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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F8C0E it is the complementary color #7073F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F8C0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F8C0E shade: #948C09, #A59E1C, #B6B02F, #C7C242 and #D8D455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F8C0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F8C0E shade: #8F8C0E, #7E7A00, #6D6800, #5C5600 and #4B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F8C0E shade: #908D0E, #906A0E, #90470E, #90240E and #900E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F8C0E shade: #908D0E, #70900E, #4D900E, #2A900E and #0E9015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F8C0E shade matches the following richer shades: #908D0E and #9D9901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F8C0E shade: #908D0E, #83811B, #767428, #6A6835 and #5D5C41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F8C0E shade: #90460E, #90690E, #908C0E, #72900E and #4F900E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F8C0E shade: #454307, #6A680B, #908D0E, #B5B212 and #DBD616

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F8C0E shade: #8F8C0E, #0E9024 and #580E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F8C0E shade: #8F8C0E, #0E908C and #8C0E90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F8C0E shade: #8F8C0E, #0E9024, #0E1390 and #900E7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F8C0E shade: #8F8C0E, #0E904B, #0E1390 and #900E53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

Complementary color

CMYK 54 / 52 / 0 / 5

HEX #7073F1

RGB 112 115 241

HSL 238.6, 0.82%, 0.69%

LAB 54.09, 33.3, -64.01

 

CMYK 0 / 5 / 94 / 42

HEX #948C09

RGB 148 140 9

HSL 56.55, 0.89%, 0.31%

LAB 57.15, -9.97, 59.86

 

CMYK 0 / 4 / 83 / 35

HEX #A59E1C

RGB 165 158 28

HSL 56.93, 0.71%, 0.38%

LAB 63.78, -11.39, 61.85

 

CMYK 0 / 3 / 74 / 29

HEX #B6B02F

RGB 182 176 47

HSL 57.33, 0.59%, 0.45%

LAB 70.32, -12.55, 62.42

 

CMYK 0 / 3 / 67 / 22

HEX #C7C242

RGB 199 194 66

HSL 57.74, 0.54%, 0.52%

LAB 76.75, -13.5, 62.17

 

CMYK 0 / 2 / 61 / 15

HEX #D8D455

RGB 216 212 85

HSL 58.17, 0.63%, 0.59%

LAB 83.09, -14.29, 61.48

 

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

CMYK 0 / 3 / 100 / 51

HEX #7E7A00

RGB 126 122 0

HSL 58.1, 1%, 0.25%

LAB 49.92, -10.61, 55.18

 

CMYK 0 / 5 / 100 / 57

HEX #6D6800

RGB 109 104 0

HSL 57.25, 1%, 0.21%

LAB 42.99, -8.73, 49.42

 

CMYK 0 / 7 / 100 / 64

HEX #5C5600

RGB 92 86 0

HSL 56.09, 1%, 0.18%

LAB 35.85, -6.76, 43.5

 

CMYK 0 / 9 / 100 / 71

HEX #4B4400

RGB 75 68 0

HSL 54.4, 1%, 0.15%

LAB 28.46, -4.68, 37.27

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 0 / 26 / 90 / 44

HEX #906A0E

RGB 144 106 14

HSL 42.46, 0.82%, 0.31%

LAB 47.33, 7.29, 51.05

 

CMYK 0 / 51 / 90 / 44

HEX #90470E

RGB 144 71 14

HSL 26.31, 0.82%, 0.31%

LAB 38.67, 27.37, 44.2

 

CMYK 0 / 75 / 90 / 44

HEX #90240E

RGB 144 36 14

HSL 10.15, 0.82%, 0.31%

LAB 32.31, 44.07, 39.21

 

CMYK 0 / 90 / 90 / 44

HEX #900E0E

RGB 144 14 14

HSL 0, 0.82%, 0.31%

LAB 30.1, 50.3, 37.48

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 22 / 0 / 90 / 44

HEX #70900E

RGB 112 144 14

HSL 74.77, 0.82%, 0.31%

LAB 55.51, -27.97, 56.5

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 71 / 0 / 90 / 44

HEX #2A900E

RGB 42 144 14

HSL 107.08, 0.82%, 0.31%

LAB 52.37, -50.96, 52.59

 

CMYK 90 / 0 / 85 / 44

HEX #0E9015

RGB 14 144 21

HSL 123.23, 0.82%, 0.31%

LAB 51.94, -54.56, 50.41

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 0 / 3 / 99 / 38

HEX #9D9901

RGB 157 153 1

HSL 58.46, 0.99%, 0.31%

LAB 61.61, -12.9, 64.79

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 0 / 2 / 79 / 49

HEX #83811B

RGB 131 129 27

HSL 58.85, 0.66%, 0.31%

LAB 52.51, -11.37, 51.11

 

