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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ECD07 it is the complementary color #7132F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ECD07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8ECD07: #93CD02, #A4DF15, #B5F128, #C6FF3B and #D7FF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ECD07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8ECD07: #8ECD07, #7DBB00, #6CA900, #5B9700 and #4A8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

Complementary color

CMYK 54 / 80 / 0 / 3

HEX #7132F8

RGB 113 50 248

HSL 259.09, 0.93%, 0.58%

LAB 42.11, 69.44, -87.46

 

CMYK 28 / 0 / 99 / 20

HEX #93CD02

RGB 147 205 2

HSL 77.14, 0.98%, 0.41%

LAB 75.99, -42.01, 75.19

 

CMYK 26 / 0 / 91 / 13

HEX #A4DF15

RGB 164 223 21

HSL 77.52, 0.83%, 0.48%

LAB 82.23, -43.07, 78.45

 

CMYK 25 / 0 / 83 / 5

HEX #B5F128

RGB 181 241 40

HSL 77.91, 0.88%, 0.55%

LAB 88.39, -43.95, 80.52

 

CMYK 22 / 0 / 77 / 0

HEX #C6FF3B

RGB 198 255 59

HSL 77.45, 1%, 0.62%

LAB 93.38, -42.94, 80.54

 

CMYK 16 / 0 / 69 / 0

HEX #D7FF4E

RGB 215 255 78

HSL 73.56, 1%, 0.65%

LAB 94.53, -35.56, 76

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 33 / 0 / 100 / 27

HEX #7DBB00

RGB 125 187 0

HSL 79.89, 1%, 0.37%

LAB 69.4, -42.58, 69.81

 

CMYK 36 / 0 / 100 / 34

HEX #6CA900

RGB 108 169 0

HSL 81.66, 1%, 0.33%

LAB 62.98, -41.21, 64.46

 

CMYK 40 / 0 / 100 / 41

HEX #5B9700

RGB 91 151 0

HSL 83.84, 1%, 0.3%

LAB 56.44, -39.79, 59.03

 

CMYK 44 / 0 / 100 / 48

HEX #4A8500

RGB 74 133 0

HSL 86.62, 1%, 0.26%

LAB 49.77, -38.3, 53.49

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 47 / 0 / 97 / 19

HEX #6ECE07

RGB 110 206 7

HSL 88.94, 0.93%, 0.42%

LAB 74.49, -55.23, 72.74

 

CMYK 63 / 0 / 97 / 19

HEX #4DCE07

RGB 77 206 7

HSL 98.89, 0.93%, 0.42%

LAB 73.37, -64.15, 71.38

 

CMYK 79 / 0 / 97 / 19

HEX #2CCE07

RGB 44 206 7

HSL 108.84, 0.93%, 0.42%

LAB 72.69, -70.04, 70.54

 

CMYK 95 / 0 / 97 / 19

HEX #0ACE07

RGB 10 206 7

HSL 119.1, 0.93%, 0.42%

LAB 72.38, -72.85, 70.15

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 31 / 0 / 96 / 80

HEX #243402

RGB 36 52 2

HSL 79.2, 0.93%, 0.11%

LAB 19.37, -15.2, 26.23

 

CMYK 31 / 0 / 96 / 60

HEX #476704

RGB 71 103 4

HSL 79.39, 0.93%, 0.21%

LAB 39.66, -25.75, 44.52

 

CMYK 31 / 0 / 97 / 40

HEX #6B9A05

RGB 107 154 5

HSL 78.93, 0.94%, 0.31%

LAB 58.27, -34.9, 60.05

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 97 / 0 / 47 / 19

HEX #07CE6E

RGB 7 206 110

HSL 151.06, 0.93%, 0.42%

LAB 73.1, -63.8, 35.93

 

CMYK 8 / 97 / 0 / 19

HEX #BE07CE

RGB 190 7 206

HSL 295.18, 0.93%, 0.42%

LAB 46.39, 80.56, -56.12

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 97 / 31 / 0 / 19

HEX #078FCE

RGB 7 143 206

HSL 198.99, 0.93%, 0.42%

LAB 56.23, -8.84, -41.18

 

CMYK 0 / 97 / 31 / 19

HEX #CE078F

RGB 206 7 143

HSL 318.99, 0.93%, 0.42%

LAB 45.98, 75.09, -19.28

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 97 / 0 / 47 / 19

HEX #07CE6E

RGB 7 206 110

HSL 151.06, 0.93%, 0.42%

LAB 73.1, -63.8, 35.93

 

CMYK 66 / 97 / 0 / 19

HEX #4607CE

RGB 70 7 206

HSL 258.99, 0.93%, 0.42%

LAB 29.18, 67.67, -84.97

 

CMYK 0 / 97 / 50 / 19

HEX #CE0767

RGB 206 7 103

HSL 331.06, 0.93%, 0.42%

LAB 44.59, 71.42, 3.27

 

CMYK 31 / 0 / 97 / 20

HEX #8ECD07

RGB 142 205 7

HSL 79.09, 0.93%, 0.42%

LAB 75.72, -43.82, 74.36

 

CMYK 97 / 0 / 17 / 19

HEX #07CEAA

RGB 7 206 170

HSL 169.15, 0.93%, 0.42%

LAB 74.25, -50.79, 6

 

CMYK 66 / 97 / 0 / 19

HEX #4607CE

RGB 70 7 206

HSL 258.99, 0.93%, 0.42%

LAB 29.18, 67.67, -84.97

 

CMYK 0 / 97 / 79 / 19

HEX #CE072C

RGB 206 7 44

HSL 348.84, 0.93%, 0.42%

LAB 43.44, 68.29, 38.23

 

Description

Color code: HEX #8ECD07 | qconv.com Color code: HEX #8ECD07 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 205 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 205 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 97 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 97% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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