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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EB468 it is the complementary color #714B97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EB468. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8EB468: #93B463, #A4C676, #B5D889, #C6EA9C and #D7FCAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EB468. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8EB468: #8EB468, #7DA255, #6C9042, #5B7E2F and #4A6C1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

Complementary color

CMYK 25 / 50 / 0 / 41

HEX #714B97

RGB 113 75 151

HSL 270, 0.34%, 0.44%

LAB 39.2, 31.73, -35.79

 

CMYK 18 / 0 / 45 / 29

HEX #93B463

RGB 147 180 99

HSL 84.44, 0.35%, 0.55%

LAB 69.29, -24.91, 37.56

 

CMYK 17 / 0 / 40 / 22

HEX #A4C676

RGB 164 198 118

HSL 85.5, 0.41%, 0.62%

LAB 75.82, -24.93, 36.38

 

CMYK 16 / 0 / 37 / 15

HEX #B5D889

RGB 181 216 137

HSL 86.58, 0.5%, 0.69%

LAB 82.24, -24.92, 35.23

 

CMYK 15 / 0 / 33 / 8

HEX #C6EA9C

RGB 198 234 156

HSL 87.69, 0.65%, 0.76%

LAB 88.57, -24.9, 34.13

 

CMYK 15 / 0 / 31 / 1

HEX #D7FCAF

RGB 215 252 175

HSL 88.83, 0.93%, 0.84%

LAB 94.81, -24.86, 33.07

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 23 / 0 / 48 / 36

HEX #7DA255

RGB 125 162 85

HSL 88.83, 0.31%, 0.48%

LAB 62.39, -26.22, 35.82

 

CMYK 25 / 0 / 54 / 44

HEX #6C9042

RGB 108 144 66

HSL 87.69, 0.37%, 0.41%

LAB 55.61, -26.18, 37.02

 

CMYK 28 / 0 / 63 / 51

HEX #5B7E2F

RGB 91 126 47

HSL 86.58, 0.46%, 0.34%

LAB 48.7, -26.05, 38.11

 

CMYK 31 / 0 / 74 / 58

HEX #4A6C1C

RGB 74 108 28

HSL 85.5, 0.59%, 0.27%

LAB 41.63, -25.74, 38.81

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 28 / 0 / 42 / 29

HEX #82B468

RGB 130 180 104

HSL 99.47, 0.34%, 0.56%

LAB 68.31, -30.59, 33.54

 

CMYK 35 / 0 / 42 / 29

HEX #75B468

RGB 117 180 104

HSL 109.74, 0.34%, 0.56%

LAB 67.59, -35.1, 32.48

 

CMYK 42 / 0 / 42 / 29

HEX #68B468

RGB 104 180 104

HSL 120, 0.34%, 0.56%

LAB 66.96, -39.27, 31.54

 

CMYK 42 / 0 / 35 / 29

HEX #68B475

RGB 104 180 117

HSL 130.26, 0.34%, 0.56%

LAB 67.18, -37.15, 24.97

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 21 / 0 / 42 / 9

HEX #B6E785

RGB 182 231 133

HSL 90, 0.67%, 0.71%

LAB 86.4, -32.18, 42.59

 

CMYK 22 / 0 / 41 / 89

HEX #151B10

RGB 21 27 16

HSL 92.73, 0.26%, 0.08%

LAB 8.83, -5.5, 6.1

 

CMYK 21 / 0 / 42 / 69

HEX #3E4E2D

RGB 62 78 45

HSL 89.09, 0.27%, 0.24%

LAB 31.03, -13.07, 17.52

 

CMYK 21 / 0 / 42 / 49

HEX #66814B

RGB 102 129 75

HSL 90, 0.26%, 0.4%

LAB 50.73, -19.84, 26.15

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 42 / 0 / 12 / 29

HEX #68B49E

RGB 104 180 158

HSL 162.63, 0.34%, 0.56%

LAB 68.06, -28.84, 3.87

 

CMYK 0 / 42 / 4 / 29

HEX #B468AD

RGB 180 104 173

HSL 305.53, 0.34%, 0.56%

LAB 54.68, 40.68, -24.02

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 42 / 21 / 0 / 29

HEX #688EB4

RGB 104 142 180

HSL 210, 0.34%, 0.56%

LAB 57.64, -3.06, -24.05

 

CMYK 0 / 42 / 21 / 29

HEX #B4688E

RGB 180 104 142

HSL 330, 0.34%, 0.56%

LAB 53.55, 35.47, -7.63

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 42 / 0 / 12 / 29

HEX #68B49E

RGB 104 180 158

HSL 162.63, 0.34%, 0.56%

LAB 68.06, -28.84, 3.87

 

CMYK 21 / 42 / 0 / 29

HEX #8E68B4

RGB 142 104 180

HSL 270, 0.34%, 0.56%

LAB 50.62, 30.36, -34.71

 

CMYK 0 / 42 / 29 / 29

HEX #B4687F

RGB 180 104 127

HSL 341.84, 0.34%, 0.56%

LAB 53.1, 33.28, 0.54

 

CMYK 21 / 0 / 42 / 29

HEX #8EB468

RGB 142 180 104

HSL 90, 0.34%, 0.56%

LAB 69.03, -26.19, 34.61

 

CMYK 42 / 0 / 0 / 29

HEX #68B4B4

RGB 104 180 180

HSL 180, 0.34%, 0.56%

LAB 68.66, -23.49, -7.38

 

CMYK 21 / 42 / 0 / 29

HEX #8E68B4

RGB 142 104 180

HSL 270, 0.34%, 0.56%

LAB 50.62, 30.36, -34.71

 

CMYK 0 / 42 / 42 / 29

HEX #B46868

RGB 180 104 104

HSL 0, 0.34%, 0.56%

LAB 52.51, 30.39, 13.27

 

Description

Color code: HEX #8EB468 | qconv.com Color code: HEX #8EB468 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 180 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 180 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 42% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Aranabonsai
Link: http://gmceltitan.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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