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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD030 it is the complementary color #702FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD030 shade: #94D02B, #A5E23E, #B6F451, #C7FF64 and #D8FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD030 shade: #8FD030, #7EBE1D, #6DAC0A, #5C9A00 and #4B8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD030 shade: #8FD02F, #BAD02F, #D0BA2F, #D08F2F and #D0642F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD030 shade: #8FD02F, #63D02F, #38D02F, #2FD052 and #2FD07D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD030 shade matches the following richer shades: #8FD02F, #92E41B and #96F906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD030 shade: #8FD02F, #8BBB44, #87A758, #83926D and #7F7D82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD030 shade: #D0BA2F, #BAD02F, #90D02F, #65D02F and #3AD02F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD030 shade: #608D20, #77AE28, #8FD02F, #A1D751 and #B3DF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD030 shade: #8FD030, #2FD090 and #D02FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD030 shade: #8FD030, #2F90D0 and #D02F90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD030 shade: #8FD030, #2FD090, #6F2FD0 and #D02F6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD030 shade: #8FD030, #2FD0C0, #6F2FD0 and #D02F3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

Complementary color

CMYK 46 / 77 / 0 / 19

HEX #702FCF

RGB 112 47 207

HSL 264.38, 0.63%, 0.5%

LAB 37.81, 60.21, -71.15

 

CMYK 29 / 0 / 79 / 18

HEX #94D02B

RGB 148 208 43

HSL 81.82, 0.66%, 0.49%

LAB 77.03, -41.91, 69.01

 

CMYK 27 / 0 / 73 / 11

HEX #A5E23E

RGB 165 226 62

HSL 82.32, 0.74%, 0.56%

LAB 83.31, -42.48, 69.39

 

CMYK 25 / 0 / 67 / 4

HEX #B6F451

RGB 182 244 81

HSL 82.82, 0.88%, 0.64%

LAB 89.51, -42.89, 69.16

 

CMYK 22 / 0 / 61 / 0

HEX #C7FF64

RGB 199 255 100

HSL 81.68, 1%, 0.7%

LAB 93.7, -40.13, 66.45

 

CMYK 15 / 0 / 53 / 0

HEX #D8FF77

RGB 216 255 119

HSL 77.21, 1%, 0.73%

LAB 94.93, -32.25, 60

 

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

CMYK 34 / 0 / 85 / 25

HEX #7EBE1D

RGB 126 190 29

HSL 83.85, 0.74%, 0.43%

LAB 70.42, -42.85, 66.27

 

CMYK 37 / 0 / 94 / 33

HEX #6DAC0A

RGB 109 172 10

HSL 83.33, 0.89%, 0.36%

LAB 63.98, -41.93, 63.96

 

CMYK 40 / 0 / 100 / 40

HEX #5C9A00

RGB 92 154 0

HSL 84.16, 1%, 0.3%

LAB 57.45, -40.7, 59.83

 

CMYK 45 / 0 / 100 / 47

HEX #4B8800

RGB 75 136 0

HSL 86.91, 1%, 0.27%

LAB 50.81, -39.2, 54.31

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 11 / 0 / 77 / 18

HEX #BAD02F

RGB 186 208 47

HSL 68.2, 0.63%, 0.5%

LAB 79.47, -26.75, 70.99

 

CMYK 0 / 11 / 77 / 18

HEX #D0BA2F

RGB 208 186 47

HSL 51.8, 0.63%, 0.5%

LAB 75.28, -6.43, 67.84

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 52 / 77 / 18

HEX #D0642F

RGB 208 100 47

HSL 19.75, 0.63%, 0.5%

LAB 54.79, 39.34, 48.4

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 52 / 0 / 77 / 18

HEX #63D02F

RGB 99 208 47

HSL 100.62, 0.63%, 0.5%

LAB 74.81, -57.86, 64.96

 

CMYK 73 / 0 / 77 / 18

HEX #38D02F

RGB 56 208 47

HSL 116.65, 0.63%, 0.5%

LAB 73.65, -67.34, 63.45

 

CMYK 77 / 0 / 61 / 18

HEX #2FD052

RGB 47 208 82

HSL 133.04, 0.63%, 0.5%

LAB 73.76, -65.45, 50.11

 

CMYK 77 / 0 / 40 / 18

HEX #2FD07D

RGB 47 208 125

HSL 149.07, 0.63%, 0.5%

LAB 74.32, -58.87, 29.96

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 36 / 0 / 88 / 11

HEX #92E41B

RGB 146 228 27

HSL 84.48, 0.79%, 0.5%

LAB 82.74, -51.56, 77.54

 

