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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9000C7 it is the complementary color #6FFF38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9000C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9000C7 shade: #9500C2, #A612D5, #B724E8, #C836FB and #D948FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9000C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9000C7 shade: #9000C7, #7F00B4, #6E00A1, #5D008E and #4C007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9000C7 shade: #9000C7, #C600C7, #C70093, #C7005D and #C70027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9000C7 shade: #9000C7, #5A00C7, #2500C7 and #0000C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9000C7 shade matches the following richer shades: #9000C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9000C7 shade: #9000C7, #8910B7, #8220A7, #7A3097 and #734087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9000C7 shade: #2400C7, #5A00C7, #8F00C7, #C400C7 and #C70095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9000C7 shade: #540074, #72009E, #9000C7, #AE00F0 and #C01AFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9000C7 shade: #9000C7, #C70011 and #00C73F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9000C7 shade: #9000C7, #C78F00 and #00C78F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9000C7 shade: #9000C7, #C70011, #38C700 and #00C7B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9000C7 shade: #9000C7, #C72B00, #38C700 and #009CC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

Complementary color

CMYK 56 / 0 / 78 / 0

HEX #6FFF38

RGB 111 255 56

HSL 103.42, 1%, 0.61%

LAB 89.48, -70.73, 76.35

 

CMYK 23 / 100 / 0 / 24

HEX #9500C2

RGB 149 0 194

HSL 286.08, 1%, 0.38%

LAB 38.35, 73.35, -62.48

 

CMYK 22 / 92 / 0 / 16

HEX #A612D5

RGB 166 18 213

HSL 285.54, 0.84%, 0.45%

LAB 43.28, 77, -65.38

 

CMYK 21 / 84 / 0 / 9

HEX #B724E8

RGB 183 36 232

HSL 285, 0.81%, 0.53%

LAB 48.46, 79.62, -67.69

 

CMYK 20 / 78 / 0 / 2

HEX #C836FB

RGB 200 54 251

HSL 284.47, 0.96%, 0.6%

LAB 53.9, 81.19, -69.41

 

CMYK 15 / 72 / 0 / 0

HEX #D948FF

RGB 217 72 255

HSL 287.54, 1%, 0.64%

LAB 58.61, 79.28, -63.91

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 29 / 100 / 0 / 29

HEX #7F00B4

RGB 127 0 180

HSL 282.33, 1%, 0.35%

LAB 33.58, 67.96, -62.15

 

CMYK 32 / 100 / 0 / 37

HEX #6E00A1

RGB 110 0 161

HSL 280.99, 1%, 0.32%

LAB 29.13, 62.19, -58.11

 

CMYK 35 / 100 / 0 / 44

HEX #5D008E

RGB 93 0 142

HSL 279.3, 1%, 0.28%

LAB 24.58, 56.3, -54

 

CMYK 38 / 100 / 0 / 52

HEX #4C007B

RGB 76 0 123

HSL 277.07, 1%, 0.24%

LAB 19.91, 50.27, -49.78

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 1 / 100 / 0 / 22

HEX #C600C7

RGB 198 0 199

HSL 299.7, 1%, 0.39%

LAB 47.14, 81.36, -50.77

 

CMYK 0 / 100 / 26 / 22

HEX #C70093

RGB 199 0 147

HSL 315.68, 1%, 0.39%

LAB 44.59, 74.75, -23.97

 

CMYK 0 / 100 / 53 / 22

HEX #C7005D

RGB 199 0 93

HSL 331.96, 1%, 0.39%

LAB 42.66, 69.75, 6.58

 

CMYK 0 / 100 / 80 / 22

HEX #C70027

RGB 199 0 39

HSL 348.24, 1%, 0.39%

LAB 41.67, 67.09, 38.82

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 55 / 100 / 0 / 22

HEX #5A00C7

RGB 90 0 199

HSL 267.14, 1%, 0.39%

LAB 30.15, 68.4, -79.21

 

CMYK 81 / 100 / 0 / 22

HEX #2500C7

RGB 37 0 199

HSL 251.16, 1%, 0.39%

LAB 25.31, 66.12, -87.4

 

CMYK 100 / 100 / 0 / 22

HEX #0000C7

RGB 0 0 199

HSL 240, 1%, 0.39%

LAB 24.08, 65.71, -89.49

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 25 / 91 / 0 / 28

HEX #8910B7

RGB 137 16 183

HSL 283.47, 0.84%, 0.39%

LAB 36.19, 67.64, -59.6

 

