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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 29 / 0 / 14 / 0 it is the complementary color CMYK 0 / 100 / 51 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 29 / 0 / 14 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 29 / 0 / 14 / 0: CMYK 27 / 0 / 16 / 0, CMYK 20 / 0 / 9 / 0, CMYK 14 / 0 / 1 / 0, CMYK 7 / 0 / 0 / 0 and CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 29 / 0 / 14 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 29 / 0 / 14 / 0: CMYK 29 / 0 / 14 / 0, CMYK 31 / 0 / 16 / 7, CMYK 33 / 0 / 17 / 14, CMYK 35 / 0 / 19 / 21 and CMYK 38 / 0 / 22 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

Complementary color

CMYK 0 / 100 / 51 / 71

HEX #4A0024

RGB 74 0 36

HSL 330.81, 1%, 0.15%

LAB 13.13, 34.93, -0.81

 

CMYK 27 / 0 / 16 / 0

HEX #BAFFD6

RGB 186 255 214

HSL 144.35, 1%, 0.86%

LAB 94.66, -29.47, 12.77

 

CMYK 20 / 0 / 9 / 0

HEX #CBFFE9

RGB 203 255 233

HSL 154.62, 1%, 0.9%

LAB 96.04, -20.69, 5.11

 

CMYK 14 / 0 / 1 / 0

HEX #DCFFFC

RGB 220 255 252

HSL 174.86, 1%, 0.93%

LAB 97.54, -11.76, -2.36

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 0 / 0 / 0 / 0

HEX #FEFFFF

RGB 254 255 255

HSL 180, 1%, 1%

LAB 99.93, -0.32, -0.13

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 31 / 0 / 16 / 7

HEX #A4EDC8

RGB 164 237 200

HSL 149.59, 0.67%, 0.79%

LAB 88.27, -30.23, 10.77

 

CMYK 33 / 0 / 17 / 14

HEX #93DBB5

RGB 147 219 181

HSL 148.33, 0.5%, 0.72%

LAB 81.95, -30.47, 11.62

 

CMYK 35 / 0 / 19 / 21

HEX #82C9A2

RGB 130 201 162

HSL 147.04, 0.4%, 0.65%

LAB 75.53, -30.72, 12.53

 

CMYK 38 / 0 / 22 / 28

HEX #71B78F

RGB 113 183 143

HSL 145.71, 0.33%, 0.58%

LAB 69.01, -30.98, 13.5

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 30 / 0 / 10 / 0

HEX #B2FFE5

RGB 178 255 229

HSL 159.74, 1%, 0.85%

LAB 94.59, -28.9, 4.9

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF2

RGB 178 255 242

HSL 169.87, 1%, 0.85%

LAB 94.91, -26.19, -1.34

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 30 / 5 / 0 / 0

HEX #B2F2FF

RGB 178 242 255

HSL 190.13, 1%, 0.85%

LAB 91.77, -16.98, -12.72

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 29 / 0 / 14 / 80

HEX #24332C

RGB 36 51 44

HSL 152, 0.17%, 0.17%

LAB 19.74, -8.06, 2.43

 

CMYK 29 / 0 / 14 / 60

HEX #486658

RGB 72 102 88

HSL 152, 0.17%, 0.34%

LAB 40.55, -14.29, 4.39

 

CMYK 29 / 0 / 14 / 40

HEX #6D9983

RGB 109 153 131

HSL 150, 0.18%, 0.51%

LAB 59.59, -19.79, 6.79

 

CMYK 29 / 0 / 14 / 20

HEX #91CCAF

RGB 145 204 175

HSL 150.51, 0.37%, 0.68%

LAB 77.46, -25.03, 8.41

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 30 / 21 / 0 / 0

HEX #B2C9FF

RGB 178 201 255

HSL 222.08, 1%, 0.85%

LAB 80.99, 4.3, -29.02

 

CMYK 0 / 27 / 30 / 0

HEX #FFBAB2

RGB 255 186 178

HSL 6.23, 1%, 0.85%

LAB 81.62, 23.86, 13.9

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 15 / 30 / 0 / 0

HEX #D8B2FF

RGB 216 178 255

HSL 269.61, 1%, 0.85%

LAB 78.26, 28, -32.97

 

CMYK 0 / 15 / 30 / 0

HEX #FFD8B2

RGB 255 216 178

HSL 29.61, 1%, 0.85%

LAB 88.73, 8.22, 23.8

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 30 / 21 / 0 / 0

HEX #B2C9FF

RGB 178 201 255

HSL 222.08, 1%, 0.85%

LAB 80.99, 4.3, -29.02

 

CMYK 0 / 30 / 15 / 0

HEX #FFB2D8

RGB 255 178 216

HSL 330.39, 1%, 0.85%

LAB 80.77, 33.46, -7.8

 

CMYK 0 / 9 / 30 / 0

HEX #FFE8B2

RGB 255 232 178

HSL 42.08, 1%, 0.85%

LAB 92.66, 0.03, 29.16

 

CMYK 29 / 0 / 14 / 0

HEX #B5FFDB

RGB 181 255 219

HSL 150.81, 1%, 0.85%

LAB 94.51, -30.01, 9.95

 

CMYK 30 / 30 / 0 / 0

HEX #B2B2FF

RGB 178 178 255

HSL 240, 1%, 0.85%

LAB 75.16, 16.89, -38.03

 

CMYK 0 / 30 / 15 / 0

HEX #FFB2D8

RGB 255 178 216

HSL 330.39, 1%, 0.85%

LAB 80.77, 33.46, -7.8

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

Description

Color code: CMYK 29 / 0 / 14 / 0 | qconv.com Color code: CMYK 29 / 0 / 14 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 255 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 255 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 14 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 14% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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