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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FDDBB it is the complementary color #702244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FDDBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FDDBB shade: #94DDB6, #A5EFC9, #B6FFDC, #C7FFEF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FDDBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FDDBB shade: #8FDDBB, #7ECBA8, #6DB995, #5CA782 and #4B956F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FDDBB shade: #8EDCBA, #8EDCA5, #8EDC90, #A1DC8E and #B6DC8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FDDBB shade: #8EDCBA, #8EDCCF, #8ED4DC, #8EBFDC and #8EAADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FDDBB shade matches the following richer shades: #8EDCBA, #82E8BC and #76F4BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FDDBB shade: #8EDCBA, #9AD0B9, #A6C4B7, #B2B8B5 and #BEACB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FDDBB shade: #8EDC8F, #8EDCA4, #8EDCB9, #8EDCCE and #8ED6DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FDDBB shade: #4FC994, #6ED3A7, #8EDCBA, #ADE6CD and #CDF0E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FDDBB shade: #8FDDBB, #8EA1DC and #DC9A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FDDBB shade: #8FDDBB, #B98EDC and #DCB98E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FDDBB shade: #8FDDBB, #8EA1DC, #DC8EB1 and #DCC98E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FDDBB shade: #8FDDBB, #928EDC, #DC8EB1 and #D8DC8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

Complementary color

CMYK 0 / 70 / 39 / 56

HEX #702244

RGB 112 34 68

HSL 333.85, 0.53%, 0.29%

LAB 26.75, 37.53, -2.39

 

CMYK 33 / 0 / 18 / 13

HEX #94DDB6

RGB 148 221 182

HSL 147.95, 0.52%, 0.72%

LAB 82.59, -30.92, 12.01

 

CMYK 31 / 0 / 16 / 6

HEX #A5EFC9

RGB 165 239 201

HSL 149.19, 0.7%, 0.79%

LAB 88.9, -30.68, 11.14

 

CMYK 29 / 0 / 14 / 0

HEX #B6FFDC

RGB 182 255 220

HSL 151.23, 1%, 0.86%

LAB 94.58, -29.52, 9.55

 

CMYK 22 / 0 / 6 / 0

HEX #C7FFEF

RGB 199 255 239

HSL 162.86, 1%, 0.89%

LAB 95.95, -20.74, 1.87

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

CMYK 38 / 0 / 17 / 20

HEX #7ECBA8

RGB 126 203 168

HSL 152.73, 0.43%, 0.65%

LAB 76.05, -31.61, 10.03

 

CMYK 41 / 0 / 19 / 27

HEX #6DB995

RGB 109 185 149

HSL 151.58, 0.35%, 0.58%

LAB 69.55, -31.85, 10.97

 

CMYK 45 / 0 / 22 / 35

HEX #5CA782

RGB 92 167 130

HSL 150.4, 0.3%, 0.51%

LAB 62.95, -32.09, 11.99

 

CMYK 50 / 0 / 26 / 42

HEX #4B956F

RGB 75 149 111

HSL 149.19, 0.33%, 0.44%

LAB 56.23, -32.29, 13.1

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 35 / 0 / 25 / 14

HEX #8EDCA5

RGB 142 220 165

HSL 137.69, 0.53%, 0.71%

LAB 81.65, -35.47, 19.59

 

CMYK 35 / 0 / 35 / 14

HEX #8EDC90

RGB 142 220 144

HSL 121.54, 0.53%, 0.71%

LAB 81.26, -39.06, 29.96

 

CMYK 27 / 0 / 35 / 14

HEX #A1DC8E

RGB 161 220 142

HSL 105.38, 0.53%, 0.71%

LAB 82.23, -33.19, 32.44

 

CMYK 17 / 0 / 35 / 14

HEX #B6DC8E

RGB 182 220 142

HSL 89.23, 0.53%, 0.71%

LAB 83.49, -25.82, 34.34

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 35 / 0 / 6 / 14

HEX #8EDCCF

RGB 142 220 207

HSL 170, 0.53%, 0.71%

LAB 82.62, -26.87, -1.23

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 35 / 13 / 0 / 14

HEX #8EBFDC

RGB 142 191 220

HSL 202.31, 0.53%, 0.71%

LAB 74.94, -9.02, -19.65

 

CMYK 35 / 23 / 0 / 14

HEX #8EAADC

RGB 142 170 220

HSL 218.46, 0.53%, 0.71%

LAB 69.23, 2.41, -28.37

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 44 / 0 / 19 / 9

HEX #82E8BC

RGB 130 232 188

HSL 154.12, 0.69%, 0.71%

LAB 85.04, -39.75, 12.23

 

CMYK 52 / 0 / 23 / 4

HEX #76F4BD

RGB 118 244 189

HSL 153.81, 0.85%, 0.71%

LAB 88.08, -47.67, 15.93

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 26 / 0 / 11 / 18

HEX #9AD0B9

RGB 154 208 185

HSL 154.44, 0.36%, 0.71%

LAB 79.32, -22.21, 5.78

 

