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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F326F it is the complementary color #70CD90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F326F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8F326F: #94326A, #A5447D, #B65690, #C768A3 and #D87AB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F326F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8F326F: #8F326F, #7E205C, #6D0E49, #5C0036 and #4B0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

Complementary color

CMYK 45 / 0 / 30 / 20

HEX #70CD90

RGB 112 205 144

HSL 140.65, 0.48%, 0.62%

LAB 75.53, -41.16, 21.99

 

CMYK 0 / 66 / 28 / 42

HEX #94326A

RGB 148 50 106

HSL 325.71, 0.49%, 0.39%

LAB 37.15, 46.73, -10.85

 

CMYK 0 / 59 / 24 / 35

HEX #A5447D

RGB 165 68 125

HSL 324.74, 0.42%, 0.46%

LAB 43.67, 46.42, -12.5

 

CMYK 0 / 53 / 21 / 29

HEX #B65690

RGB 182 86 144

HSL 323.75, 0.4%, 0.53%

LAB 50.23, 45.83, -13.77

 

CMYK 0 / 48 / 18 / 22

HEX #C768A3

RGB 199 104 163

HSL 322.74, 0.46%, 0.59%

LAB 56.77, 45.11, -14.81

 

CMYK 0 / 44 / 16 / 15

HEX #D87AB6

RGB 216 122 182

HSL 321.7, 0.55%, 0.66%

LAB 63.26, 44.35, -15.68

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 75 / 27 / 51

HEX #7E205C

RGB 126 32 92

HSL 321.7, 0.59%, 0.31%

LAB 30.01, 45.72, -13.1

 

CMYK 0 / 87 / 33 / 57

HEX #6D0E49

RGB 109 14 73

HSL 322.74, 0.77%, 0.24%

LAB 23.82, 44.38, -10.22

 

CMYK 0 / 100 / 41 / 64

HEX #5C0036

RGB 92 0 54

HSL 324.78, 1%, 0.18%

LAB 18.11, 41.33, -6.05

 

CMYK 0 / 100 / 53 / 71

HEX #4B0023

RGB 75 0 35

HSL 332, 1%, 0.15%

LAB 13.33, 35.09, 0.26

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 65 / 33 / 44

HEX #8F3260

RGB 143 50 96

HSL 330.32, 0.48%, 0.38%

LAB 35.92, 43.87, -6.45

 

CMYK 0 / 65 / 43 / 44

HEX #8F3251

RGB 143 50 81

HSL 340, 0.48%, 0.38%

LAB 35.43, 42.09, 2.43

 

CMYK 0 / 65 / 55 / 44

HEX #8F3241

RGB 143 50 65

HSL 350.32, 0.48%, 0.38%

LAB 35.01, 40.51, 12.11

 

CMYK 0 / 65 / 65 / 44

HEX #8F3232

RGB 143 50 50

HSL 0, 0.48%, 0.38%

LAB 34.7, 39.36, 21.26

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 65 / 22 / 24

HEX #C24497

RGB 194 68 151

HSL 320.48, 0.51%, 0.51%

LAB 49.3, 58.6, -19.19

 

CMYK 0 / 65 / 22 / 4

HEX #F556BE

RGB 245 86 190

HSL 320.75, 0.89%, 0.65%

LAB 61.47, 70.46, -22.58

 

CMYK 0 / 66 / 22 / 84

HEX #290E20

RGB 41 14 32

HSL 320, 0.49%, 0.11%

LAB 8.04, 16.94, -6.16

 

CMYK 0 / 65 / 23 / 64

HEX #5C2047

RGB 92 32 71

HSL 321, 0.48%, 0.24%

LAB 22.87, 32.27, -10.61

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 30 / 65 / 44

HEX #8F6432

RGB 143 100 50

HSL 32.26, 0.48%, 0.38%

LAB 45.89, 11.95, 34.7

 

CMYK 65 / 0 / 4 / 44

HEX #328F89

RGB 50 143 137

HSL 176.13, 0.48%, 0.38%

LAB 54.16, -28.36, -4.85

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 22 / 0 / 65 / 44

HEX #708F32

RGB 112 143 50

HSL 80, 0.48%, 0.38%

LAB 55.4, -25.6, 44.47

 

CMYK 65 / 22 / 0 / 44

HEX #32708F

RGB 50 112 143

HSL 200, 0.48%, 0.38%

LAB 44.59, -9.86, -22.87

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 30 / 65 / 44

HEX #8F6432

RGB 143 100 50

HSL 32.26, 0.48%, 0.38%

LAB 45.89, 11.95, 34.7

 

CMYK 65 / 0 / 43 / 44

HEX #328F51

RGB 50 143 81

HSL 140, 0.48%, 0.38%

LAB 52.86, -41.7, 25.13

 

CMYK 65 / 35 / 0 / 44

HEX #325D8F

RGB 50 93 143

HSL 212.26, 0.48%, 0.38%

LAB 38.71, 1.7, -32.06

 

CMYK 0 / 65 / 22 / 44

HEX #8F326F

RGB 143 50 111

HSL 320.65, 0.48%, 0.38%

LAB 36.5, 45.94, -15.07

 

CMYK 0 / 11 / 65 / 44

HEX #8F7F32

RGB 143 127 50

HSL 49.68, 0.48%, 0.38%

LAB 53.22, -3.51, 42.85

 

CMYK 65 / 0 / 43 / 44

HEX #328F51

RGB 50 143 81

HSL 140, 0.48%, 0.38%

LAB 52.86, -41.7, 25.13

 

CMYK 65 / 55 / 0 / 44

HEX #32418F

RGB 50 65 143

HSL 230.32, 0.48%, 0.38%

LAB 30.5, 20.17, -45.17

 

Description

Color code: HEX #8F326F | qconv.com Color code: HEX #8F326F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 50 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 50 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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