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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #902EE8 it is the complementary color #6FD117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #902EE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #902EE8: #952EE3, #A640F6, #B752FF, #C864FF and #D976FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #902EE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #902EE8: #902EE8, #7F1CD5, #6E0AC2, #5D00AF and #4C009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

Complementary color

CMYK 47 / 0 / 89 / 18

HEX #6FD117

RGB 111 209 23

HSL 91.61, 0.8%, 0.45%

LAB 75.48, -55.73, 71.51

 

CMYK 34 / 80 / 0 / 11

HEX #952EE3

RGB 149 46 227

HSL 274.14, 0.76%, 0.54%

LAB 44.07, 70.7, -72.2

 

CMYK 33 / 74 / 0 / 4

HEX #A640F6

RGB 166 64 246

HSL 273.63, 0.91%, 0.61%

LAB 50.01, 71.08, -73.15

 

CMYK 28 / 68 / 0 / 0

HEX #B752FF

RGB 183 82 255

HSL 275.03, 1%, 0.66%

LAB 55.4, 68.78, -69.31

 

CMYK 22 / 61 / 0 / 0

HEX #C864FF

RGB 200 100 255

HSL 278.71, 1%, 0.7%

LAB 60.44, 64.29, -61.1

 

CMYK 15 / 54 / 0 / 0

HEX #D976FF

RGB 217 118 255

HSL 283.36, 1%, 0.73%

LAB 65.69, 59.79, -52.61

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 40 / 87 / 0 / 16

HEX #7F1CD5

RGB 127 28 213

HSL 272.11, 0.77%, 0.47%

LAB 38.1, 69.91, -74.07

 

CMYK 43 / 95 / 0 / 24

HEX #6E0AC2

RGB 110 10 194

HSL 272.61, 0.9%, 0.4%

LAB 32.76, 67.49, -71.87

 

CMYK 47 / 100 / 0 / 31

HEX #5D00AF

RGB 93 0 175

HSL 271.89, 1%, 0.34%

LAB 27.91, 63.33, -68.68

 

CMYK 51 / 100 / 0 / 39

HEX #4C009C

RGB 76 0 156

HSL 269.23, 1%, 0.31%

LAB 23.46, 57.65, -64.57

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 25 / 79 / 0 / 9

HEX #AD30E8

RGB 173 48 232

HSL 280.76, 0.8%, 0.55%

LAB 48.04, 74.88, -68.44

 

CMYK 12 / 79 / 0 / 9

HEX #CC30E8

RGB 204 48 232

HSL 290.87, 0.8%, 0.55%

LAB 52.71, 80.18, -60.66

 

CMYK 0 / 79 / 2 / 9

HEX #E830E4

RGB 232 48 228

HSL 301.3, 0.8%, 0.55%

LAB 56.95, 84.67, -51.36

 

CMYK 0 / 79 / 15 / 9

HEX #E830C6

RGB 232 48 198

HSL 311.09, 0.8%, 0.55%

LAB 55.43, 80.45, -36.69

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 39 / 79 / 0 / 89

HEX #11061C

RGB 17 6 28

HSL 270, 0.65%, 0.07%

LAB 3.01, 7.75, -10.93

 

CMYK 38 / 80 / 0 / 69

HEX #31104F

RGB 49 16 79

HSL 271.43, 0.66%, 0.19%

LAB 13.16, 29.9, -31.9

 

CMYK 38 / 80 / 0 / 49

HEX #511A82

RGB 81 26 130

HSL 271.73, 0.67%, 0.31%

LAB 24, 44.8, -47.5

 

CMYK 38 / 80 / 0 / 29

HEX #7024B5

RGB 112 36 181

HSL 271.45, 0.67%, 0.43%

LAB 34.07, 58.24, -62.03

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 0 / 79 / 57 / 9

HEX #E83064

RGB 232 48 100

HSL 343.04, 0.8%, 0.55%

LAB 52.05, 70.56, 16.33

 

CMYK 79 / 0 / 70 / 9

HEX #30E845

RGB 48 232 69

HSL 126.85, 0.8%, 0.55%

LAB 81.17, -74.09, 63.48

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 0 / 38 / 79 / 9

HEX #E88F30

RGB 232 143 48

HSL 30.98, 0.8%, 0.55%

LAB 67.29, 26.72, 61.1

 

CMYK 79 / 0 / 38 / 9

HEX #30E88F

RGB 48 232 143

HSL 150.98, 0.8%, 0.55%

LAB 82.01, -63.98, 30.97

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 0 / 79 / 57 / 9

HEX #E83064

RGB 232 48 100

HSL 343.04, 0.8%, 0.55%

LAB 52.05, 70.56, 16.33

 

CMYK 41 / 0 / 79 / 9

HEX #89E830

RGB 137 232 48

HSL 90.98, 0.8%, 0.55%

LAB 83.57, -55.41, 73.42

 

CMYK 79 / 0 / 22 / 9

HEX #30E8B4

RGB 48 232 180

HSL 163.04, 0.8%, 0.55%

LAB 82.72, -56.16, 12.82

 

CMYK 38 / 80 / 0 / 9

HEX #902EE8

RGB 144 46 232

HSL 271.61, 0.8%, 0.55%

LAB 43.81, 71.05, -75.49

 

CMYK 0 / 78 / 79 / 9

HEX #E83330

RGB 232 51 48

HSL 0.98, 0.8%, 0.55%

LAB 51.54, 67.26, 45.98

 

CMYK 41 / 0 / 79 / 9

HEX #89E830

RGB 137 232 48

HSL 90.98, 0.8%, 0.55%

LAB 83.57, -55.41, 73.42

 

CMYK 79 / 2 / 0 / 9

HEX #30E4E8

RGB 48 228 232

HSL 181.3, 0.8%, 0.55%

LAB 82.88, -40.82, -14.39

 

Description

Color code: HEX #902EE8 | qconv.com Color code: HEX #902EE8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 46 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 46 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 80 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 80% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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