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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD560 it is the complementary color #702A9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD560. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD560 shade: #94D55B, #A5E76E, #B6F981, #C7FF94 and #D8FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD560. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD560 shade: #8FD560, #7EC34D, #6DB13A, #5C9F27 and #4B8D14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD560 shade: #90D562, #AFD562, #CED562, #D5BD62 and #D59E62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD560 shade: #90D562, #71D562, #62D572, #62D591 and #62D5B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD560 shade matches the following richer shades: #90D562, #8DE552 and #8AF542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD560 shade: #90D562, #93C572, #97B582, #9AA592 and #9D95A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD560 shade: #CFD562, #B1D562, #92D562, #73D562 and #62D56F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD560 shade: #65B530, #79CD41, #90D562, #A7DE82 and #BEE7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD560 shade: #8FD560, #62D5BC and #D562C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD560 shade: #8FD560, #6292D5 and #D56292

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD560 shade: #8FD560, #62D5BC, #A562D5 and #D5627B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD560 shade: #8FD560, #62CCD5, #A562D5 and #D56B62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

Complementary color

CMYK 30 / 74 / 0 / 38

HEX #702A9F

RGB 112 42 159

HSL 275.9, 0.58%, 0.39%

LAB 33.14, 50.76, -50.34

 

CMYK 31 / 0 / 57 / 16

HEX #94D55B

RGB 148 213 91

HSL 91.97, 0.59%, 0.6%

LAB 78.83, -40.76, 52.84

 

CMYK 29 / 0 / 52 / 9

HEX #A5E76E

RGB 165 231 110

HSL 92.73, 0.72%, 0.67%

LAB 85.14, -40.81, 51.79

 

CMYK 27 / 0 / 48 / 2

HEX #B6F981

RGB 182 249 129

HSL 93.5, 0.91%, 0.74%

LAB 91.36, -40.8, 50.68

 

CMYK 22 / 0 / 42 / 0

HEX #C7FF94

RGB 199 255 148

HSL 91.4, 1%, 0.79%

LAB 94.23, -35.37, 45.42

 

CMYK 15 / 0 / 35 / 0

HEX #D8FFA7

RGB 216 255 167

HSL 86.59, 1%, 0.83%

LAB 95.54, -27, 38.04

 

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

CMYK 35 / 0 / 61 / 24

HEX #7EC34D

RGB 126 195 77

HSL 95.08, 0.5%, 0.53%

LAB 72.23, -41.93, 51.27

 

CMYK 38 / 0 / 67 / 31

HEX #6DB13A

RGB 109 177 58

HSL 94.29, 0.51%, 0.46%

LAB 65.75, -41.73, 52.06

 

CMYK 42 / 0 / 75 / 38

HEX #5C9F27

RGB 92 159 39

HSL 93.5, 0.61%, 0.39%

LAB 59.18, -41.34, 52.39

 

CMYK 47 / 0 / 86 / 45

HEX #4B8D14

RGB 75 141 20

HSL 92.73, 0.75%, 0.32%

LAB 52.5, -40.65, 51.76

 

CMYK 32 / 0 / 54 / 16

HEX #90D562

RGB 144 213 98

HSL 96, 0.58%, 0.61%

LAB 78.69, -41.44, 49.43

 

CMYK 18 / 0 / 54 / 16

HEX #AFD562

RGB 175 213 98

HSL 79.83, 0.58%, 0.61%

LAB 80.51, -30.14, 52.01

 

CMYK 3 / 0 / 54 / 16

HEX #CED562

RGB 206 213 98

HSL 63.65, 0.58%, 0.61%

LAB 82.7, -17.92, 55.11

 

CMYK 0 / 11 / 54 / 16

HEX #D5BD62

RGB 213 189 98

HSL 47.48, 0.58%, 0.61%

LAB 76.93, -2.84, 48.55

 

CMYK 0 / 26 / 54 / 16

HEX #D59E62

RGB 213 158 98

HSL 31.3, 0.58%, 0.61%

LAB 69.1, 13.65, 39.09

 

CMYK 32 / 0 / 54 / 16

HEX #90D562

RGB 144 213 98

HSL 96, 0.58%, 0.61%

LAB 78.69, -41.44, 49.43

 

CMYK 47 / 0 / 54 / 16

HEX #71D562

RGB 113 213 98

HSL 112.17, 0.58%, 0.61%

LAB 77.27, -51.28, 47.39

 

CMYK 54 / 0 / 46 / 16

HEX #62D572

RGB 98 213 114

HSL 128.35, 0.58%, 0.61%

LAB 76.92, -53.16, 39.13

 

CMYK 54 / 0 / 32 / 16

HEX #62D591

RGB 98 213 145

HSL 144.52, 0.58%, 0.61%

LAB 77.42, -47.93, 23.96

 

CMYK 54 / 0 / 17 / 16

HEX #62D5B0

RGB 98 213 176

HSL 160.7, 0.58%, 0.61%

LAB 78.06, -41.46, 8.46

 

CMYK 32 / 0 / 54 / 16

HEX #90D562

RGB 144 213 98

HSL 96, 0.58%, 0.61%

LAB 78.69, -41.44, 49.43

 

CMYK 38 / 0 / 64 / 10

HEX #8DE552

RGB 141 229 82

HSL 95.92, 0.74%, 0.61%

LAB 83.08, -50.73, 61.32

 