CMYK 0 / 2 / 66 / 54

HEX #767428

RGB 118 116 40

HSL 58.46, 0.49%, 0.31%

LAB 47.62, -9.53, 40.8

 

CMYK 0 / 2 / 50 / 58

HEX #6A6835

RGB 106 104 53

HSL 57.74, 0.33%, 0.31%

LAB 43.1, -7.16, 28.81

 

CMYK 0 / 1 / 30 / 64

HEX #5D5C41

RGB 93 92 65

HSL 57.86, 0.18%, 0.31%

LAB 38.49, -4.49, 15.73

 

CMYK 0 / 51 / 90 / 44

HEX #90460E

RGB 144 70 14

HSL 25.85, 0.82%, 0.31%

LAB 38.45, 27.92, 44.03

 

CMYK 0 / 27 / 90 / 44

HEX #90690E

RGB 144 105 14

HSL 42, 0.82%, 0.31%

LAB 47.06, 7.86, 50.84

 

CMYK 0 / 3 / 90 / 44

HEX #908C0E

RGB 144 140 14

HSL 58.15, 0.82%, 0.31%

LAB 56.8, -11.71, 58.58

 

CMYK 21 / 0 / 90 / 44

HEX #72900E

RGB 114 144 14

HSL 73.85, 0.82%, 0.31%

LAB 55.64, -27.13, 56.66

 

CMYK 45 / 0 / 90 / 44

HEX #4F900E

RGB 79 144 14

HSL 90, 0.82%, 0.31%

LAB 53.64, -40.76, 54.19

 

CMYK 0 / 3 / 90 / 73

HEX #454307

RGB 69 67 7

HSL 58.06, 0.82%, 0.15%

LAB 27.56, -6.88, 33.42

 

CMYK 0 / 2 / 90 / 58

HEX #6A680B

RGB 106 104 11

HSL 58.74, 0.81%, 0.23%

LAB 42.75, -9.89, 46.43

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 0 / 2 / 90 / 29

HEX #B5B212

RGB 181 178 18

HSL 58.9, 0.82%, 0.39%

LAB 70.67, -14.9, 70.18

 

CMYK 0 / 2 / 90 / 14

HEX #DBD616

RGB 219 214 22

HSL 58.48, 0.82%, 0.47%

LAB 83.55, -16.52, 80.97

 

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

CMYK 90 / 0 / 75 / 44

HEX #0E9024

RGB 14 144 36

HSL 130.15, 0.82%, 0.31%

LAB 52.03, -53.51, 45.62

 

CMYK 39 / 90 / 0 / 44

HEX #580E90

RGB 88 14 144

HSL 274.15, 0.82%, 0.31%

LAB 24.96, 53.15, -54.64

 

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

CMYK 90 / 0 / 3 / 44

HEX #0E908C

RGB 14 144 140

HSL 178.15, 0.82%, 0.31%

LAB 53.96, -32.01, -6.96

 

CMYK 3 / 90 / 0 / 44

HEX #8C0E90

RGB 140 14 144

HSL 298.15, 0.82%, 0.31%

LAB 33.78, 61.54, -39.93

 

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

CMYK 90 / 0 / 75 / 44

HEX #0E9024

RGB 14 144 36

HSL 130.15, 0.82%, 0.31%

LAB 52.03, -53.51, 45.62

 

CMYK 90 / 87 / 0 / 44

HEX #0E1390

RGB 14 19 144

HSL 237.69, 0.82%, 0.31%

LAB 18.24, 45.18, -65.98

 

CMYK 0 / 90 / 15 / 44

HEX #900E7A

RGB 144 14 122

HSL 310.15, 0.82%, 0.31%

LAB 33.24, 58.99, -27.04

 

CMYK 0 / 2 / 90 / 44

HEX #8F8C0E

RGB 143 140 14

HSL 58.6, 0.82%, 0.31%

LAB 56.71, -12.17, 58.47

 

CMYK 90 / 0 / 48 / 44

HEX #0E904B

RGB 14 144 75

HSL 148.15, 0.82%, 0.31%

LAB 52.45, -48.29, 27.72

 

CMYK 90 / 87 / 0 / 44

HEX #0E1390

RGB 14 19 144

HSL 237.69, 0.82%, 0.31%

LAB 18.24, 45.18, -65.98

 

CMYK 0 / 90 / 42 / 44

HEX #900E53

RGB 144 14 83

HSL 328.15, 0.82%, 0.31%

LAB 31.5, 54.3, -4.61

 

Description

Color code: HEX #8F8C0E | qconv.com Color code: HEX #8F8C0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 140 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 140 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 90 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 90% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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