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Color name
HEX #4D900E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D900E it is the complementary color #B26FF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D900E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D900E shade: #529009, #63A21C, #74B42F, #85C642 and #96D855

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D900E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D900E shade: #4D900E, #3C7E00, #2B6C00, #1A5A00 and #094800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D900E shade: #4D900E, #70900E, #908D0E, #906A0E and #90470E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D900E shade: #4D900E, #2A900E, #0E9015, #0E9038 and #0E905B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D900E shade matches the following richer shades: #4D900E and #4D9D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D900E shade: #4D900E, #4D831B, #4E7628, #4E6A35 and #4F5D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D900E shade: #908C0E, #72900E, #4F900E, #2C900E and #0E9013

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D900E shade: #254507, #396A0B, #4D900E, #61B512 and #75DB16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D900E shade: #4D900E, #0E9069 and #900E83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D900E shade: #4D900E, #0E4F90 and #900E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D900E shade: #4D900E, #0E9069, #4F0E90 and #900E35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D900E shade: #4D900E, #0E9090, #4F0E90 and #900E0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

Complementary color

CMYK 26 / 54 / 0 / 5

HEX #B26FF1

RGB 178 111 241

HSL 270.92, 0.82%, 0.69%

LAB 59.14, 50.55, -55.57

 

CMYK 43 / 0 / 94 / 44

HEX #529009

RGB 82 144 9

HSL 87.56, 0.88%, 0.3%

LAB 53.77, -39.85, 55.24

 

CMYK 39 / 0 / 83 / 36

HEX #63A21C

RGB 99 162 28

HSL 88.21, 0.71%, 0.37%

LAB 60.41, -40.75, 57.13

 

CMYK 36 / 0 / 74 / 29

HEX #74B42F

RGB 116 180 47

HSL 88.87, 0.59%, 0.45%

LAB 66.95, -41.34, 57.6

 

CMYK 33 / 0 / 67 / 22

HEX #85C642

RGB 133 198 66

HSL 89.55, 0.54%, 0.52%

LAB 73.39, -41.7, 57.28

 

CMYK 31 / 0 / 61 / 15

HEX #96D855

RGB 150 216 85

HSL 90.23, 0.63%, 0.59%

LAB 79.76, -41.92, 56.55

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 52 / 0 / 100 / 51

HEX #3C7E00

RGB 60 126 0

HSL 91.43, 1%, 0.25%

LAB 46.82, -40.17, 50.91

 

CMYK 60 / 0 / 100 / 58

HEX #2B6C00

RGB 43 108 0

HSL 96.11, 1%, 0.21%

LAB 39.98, -38.31, 45.25

 

CMYK 71 / 0 / 100 / 65

HEX #1A5A00

RGB 26 90 0

HSL 102.67, 1%, 0.18%

LAB 32.99, -36.06, 39.48

 

CMYK 88 / 0 / 100 / 72

HEX #094800

RGB 9 72 0

HSL 112.5, 1%, 0.14%

LAB 25.84, -33.05, 33.43

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 22 / 0 / 90 / 44

HEX #70900E

RGB 112 144 14

HSL 74.77, 0.82%, 0.31%

LAB 55.51, -27.97, 56.5

 

CMYK 0 / 2 / 90 / 44

HEX #908D0E

RGB 144 141 14

HSL 58.62, 0.82%, 0.31%

LAB 57.09, -12.25, 58.81

 

CMYK 0 / 26 / 90 / 44

HEX #906A0E

RGB 144 106 14

HSL 42.46, 0.82%, 0.31%

LAB 47.33, 7.29, 51.05

 

CMYK 0 / 51 / 90 / 44

HEX #90470E

RGB 144 71 14

HSL 26.31, 0.82%, 0.31%

LAB 38.67, 27.37, 44.2

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 71 / 0 / 90 / 44

HEX #2A900E

RGB 42 144 14

HSL 107.08, 0.82%, 0.31%

LAB 52.37, -50.96, 52.59

 

CMYK 90 / 0 / 85 / 44

HEX #0E9015

RGB 14 144 21

HSL 123.23, 0.82%, 0.31%

LAB 51.94, -54.56, 50.41

 

CMYK 90 / 0 / 61 / 44

HEX #0E9038

RGB 14 144 56

HSL 139.38, 0.82%, 0.31%

LAB 52.2, -51.29, 37.12

 

CMYK 90 / 0 / 37 / 44

HEX #0E905B

RGB 14 144 91

HSL 155.54, 0.82%, 0.31%

LAB 52.72, -45.1, 19.31

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 51 / 0 / 99 / 38

HEX #4D9D01

RGB 77 157 1

HSL 90.77, 0.99%, 0.31%

LAB 57.75, -46.93, 59.62

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 41 / 0 / 79 / 49

HEX #4D831B

RGB 77 131 27

HSL 91.15, 0.66%, 0.31%

LAB 49.36, -35.33, 46.82

 