CMYK 40 / 0 / 98 / 2

HEX #96F906

RGB 150 249 6

HSL 84.44, 0.95%, 0.5%

LAB 89.04, -58.82, 85.07

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 19 / 0 / 47 / 35

HEX #87A758

RGB 135 167 88

HSL 84.3, 0.31%, 0.5%

LAB 64.56, -24.45, 37.11

 

CMYK 10 / 0 / 25 / 43

HEX #83926D

RGB 131 146 109

HSL 84.32, 0.15%, 0.5%

LAB 58.5, -12.26, 17.87

 

CMYK 2 / 4 / 0 / 49

HEX #7F7D82

RGB 127 125 130

HSL 264, 0.02%, 0.5%

LAB 52.72, 1.76, -2.45

 

CMYK 0 / 11 / 77 / 18

HEX #D0BA2F

RGB 208 186 47

HSL 51.8, 0.63%, 0.5%

LAB 75.28, -6.43, 67.84

 

CMYK 11 / 0 / 77 / 18

HEX #BAD02F

RGB 186 208 47

HSL 68.2, 0.63%, 0.5%

LAB 79.47, -26.75, 70.99

 

CMYK 31 / 0 / 77 / 18

HEX #90D02F

RGB 144 208 47

HSL 83.85, 0.63%, 0.5%

LAB 76.83, -43.21, 67.59

 

CMYK 51 / 0 / 77 / 18

HEX #65D02F

RGB 101 208 47

HSL 99.88, 0.63%, 0.5%

LAB 74.88, -57.3, 65.05

 

CMYK 72 / 0 / 77 / 18

HEX #3AD02F

RGB 58 208 47

HSL 115.9, 0.63%, 0.5%

LAB 73.69, -67.01, 63.5

 

CMYK 32 / 0 / 77 / 45

HEX #608D20

RGB 96 141 32

HSL 84.77, 0.63%, 0.34%

LAB 53.64, -32.35, 49.55

 

CMYK 32 / 0 / 77 / 32

HEX #77AE28

RGB 119 174 40

HSL 84.63, 0.63%, 0.42%

LAB 65.24, -38.01, 58.38

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 25 / 0 / 62 / 16

HEX #A1D751

RGB 161 215 81

HSL 84.18, 0.63%, 0.58%

LAB 80.05, -37.82, 58.74

 

CMYK 20 / 0 / 49 / 13

HEX #B3DF72

RGB 179 223 114

HSL 84.22, 0.63%, 0.66%

LAB 83.74, -31.71, 48.44

 

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

CMYK 77 / 0 / 31 / 18

HEX #2FD090

RGB 47 208 144

HSL 156.15, 0.63%, 0.5%

LAB 74.65, -55.07, 20.5

 

CMYK 0 / 77 / 0 / 18

HEX #D02FD0

RGB 208 47 208

HSL 300, 0.63%, 0.5%

LAB 51.83, 77.29, -48.38

 

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

CMYK 77 / 31 / 0 / 18

HEX #2F90D0

RGB 47 144 208

HSL 203.85, 0.63%, 0.5%

LAB 57.18, -5.98, -40.78

 

CMYK 0 / 77 / 31 / 18

HEX #D02F90

RGB 208 47 144

HSL 323.85, 0.63%, 0.5%

LAB 48.83, 68.62, -15.51

 

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

CMYK 77 / 0 / 31 / 18

HEX #2FD090

RGB 47 208 144

HSL 156.15, 0.63%, 0.5%

LAB 74.65, -55.07, 20.5

 

CMYK 47 / 77 / 0 / 18

HEX #6F2FD0

RGB 111 47 208

HSL 263.85, 0.63%, 0.5%

LAB 37.78, 60.31, -71.78

 

CMYK 0 / 77 / 47 / 18

HEX #D02F6F

RGB 208 47 111

HSL 336.15, 0.63%, 0.5%

LAB 47.74, 65.31, 2.91

 

CMYK 31 / 0 / 77 / 18

HEX #8FD030

RGB 143 208 48

HSL 84.38, 0.63%, 0.5%

LAB 76.78, -43.53, 67.22

 

CMYK 77 / 0 / 8 / 18

HEX #2FD0C0

RGB 47 208 192

HSL 174.04, 0.63%, 0.5%

LAB 75.77, -43.3, -3.59

 

CMYK 47 / 77 / 0 / 18

HEX #6F2FD0

RGB 111 47 208

HSL 263.85, 0.63%, 0.5%

LAB 37.78, 60.31, -71.78

 

CMYK 0 / 77 / 70 / 18

HEX #D02F3F

RGB 208 47 63

HSL 354.04, 0.63%, 0.5%

LAB 46.71, 62.08, 30.85

 

Description

Color code: HEX #8FD030 | qconv.com Color code: HEX #8FD030 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 208 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 208 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 77 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 77% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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