CMYK 22 / 81 / 0 / 35

HEX #8220A7

RGB 130 32 167

HSL 283.56, 0.68%, 0.39%

LAB 35.14, 59.6, -51.81

 

CMYK 19 / 68 / 0 / 41

HEX #7A3097

RGB 122 48 151

HSL 283.11, 0.52%, 0.39%

LAB 34.97, 48.48, -42.46

 

CMYK 15 / 53 / 0 / 47

HEX #734087

RGB 115 64 135

HSL 283.1, 0.36%, 0.39%

LAB 36.1, 34.86, -30.93

 

CMYK 82 / 100 / 0 / 22

HEX #2400C7

RGB 36 0 199

HSL 250.85, 1%, 0.39%

LAB 25.26, 66.1, -87.49

 

CMYK 55 / 100 / 0 / 22

HEX #5A00C7

RGB 90 0 199

HSL 267.14, 1%, 0.39%

LAB 30.15, 68.4, -79.21

 

CMYK 28 / 100 / 0 / 22

HEX #8F00C7

RGB 143 0 199

HSL 283.12, 1%, 0.39%

LAB 37.78, 73.5, -66.39

 

CMYK 2 / 100 / 0 / 22

HEX #C400C7

RGB 196 0 199

HSL 299.1, 1%, 0.39%

LAB 46.79, 81.04, -51.36

 

CMYK 0 / 100 / 25 / 22

HEX #C70095

RGB 199 0 149

HSL 315.08, 1%, 0.39%

LAB 44.68, 74.98, -25.05

 

CMYK 28 / 100 / 0 / 55

HEX #540074

RGB 84 0 116

HSL 283.45, 1%, 0.23%

LAB 20.62, 49.82, -44.07

 

CMYK 28 / 100 / 0 / 38

HEX #72009E

RGB 114 0 158

HSL 283.29, 1%, 0.31%

LAB 29.53, 62.1, -55.61

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 28 / 100 / 0 / 6

HEX #AE00F0

RGB 174 0 240

HSL 283.5, 1%, 0.47%

LAB 46.03, 84.71, -76.22

 

CMYK 25 / 90 / 0 / 0

HEX #C01AFF

RGB 192 26 255

HSL 283.49, 1%, 0.55%

LAB 50.88, 86.91, -76.6

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 0 / 100 / 91 / 22

HEX #C70011

RGB 199 0 17

HSL 354.87, 1%, 0.39%

LAB 41.5, 66.64, 49.8

 

CMYK 100 / 0 / 68 / 22

HEX #00C73F

RGB 0 199 63

HSL 138.99, 1%, 0.39%

LAB 70.32, -68.27, 54.2

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 0 / 28 / 100 / 22

HEX #C78F00

RGB 199 143 0

HSL 43.12, 1%, 0.39%

LAB 63.17, 11.52, 67.98

 

CMYK 100 / 0 / 28 / 22

HEX #00C78F

RGB 0 199 143

HSL 163.12, 1%, 0.39%

LAB 71.44, -54.91, 16.53

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 0 / 100 / 91 / 22

HEX #C70011

RGB 199 0 17

HSL 354.87, 1%, 0.39%

LAB 41.5, 66.64, 49.8

 

CMYK 72 / 0 / 100 / 22

HEX #38C700

RGB 56 199 0

HSL 103.12, 1%, 0.39%

LAB 70.65, -66.27, 69.73

 

CMYK 100 / 0 / 9 / 22

HEX #00C7B6

RGB 0 199 182

HSL 174.87, 1%, 0.39%

LAB 72.38, -44.85, -3.22

 

CMYK 28 / 100 / 0 / 22

HEX #9000C7

RGB 144 0 199

HSL 283.42, 1%, 0.39%

LAB 37.94, 73.62, -66.12

 

CMYK 0 / 78 / 100 / 22

HEX #C72B00

RGB 199 43 0

HSL 12.96, 1%, 0.39%

LAB 44.05, 59.03, 56.78

 

CMYK 72 / 0 / 100 / 22

HEX #38C700

RGB 56 199 0

HSL 103.12, 1%, 0.39%

LAB 70.65, -66.27, 69.73

 

CMYK 100 / 22 / 0 / 22

HEX #009CC7

RGB 0 156 199

HSL 192.96, 1%, 0.39%

LAB 59.8, -18.81, -31.67

 

Description

Color code: HEX #9000C7 | qconv.com Color code: HEX #9000C7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, none green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 0 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 100 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 100% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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