CMYK 34 / 0 / 66 / 54

HEX #4E7628

RGB 78 118 40

HSL 90.77, 0.49%, 0.31%

LAB 45.26, -27.99, 37.39

 

CMYK 26 / 0 / 50 / 58

HEX #4E6A35

RGB 78 106 53

HSL 91.7, 0.33%, 0.31%

LAB 41.51, -20.5, 26.36

 

CMYK 15 / 0 / 30 / 64

HEX #4F5D41

RGB 79 93 65

HSL 90, 0.18%, 0.31%

LAB 37.61, -11.12, 14.35

 

CMYK 0 / 3 / 90 / 44

HEX #908C0E

RGB 144 140 14

HSL 58.15, 0.82%, 0.31%

LAB 56.8, -11.71, 58.58

 

CMYK 21 / 0 / 90 / 44

HEX #72900E

RGB 114 144 14

HSL 73.85, 0.82%, 0.31%

LAB 55.64, -27.13, 56.66

 

CMYK 45 / 0 / 90 / 44

HEX #4F900E

RGB 79 144 14

HSL 90, 0.82%, 0.31%

LAB 53.64, -40.76, 54.19

 

CMYK 69 / 0 / 90 / 44

HEX #2C900E

RGB 44 144 14

HSL 106.15, 0.82%, 0.31%

LAB 52.41, -50.55, 52.65

 

CMYK 90 / 0 / 87 / 44

HEX #0E9013

RGB 14 144 19

HSL 122.31, 0.82%, 0.31%

LAB 51.94, -54.66, 50.91

 

CMYK 46 / 0 / 90 / 73

HEX #254507

RGB 37 69 7

HSL 90.97, 0.82%, 0.15%

LAB 25.76, -23.23, 30.86

 

CMYK 46 / 0 / 90 / 58

HEX #396A0B

RGB 57 106 11

HSL 90.95, 0.81%, 0.23%

LAB 39.92, -32.43, 42.65

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 46 / 0 / 90 / 29

HEX #61B512

RGB 97 181 18

HSL 90.92, 0.82%, 0.39%

LAB 66.24, -49.53, 64.38

 

CMYK 47 / 0 / 90 / 14

HEX #75DB16

RGB 117 219 22

HSL 91.07, 0.82%, 0.47%

LAB 78.75, -57.67, 74.51

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 90 / 0 / 27 / 44

HEX #0E9069

RGB 14 144 105

HSL 162, 0.82%, 0.31%

LAB 53.01, -41.83, 11.81

 

CMYK 0 / 90 / 9 / 44

HEX #900E83

RGB 144 14 131

HSL 306, 0.82%, 0.31%

LAB 33.74, 60.28, -31.9

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 90 / 45 / 0 / 44

HEX #0E4F90

RGB 14 79 144

HSL 210, 0.82%, 0.31%

LAB 33.35, 6.52, -41.26

 

CMYK 0 / 90 / 45 / 44

HEX #900E4F

RGB 144 14 79

HSL 330, 0.82%, 0.31%

LAB 31.37, 53.91, -2.18

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 90 / 0 / 27 / 44

HEX #0E9069

RGB 14 144 105

HSL 162, 0.82%, 0.31%

LAB 53.01, -41.83, 11.81

 

CMYK 45 / 90 / 0 / 44

HEX #4F0E90

RGB 79 14 144

HSL 270, 0.82%, 0.31%

LAB 23.64, 52, -56.86

 

CMYK 0 / 90 / 63 / 44

HEX #900E35

RGB 144 14 53

HSL 342, 0.82%, 0.31%

LAB 30.64, 51.87, 14.07

 

CMYK 47 / 0 / 90 / 44

HEX #4D900E

RGB 77 144 14

HSL 90.92, 0.82%, 0.31%

LAB 53.55, -41.44, 54.08

 

CMYK 90 / 0 / 0 / 44

HEX #0E9090

RGB 14 144 144

HSL 180, 0.82%, 0.31%

LAB 54.08, -30.76, -9.08

 

CMYK 45 / 90 / 0 / 44

HEX #4F0E90

RGB 79 14 144

HSL 270, 0.82%, 0.31%

LAB 23.64, 52, -56.86

 

CMYK 0 / 90 / 90 / 44

HEX #900E0E

RGB 144 14 14

HSL 0, 0.82%, 0.31%

LAB 30.1, 50.3, 37.48

 

Description

Color code: HEX #4D900E | qconv.com Color code: HEX #4D900E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 144 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 144 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 90 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 90% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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