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Color name
HEX #D08F2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08F2F it is the complementary color #2F70D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08F2F shade: #D58F2A, #E6A13D, #F7B350, #FFC563 and #FFD776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08F2F shade: #D08F2F, #BF7D1C, #AE6B09, #9D5900 and #8C4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08F2F shade: #D08F2F, #D0642F, #D0382F and #D02F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08F2F shade: #D08F2F, #D0BA2F, #BAD02F, #8FD02F and #63D02F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08F2F shade matches the following richer shades: #D08F2F, #E4931B and #F99706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08F2F shade: #D08F2F, #BB8B44, #A78758, #92836D and #7D7F82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08F2F shade: #D0372F, #D0622F, #D08D2F, #D0B82F and #BDD02F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08F2F shade: #8D6120, #AE7828, #D08F2F, #D7A151 and #DFB372

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08F2F shade: #D08F2F, #52D02F and #4D2FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08F2F shade: #D08F2F, #2FD08D and #8D2FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08F2F shade: #D08F2F, #52D02F, #2F72D0 and #AD2FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08F2F shade: #D08F2F, #2FD03D, #2F72D0 and #D02FC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

Complementary color

CMYK 77 / 46 / 0 / 18

HEX #2F70D0

RGB 47 112 208

HSL 215.78, 0.63%, 0.5%

LAB 47.94, 13.39, -55.48

 

CMYK 0 / 33 / 80 / 16

HEX #D58F2A

RGB 213 143 42

HSL 35.44, 0.67%, 0.5%

LAB 64.93, 18.48, 60.34

 

CMYK 0 / 30 / 73 / 10

HEX #E6A13D

RGB 230 161 61

HSL 35.5, 0.77%, 0.57%

LAB 71.32, 16.82, 59.68

 

CMYK 0 / 28 / 68 / 3

HEX #F7B350

RGB 247 179 80

HSL 35.57, 0.91%, 0.64%

LAB 77.63, 15.38, 58.62

 

CMYK 0 / 23 / 61 / 0

HEX #FFC563

RGB 255 197 99

HSL 37.69, 1%, 0.69%

LAB 82.96, 10.44, 56.1

 

CMYK 0 / 16 / 54 / 0

HEX #FFD776

RGB 255 215 118

HSL 42.48, 1%, 0.73%

LAB 87.57, 2.55, 52.53

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 35 / 85 / 25

HEX #BF7D1C

RGB 191 125 28

HSL 35.71, 0.74%, 0.43%

LAB 57.87, 18.3, 57.94

 

CMYK 0 / 39 / 95 / 32

HEX #AE6B09

RGB 174 107 9

HSL 35.64, 0.9%, 0.36%

LAB 51.31, 20.39, 56.81

 

CMYK 0 / 43 / 100 / 38

HEX #9D5900

RGB 157 89 0

HSL 34.01, 1%, 0.31%

LAB 44.68, 22.78, 53.28

 

CMYK 0 / 49 / 100 / 45

HEX #8C4700

RGB 140 71 0

HSL 30.43, 1%, 0.27%

LAB 37.99, 25.36, 47.88

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 52 / 77 / 18

HEX #D0642F

RGB 208 100 47

HSL 19.75, 0.63%, 0.5%

LAB 54.79, 39.34, 48.4

 

CMYK 0 / 73 / 77 / 18

HEX #D0382F

RGB 208 56 47

HSL 3.35, 0.63%, 0.5%

LAB 47.55, 58.53, 40.99

 

CMYK 0 / 77 / 77 / 18

HEX #D02F2F

RGB 208 47 47

HSL 0, 0.63%, 0.5%

LAB 46.51, 61.43, 39.89

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 11 / 77 / 18

HEX #D0BA2F

RGB 208 186 47

HSL 51.8, 0.63%, 0.5%

LAB 75.28, -6.43, 67.84

 

CMYK 11 / 0 / 77 / 18

HEX #BAD02F

RGB 186 208 47

HSL 68.2, 0.63%, 0.5%

LAB 79.47, -26.75, 70.99

 

CMYK 31 / 0 / 77 / 18

HEX #8FD02F

RGB 143 208 47

HSL 84.22, 0.63%, 0.5%

LAB 76.77, -43.58, 67.52

 

CMYK 52 / 0 / 77 / 18

HEX #63D02F

RGB 99 208 47

HSL 100.62, 0.63%, 0.5%

LAB 74.81, -57.86, 64.96

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 36 / 88 / 11

HEX #E4931B

RGB 228 147 27

HSL 35.82, 0.79%, 0.5%

LAB 67.61, 22.35, 67.97

 

CMYK 0 / 39 / 98 / 2

HEX #F99706

RGB 249 151 6

HSL 35.8, 0.95%, 0.5%

LAB 71.07, 28.78, 75.34

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 26 / 64 / 27

HEX #BB8B44

RGB 187 139 68

HSL 35.8, 0.47%, 0.5%

LAB 61.17, 10.67, 44.26

 

