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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F2D71 it is the complementary color #70D28E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F2D71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8F2D71: #942D6C, #A53F7F, #B65192, #C763A5 and #D875B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F2D71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8F2D71: #8F2D71, #7E1B5E, #6D094B, #5C0038 and #4B0025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

Complementary color

CMYK 47 / 0 / 32 / 18

HEX #70D28E

RGB 112 210 142

HSL 138.37, 0.52%, 0.63%

LAB 76.98, -43.71, 25.01

 

CMYK 0 / 70 / 27 / 42

HEX #942D6C

RGB 148 45 108

HSL 323.3, 0.53%, 0.38%

LAB 36.47, 49.09, -13.14

 

CMYK 0 / 62 / 23 / 35

HEX #A53F7F

RGB 165 63 127

HSL 322.35, 0.45%, 0.45%

LAB 42.89, 49.02, -14.91

 

CMYK 0 / 55 / 20 / 29

HEX #B65192

RGB 182 81 146

HSL 321.39, 0.41%, 0.52%

LAB 49.38, 48.57, -16.26

 

CMYK 0 / 50 / 17 / 22

HEX #C763A5

RGB 199 99 165

HSL 320.4, 0.47%, 0.58%

LAB 55.87, 47.94, -17.33

 

CMYK 0 / 46 / 15 / 15

HEX #D875B8

RGB 216 117 184

HSL 319.39, 0.56%, 0.65%

LAB 62.32, 47.22, -18.23

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 79 / 25 / 51

HEX #7E1B5E

RGB 126 27 94

HSL 319.39, 0.65%, 0.3%

LAB 29.48, 47.74, -15.22

 

CMYK 0 / 92 / 31 / 57

HEX #6D094B

RGB 109 9 75

HSL 320.4, 0.85%, 0.23%

LAB 23.52, 45.76, -12.04

 

CMYK 0 / 100 / 39 / 64

HEX #5C0038

RGB 92 0 56

HSL 323.48, 1%, 0.18%

LAB 18.19, 41.55, -7.34

 

CMYK 0 / 100 / 51 / 71

HEX #4B0025

RGB 75 0 37

HSL 330.4, 1%, 0.15%

LAB 13.41, 35.29, -1.12

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 69 / 32 / 44

HEX #8F2D61

RGB 143 45 97

HSL 328.16, 0.52%, 0.37%

LAB 35.16, 46.17, -8.22

 

CMYK 0 / 69 / 43 / 44

HEX #8F2D51

RGB 143 45 81

HSL 337.96, 0.52%, 0.37%

LAB 34.62, 44.29, 1.26

 

CMYK 0 / 69 / 55 / 44

HEX #8F2D40

RGB 143 45 64

HSL 348.37, 0.52%, 0.37%

LAB 34.16, 42.66, 11.6

 

CMYK 0 / 69 / 66 / 44

HEX #8F2D30

RGB 143 45 48

HSL 358.16, 0.52%, 0.37%

LAB 33.84, 41.47, 21.42

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 69 / 21 / 24

HEX #C23D99

RGB 194 61 153

HSL 318.5, 0.52%, 0.5%

LAB 48.39, 61.61, -21.77

 

CMYK 0 / 69 / 21 / 4

HEX #F54DC2

RGB 245 77 194

HSL 318.21, 0.89%, 0.63%

LAB 60.44, 74.27, -26.44

 

CMYK 0 / 68 / 22 / 84

HEX #290D20

RGB 41 13 32

HSL 319.29, 0.52%, 0.11%

LAB 7.8, 17.57, -6.52

 

CMYK 0 / 68 / 21 / 64

HEX #5C1D49

RGB 92 29 73

HSL 318.1, 0.52%, 0.24%

LAB 22.43, 34.07, -12.65

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 34 / 69 / 44

HEX #8F5E2D

RGB 143 94 45

HSL 30, 0.52%, 0.37%

LAB 44.28, 15.11, 35.52

 

CMYK 69 / 0 / 7 / 44

HEX #2D8F85

RGB 45 143 133

HSL 173.88, 0.52%, 0.37%

LAB 53.92, -30.34, -2.92

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 21 / 0 / 69 / 44

HEX #718F2D

RGB 113 143 45

HSL 78.37, 0.52%, 0.37%

LAB 55.43, -25.57, 46.67

 

CMYK 69 / 21 / 0 / 44

HEX #2D718F

RGB 45 113 143

HSL 198.37, 0.52%, 0.37%

LAB 44.73, -11.33, -22.66

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 34 / 69 / 44

HEX #8F5E2D

RGB 143 94 45

HSL 30, 0.52%, 0.37%

LAB 44.28, 15.11, 35.52

 

CMYK 69 / 0 / 48 / 44

HEX #2D8F4A

RGB 45 143 74

HSL 137.76, 0.52%, 0.37%

LAB 52.62, -43.95, 28.57

 

CMYK 69 / 34 / 0 / 44

HEX #2D5E8F

RGB 45 94 143

HSL 210, 0.52%, 0.37%

LAB 38.81, 0.15, -31.92

 

CMYK 0 / 69 / 21 / 44

HEX #8F2D71

RGB 143 45 113

HSL 318.37, 0.52%, 0.37%

LAB 35.81, 48.37, -17.39

 

CMYK 0 / 14 / 69 / 44

HEX #8F7B2D

RGB 143 123 45

HSL 47.76, 0.52%, 0.37%

LAB 52.06, -1.59, 43.93

 

CMYK 69 / 0 / 48 / 44

HEX #2D8F4A

RGB 45 143 74

HSL 137.76, 0.52%, 0.37%

LAB 52.62, -43.95, 28.57

 

CMYK 69 / 55 / 0 / 44

HEX #2D408F

RGB 45 64 143

HSL 228.37, 0.52%, 0.37%

LAB 29.93, 19.98, -46.1

 

Description

Color code: HEX #8F2D71 | qconv.com Color code: HEX #8F2D71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 45 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 45 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 21 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 21% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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