HSL 182.57, 0.32%, 0.43%

LAB 54.57, -20.38, -8.2

 

CMYK 36 / 49 / 0 / 44

HEX #5C4A90

RGB 92 74 144

HSL 255.43, 0.32%, 0.43%

LAB 36.34, 24.5, -36.23

 

CMYK 0 / 45 / 48 / 44

HEX #904F4B

RGB 144 79 75

HSL 3.48, 0.32%, 0.43%

LAB 41.26, 26.75, 14.41

 

CMYK 26 / 0 / 49 / 44

HEX #6A904A

RGB 106 144 74

HSL 92.57, 0.32%, 0.43%

LAB 55.59, -26.02, 32.86

 

CMYK 49 / 2 / 0 / 44

HEX #4A8D90

RGB 74 141 144

HSL 182.57, 0.32%, 0.43%

LAB 54.57, -20.38, -8.2

 

CMYK 22 / 49 / 0 / 44

HEX #714A90

RGB 113 74 144

HSL 273.43, 0.32%, 0.43%

LAB 38.59, 30.59, -32.52

 

Description

Color code: HEX #904F4B | qconv.com Color code: HEX #904F4B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 79 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 79 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 48 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 48% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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