CMYK 0 / 19 / 47 / 35

HEX #A78758

RGB 167 135 88

HSL 35.7, 0.31%, 0.5%

LAB 58.27, 5.94, 29.8

 

CMYK 0 / 10 / 25 / 43

HEX #92836D

RGB 146 131 109

HSL 35.68, 0.15%, 0.5%

LAB 55.53, 2.04, 13.98

 

CMYK 4 / 2 / 0 / 49

HEX #7D7F82

RGB 125 127 130

HSL 216, 0.02%, 0.5%

LAB 53.11, -0.13, -1.89

 

CMYK 0 / 74 / 77 / 18

HEX #D0372F

RGB 208 55 47

HSL 2.98, 0.63%, 0.5%

LAB 47.43, 58.87, 40.86

 

CMYK 0 / 53 / 77 / 18

HEX #D0622F

RGB 208 98 47

HSL 19.01, 0.63%, 0.5%

LAB 54.4, 40.34, 48.01

 

CMYK 0 / 32 / 77 / 18

HEX #D08D2F

RGB 208 141 47

HSL 35.03, 0.63%, 0.5%

LAB 63.89, 17.58, 57.26

 

CMYK 0 / 12 / 77 / 18

HEX #D0B82F

RGB 208 184 47

HSL 51.06, 0.63%, 0.5%

LAB 74.76, -5.4, 67.36

 

CMYK 9 / 0 / 77 / 18

HEX #BDD02F

RGB 189 208 47

HSL 67.08, 0.63%, 0.5%

LAB 79.69, -25.51, 71.27

 

CMYK 0 / 31 / 77 / 45

HEX #8D6120

RGB 141 97 32

HSL 35.78, 0.63%, 0.34%

LAB 44.68, 11.72, 42.2

 

CMYK 0 / 31 / 77 / 32

HEX #AE7828

RGB 174 120 40

HSL 35.82, 0.63%, 0.42%

LAB 54.64, 13.96, 49.83

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 0 / 25 / 62 / 16

HEX #D7A151

RGB 215 161 81

HSL 35.82, 0.63%, 0.58%

LAB 69.85, 11.58, 48.58

 

CMYK 0 / 20 / 49 / 13

HEX #DFB372

RGB 223 179 114

HSL 35.78, 0.63%, 0.66%

LAB 75.54, 7.95, 39.08

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 61 / 0 / 77 / 18

HEX #52D02F

RGB 82 208 47

HSL 106.96, 0.63%, 0.5%

LAB 74.26, -62.21, 64.25

 

CMYK 63 / 77 / 0 / 18

HEX #4D2FD0

RGB 77 47 208

HSL 251.18, 0.63%, 0.5%

LAB 34.32, 56.04, -77.6

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 77 / 0 / 32 / 18

HEX #2FD08D

RGB 47 208 141

HSL 155.03, 0.63%, 0.5%

LAB 74.6, -55.7, 22.01

 

CMYK 32 / 77 / 0 / 18

HEX #8D2FD0

RGB 141 47 208

HSL 275.03, 0.63%, 0.5%

LAB 41.61, 64.99, -65.37

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 61 / 0 / 77 / 18

HEX #52D02F

RGB 82 208 47

HSL 106.96, 0.63%, 0.5%

LAB 74.26, -62.21, 64.25

 

CMYK 77 / 45 / 0 / 18

HEX #2F72D0

RGB 47 114 208

HSL 215.03, 0.63%, 0.5%

LAB 48.5, 12.13, -54.57

 

CMYK 17 / 77 / 0 / 18

HEX #AD2FD0

RGB 173 47 208

HSL 286.96, 0.63%, 0.5%

LAB 46.27, 70.63, -57.6

 

CMYK 0 / 31 / 77 / 18

HEX #D08F2F

RGB 208 143 47

HSL 35.78, 0.63%, 0.5%

LAB 64.37, 16.5, 57.72

 

CMYK 77 / 0 / 71 / 18

HEX #2FD03D

RGB 47 208 61

HSL 125.22, 0.63%, 0.5%

LAB 73.58, -67.61, 58.53

 

CMYK 77 / 45 / 0 / 18

HEX #2F72D0

RGB 47 114 208

HSL 215.03, 0.63%, 0.5%

LAB 48.5, 12.13, -54.57

 

CMYK 0 / 77 / 7 / 18

HEX #D02FC2

RGB 208 47 194

HSL 305.22, 0.63%, 0.5%

LAB 51.08, 75.17, -41.51

 

Description

Color code: HEX #D08F2F | qconv.com Color code: HEX #D08F2F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 143 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 143 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 77 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 77% 18% C M Y K

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