CMYK 15 / 0 / 7 / 23

HEX #A6C4B7

RGB 166 196 183

HSL 154, 0.2%, 0.71%

LAB 76.68, -12.67, 3.14

 

CMYK 3 / 0 / 2 / 28

HEX #B2B8B5

RGB 178 184 181

HSL 150, 0.04%, 0.71%

LAB 74.24, -2.65, 0.78

 

CMYK 0 / 9 / 5 / 25

HEX #BEACB4

RGB 190 172 180

HSL 333.33, 0.12%, 0.71%

LAB 72.06, 7.88, -1.74

 

CMYK 35 / 0 / 35 / 14

HEX #8EDC8F

RGB 142 220 143

HSL 120.77, 0.53%, 0.71%

LAB 81.25, -39.22, 30.45

 

CMYK 35 / 0 / 25 / 14

HEX #8EDCA4

RGB 142 220 164

HSL 136.92, 0.53%, 0.71%

LAB 81.63, -35.65, 20.08

 

CMYK 35 / 0 / 16 / 14

HEX #8EDCB9

RGB 142 220 185

HSL 153.08, 0.53%, 0.71%

LAB 82.08, -31.59, 9.66

 

CMYK 35 / 0 / 6 / 14

HEX #8EDCCE

RGB 142 220 206

HSL 169.23, 0.53%, 0.71%

LAB 82.59, -27.09, -0.74

 

CMYK 35 / 3 / 0 / 14

HEX #8ED6DC

RGB 142 214 220

HSL 184.62, 0.53%, 0.71%

LAB 81.3, -20.88, -10.09

 

CMYK 61 / 0 / 26 / 21

HEX #4FC994

RGB 79 201 148

HSL 153.93, 0.53%, 0.55%

LAB 73.27, -46.41, 16.57

 

CMYK 48 / 0 / 21 / 17

HEX #6ED3A7

RGB 110 211 167

HSL 153.86, 0.53%, 0.63%

LAB 77.69, -39.76, 12.79

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 25 / 0 / 11 / 10

HEX #ADE6CD

RGB 173 230 205

HSL 153.68, 0.53%, 0.79%

LAB 86.94, -23.18, 6.31

 

CMYK 15 / 0 / 6 / 6

HEX #CDF0E1

RGB 205 240 225

HSL 154.29, 0.54%, 0.87%

LAB 92.01, -14.2, 3.44

 

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

CMYK 35 / 27 / 0 / 14

HEX #8EA1DC

RGB 142 161 220

HSL 225.38, 0.53%, 0.71%

LAB 66.83, 7.46, -32.07

 

CMYK 0 / 30 / 35 / 14

HEX #DC9A8E

RGB 220 154 142

HSL 9.23, 0.53%, 0.71%

LAB 69.67, 23.17, 16.21

 

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

CMYK 16 / 35 / 0 / 14

HEX #B98EDC

RGB 185 142 220

HSL 273.08, 0.53%, 0.71%

LAB 65.61, 30.85, -33.68

 

CMYK 0 / 16 / 35 / 14

HEX #DCB98E

RGB 220 185 142

HSL 33.08, 0.53%, 0.71%

LAB 77.2, 6.55, 26.52

 

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

CMYK 35 / 27 / 0 / 14

HEX #8EA1DC

RGB 142 161 220

HSL 225.38, 0.53%, 0.71%

LAB 66.83, 7.46, -32.07

 

CMYK 0 / 35 / 20 / 14

HEX #DC8EB1

RGB 220 142 177

HSL 333.08, 0.53%, 0.71%

LAB 67.83, 34.42, -5.97

 

CMYK 0 / 9 / 35 / 14

HEX #DCC98E

RGB 220 201 142

HSL 45.38, 0.53%, 0.71%

LAB 81.26, -1.85, 31.93

 

CMYK 35 / 0 / 15 / 13

HEX #8FDDBB

RGB 143 221 187

HSL 153.85, 0.53%, 0.71%

LAB 82.45, -31.37, 9.14

 

CMYK 34 / 35 / 0 / 14

HEX #928EDC

RGB 146 142 220

HSL 243.08, 0.53%, 0.71%

LAB 62.19, 19.46, -39.28

 

CMYK 0 / 35 / 20 / 14

HEX #DC8EB1

RGB 220 142 177

HSL 333.08, 0.53%, 0.71%

LAB 67.83, 34.42, -5.97

 

CMYK 2 / 0 / 35 / 14

HEX #D8DC8E

RGB 216 220 142

HSL 63.08, 0.53%, 0.71%

LAB 85.88, -13.09, 37.91

 

Description

Color code: HEX #8FDDBB | qconv.com Color code: HEX #8FDDBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 221 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 221 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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