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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F87C8 it is the complementary color #707837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F87C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8F87C8: #9487C3, #A599D6, #B6ABE9, #C7BDFC and #D8CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F87C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8F87C8: #8F87C8, #7E75B5, #6D63A2, #5C518F and #4B3F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

Complementary color

CMYK 7 / 0 / 54 / 53

HEX #707837

RGB 112 120 55

HSL 67.38, 0.37%, 0.34%

LAB 48.45, -13.2, 34.25

 

CMYK 24 / 31 / 0 / 24

HEX #9487C3

RGB 148 135 195

HSL 253, 0.33%, 0.65%

LAB 59.49, 17.76, -29.44

 

CMYK 23 / 29 / 0 / 16

HEX #A599D6

RGB 165 153 214

HSL 251.8, 0.43%, 0.72%

LAB 66.24, 17.2, -29.53

 

CMYK 22 / 27 / 0 / 9

HEX #B6ABE9

RGB 182 171 233

HSL 250.65, 0.58%, 0.79%

LAB 72.86, 16.7, -29.64

 

CMYK 21 / 25 / 0 / 1

HEX #C7BDFC

RGB 199 189 252

HSL 249.52, 0.91%, 0.86%

LAB 79.37, 16.23, -29.78

 

CMYK 15 / 19 / 0 / 0

HEX #D8CFFF

RGB 216 207 255

HSL 251.25, 1%, 0.91%

LAB 85.22, 12.38, -22.32

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 30 / 35 / 0 / 29

HEX #7E75B5

RGB 126 117 181

HSL 248.44, 0.3%, 0.58%

LAB 52.39, 18.16, -32.63

 

CMYK 33 / 39 / 0 / 36

HEX #6D63A2

RGB 109 99 162

HSL 249.52, 0.25%, 0.51%

LAB 45.34, 18.93, -32.7

 

CMYK 36 / 43 / 0 / 44

HEX #5C518F

RGB 92 81 143

HSL 250.65, 0.28%, 0.44%

LAB 38.1, 19.82, -32.83

 

CMYK 40 / 49 / 0 / 51

HEX #4B3F7C

RGB 75 63 124

HSL 251.8, 0.33%, 0.37%

LAB 30.66, 20.88, -33.03

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 23 / 32 / 0 / 22

HEX #9A88C8

RGB 154 136 200

HSL 256.88, 0.37%, 0.66%

LAB 60.47, 20.23, -30.71

 

CMYK 18 / 32 / 0 / 22

HEX #A588C8

RGB 165 136 200

HSL 267.19, 0.37%, 0.66%

LAB 61.46, 23.63, -29.09

 

CMYK 13 / 32 / 0 / 22

HEX #AF88C8

RGB 175 136 200

HSL 276.56, 0.37%, 0.66%

LAB 62.42, 26.78, -27.54

 

CMYK 7 / 32 / 0 / 22

HEX #BA88C8

RGB 186 136 200

HSL 286.88, 0.37%, 0.66%

LAB 63.52, 30.29, -25.74

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 29 / 33 / 0 / 2

HEX #B3A9FB

RGB 179 169 251

HSL 247.32, 0.91%, 0.82%

LAB 72.84, 21.2, -39.46

 

CMYK 28 / 32 / 0 / 82

HEX #22202F

RGB 34 32 47

HSL 248, 0.19%, 0.15%

LAB 13.1, 5.06, -9.59

 

CMYK 29 / 33 / 0 / 62

HEX #464262

RGB 70 66 98

HSL 247.5, 0.2%, 0.32%

LAB 29.61, 9.71, -18.24

 

CMYK 28 / 32 / 0 / 42

HEX #6B6595

RGB 107 101 149

HSL 247.5, 0.19%, 0.49%

LAB 45.09, 13.59, -25.4

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 0 / 32 / 10 / 22

HEX #C888B4

RGB 200 136 180

HSL 318.75, 0.37%, 0.66%

LAB 64.31, 31.21, -13.15

 

CMYK 23 / 0 / 32 / 22

HEX #9AC888

RGB 154 200 136

HSL 103.13, 0.37%, 0.66%

LAB 76.04, -27.02, 27.25

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 0 / 29 / 32 / 22

HEX #C88F88

RGB 200 143 136

HSL 6.56, 0.37%, 0.66%

LAB 64.73, 20.67, 12.32

 

CMYK 32 / 0 / 29 / 22

HEX #88C88F

RGB 136 200 143

HSL 126.56, 0.37%, 0.66%

LAB 75.16, -31.94, 22.19

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 0 / 32 / 10 / 22

HEX #C888B4

RGB 200 136 180

HSL 318.75, 0.37%, 0.66%

LAB 64.31, 31.21, -13.15

 

CMYK 4 / 0 / 32 / 22

HEX #C0C888

RGB 192 200 136

HSL 67.5, 0.37%, 0.66%

LAB 78.63, -12.97, 31.16

 

CMYK 32 / 0 / 22 / 22

HEX #88C89C

RGB 136 200 156

HSL 138.75, 0.37%, 0.66%

LAB 75.42, -29.58, 15.63

 

CMYK 29 / 33 / 0 / 22

HEX #8F87C8

RGB 143 135 200

HSL 247.38, 0.37%, 0.66%

LAB 59.29, 17.5, -32.62

 

CMYK 0 / 32 / 20 / 22

HEX #C888A0

RGB 200 136 160

HSL 337.5, 0.37%, 0.66%

LAB 63.69, 27.94, -2.74

 

CMYK 4 / 0 / 32 / 22

HEX #C0C888

RGB 192 200 136

HSL 67.5, 0.37%, 0.66%

LAB 78.63, -12.97, 31.16

 

CMYK 32 / 0 / 13 / 22

HEX #88C8AF

RGB 136 200 175

HSL 156.56, 0.37%, 0.66%

LAB 75.85, -25.79, 6.03

 

Description

Color code: HEX #8F87C8 | qconv.com Color code: HEX #8F87C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 135 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 135 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 33 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 33% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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