CMYK 44 / 0 / 73 / 4

HEX #8AF542

RGB 138 245 66

HSL 95.87, 0.9%, 0.61%

LAB 87.53, -59.14, 71.77

 

CMYK 32 / 0 / 54 / 16

HEX #90D562

RGB 144 213 98

HSL 96, 0.58%, 0.61%

LAB 78.69, -41.44, 49.43

 

CMYK 25 / 0 / 42 / 23

HEX #93C572

RGB 147 197 114

HSL 96.14, 0.42%, 0.61%

LAB 74.41, -31.21, 36.41

 

CMYK 17 / 0 / 28 / 29

HEX #97B582

RGB 151 181 130

HSL 95.29, 0.26%, 0.61%

LAB 70.34, -19.63, 22.72

 

CMYK 7 / 0 / 12 / 35

HEX #9AA592

RGB 154 165 146

HSL 94.74, 0.1%, 0.61%

LAB 66.41, -7.49, 8.52

 

CMYK 3 / 8 / 0 / 36

HEX #9D95A2

RGB 157 149 162

HSL 276.92, 0.07%, 0.61%

LAB 62.74, 5.43, -5.77

 

CMYK 3 / 0 / 54 / 16

HEX #CFD562

RGB 207 213 98

HSL 63.13, 0.58%, 0.61%

LAB 82.77, -17.51, 55.21

 

CMYK 17 / 0 / 54 / 16

HEX #B1D562

RGB 177 213 98

HSL 78.78, 0.58%, 0.61%

LAB 80.64, -29.37, 52.19

 

CMYK 31 / 0 / 54 / 16

HEX #92D562

RGB 146 213 98

HSL 94.96, 0.58%, 0.61%

LAB 78.8, -40.75, 49.58

 

CMYK 46 / 0 / 54 / 16

HEX #73D562

RGB 115 213 98

HSL 111.13, 0.58%, 0.61%

LAB 77.35, -50.7, 47.5

 

CMYK 54 / 0 / 48 / 16

HEX #62D56F

RGB 98 213 111

HSL 126.78, 0.58%, 0.61%

LAB 76.88, -53.6, 40.55

 

CMYK 44 / 0 / 73 / 29

HEX #65B530

RGB 101 181 48

HSL 96.09, 0.58%, 0.45%

LAB 66.54, -46.83, 56.61

 

CMYK 41 / 0 / 68 / 20

HEX #79CD41

RGB 121 205 65

HSL 96, 0.58%, 0.53%

LAB 74.89, -48.83, 59.07

 

CMYK 32 / 0 / 54 / 16

HEX #90D562

RGB 144 213 98

HSL 96, 0.58%, 0.61%

LAB 78.69, -41.44, 49.43

 

CMYK 25 / 0 / 41 / 13

HEX #A7DE82

RGB 167 222 130

HSL 95.87, 0.58%, 0.69%

LAB 82.95, -33.7, 39.5

 

CMYK 18 / 0 / 29 / 9

HEX #BEE7A3

RGB 190 231 163

HSL 96.18, 0.59%, 0.77%

LAB 87.36, -25.3, 28.87

 

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

CMYK 54 / 0 / 12 / 16

HEX #62D5BC

RGB 98 213 188

HSL 166.96, 0.58%, 0.61%

LAB 78.35, -38.65, 2.47

 

CMYK 0 / 54 / 10 / 16

HEX #D562C0

RGB 213 98 192

HSL 310.96, 0.58%, 0.61%

LAB 58.68, 56.87, -28.41

 

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

CMYK 54 / 31 / 0 / 16

HEX #6292D5

RGB 98 146 213

HSL 214.96, 0.58%, 0.61%

LAB 59.85, 3.06, -39.26

 

CMYK 0 / 54 / 31 / 16

HEX #D56292

RGB 213 98 146

HSL 334.96, 0.58%, 0.61%

LAB 57.03, 50.27, -4.31

 

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

CMYK 54 / 0 / 12 / 16

HEX #62D5BC

RGB 98 213 188

HSL 166.96, 0.58%, 0.61%

LAB 78.35, -38.65, 2.47

 

CMYK 23 / 54 / 0 / 16

HEX #A562D5

RGB 165 98 213

HSL 274.96, 0.58%, 0.61%

LAB 53.53, 47.74, -48.88

 

CMYK 0 / 54 / 42 / 16

HEX #D5627B

RGB 213 98 123

HSL 346.96, 0.58%, 0.61%

LAB 56.4, 47.62, 8.24

 

CMYK 33 / 0 / 55 / 16

HEX #8FD560

RGB 143 213 96

HSL 95.9, 0.58%, 0.61%

LAB 78.62, -42, 50.25

 

CMYK 54 / 4 / 0 / 16

HEX #62CCD5

RGB 98 204 213

HSL 184.7, 0.58%, 0.61%

LAB 76.43, -28, -13.81

 

CMYK 23 / 54 / 0 / 16

HEX #A562D5

RGB 165 98 213

HSL 274.96, 0.58%, 0.61%

LAB 53.53, 47.74, -48.88

 

CMYK 0 / 50 / 54 / 16

HEX #D56B62

RGB 213 107 98

HSL 4.7, 0.58%, 0.61%

LAB 57.6, 40.8, 24.42

 

Description

Color code: HEX #8FD560 | qconv.com Color code: HEX #8FD560 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 213 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 213 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 55 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 55% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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