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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EA081 it is the complementary color #715F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EA081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8EA081: #93A07C, #A4B28F, #B5C4A2, #C6D6B5 and #D7E8C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EA081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8EA081: #8EA081, #7D8E6E, #6C7C5B, #5B6A48 and #4A5835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

Complementary color

CMYK 10 / 25 / 0 / 51

HEX #715F7E

RGB 113 95 126

HSL 274.84, 0.14%, 0.43%

LAB 43.07, 13.6, -14.65

 

CMYK 8 / 0 / 23 / 37

HEX #93A07C

RGB 147 160 124

HSL 81.67, 0.16%, 0.56%

LAB 64, -11.17, 17.26

 

CMYK 8 / 0 / 20 / 30

HEX #A4B28F

RGB 164 178 143

HSL 84, 0.19%, 0.63%

LAB 70.67, -11.21, 16.29

 

CMYK 8 / 0 / 17 / 23

HEX #B5C4A2

RGB 181 196 162

HSL 86.47, 0.22%, 0.7%

LAB 77.23, -11.23, 15.37

 

CMYK 7 / 0 / 15 / 16

HEX #C6D6B5

RGB 198 214 181

HSL 89.09, 0.29%, 0.77%

LAB 83.67, -11.26, 14.49

 

CMYK 7 / 0 / 14 / 9

HEX #D7E8C8

RGB 215 232 200

HSL 91.88, 0.41%, 0.85%

LAB 90.01, -11.29, 13.66

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 12 / 0 / 23 / 44

HEX #7D8E6E

RGB 125 142 110

HSL 91.88, 0.13%, 0.49%

LAB 56.91, -12.27, 15.05

 

CMYK 13 / 0 / 27 / 51

HEX #6C7C5B

RGB 108 124 91

HSL 89.09, 0.15%, 0.42%

LAB 49.93, -12.3, 16.12

 

CMYK 14 / 0 / 32 / 58

HEX #5B6A48

RGB 91 106 72

HSL 86.47, 0.19%, 0.35%

LAB 42.76, -12.33, 17.27

 

CMYK 16 / 0 / 40 / 65

HEX #4A5835

RGB 74 88 53

HSL 84, 0.25%, 0.28%

LAB 35.39, -12.34, 18.54

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 14 / 0 / 19 / 37

HEX #8AA081

RGB 138 160 129

HSL 102.58, 0.14%, 0.57%

LAB 63.45, -13.71, 13.63

 

CMYK 17 / 0 / 19 / 37

HEX #85A081

RGB 133 160 129

HSL 112.26, 0.14%, 0.57%

LAB 63.11, -15.54, 13.09

 

CMYK 19 / 0 / 18 / 37

HEX #81A084

RGB 129 160 132

HSL 125.81, 0.14%, 0.57%

LAB 62.91, -16.42, 11.1

 

CMYK 19 / 0 / 14 / 37

HEX #81A089

RGB 129 160 137

HSL 135.48, 0.14%, 0.57%

LAB 63.02, -15.46, 8.47

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 11 / 0 / 19 / 17

HEX #BBD3AA

RGB 187 211 170

HSL 95.12, 0.32%, 0.75%

LAB 81.87, -15.43, 17.66

 

CMYK 14 / 0 / 14 / 97

HEX #060706

RGB 6 7 6

HSL 120, 0.08%, 0.03%

LAB 1.84, -0.4, 0.29

 

CMYK 12 / 0 / 19 / 77

HEX #333A2F

RGB 51 58 47

HSL 98.18, 0.1%, 0.21%

LAB 23.46, -5.46, 5.86

 

CMYK 11 / 0 / 19 / 57

HEX #616D58

RGB 97 109 88

HSL 94.29, 0.11%, 0.39%

LAB 44.49, -8.81, 10.23

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 19 / 0 / 4 / 37

HEX #81A099

RGB 129 160 153

HSL 166.45, 0.14%, 0.57%

LAB 63.43, -12.19, 0.09

 

CMYK 0 / 19 / 3 / 37

HEX #A0819B

RGB 160 129 155

HSL 309.68, 0.14%, 0.57%

LAB 57.6, 16.5, -9.39

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 19 / 11 / 0 / 37

HEX #818FA0

RGB 129 143 160

HSL 212.9, 0.14%, 0.57%

LAB 58.84, -1.27, -10.68

 

CMYK 0 / 19 / 11 / 37

HEX #A0818F

RGB 160 129 143

HSL 332.9, 0.14%, 0.57%

LAB 57.23, 14.28, -3.02

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 19 / 0 / 4 / 37

HEX #81A099

RGB 129 160 153

HSL 166.45, 0.14%, 0.57%

LAB 63.43, -12.19, 0.09

 

CMYK 8 / 19 / 0 / 37

HEX #9381A0

RGB 147 129 160

HSL 274.84, 0.14%, 0.57%

LAB 56.53, 12.9, -14

 

CMYK 0 / 19 / 14 / 37

HEX #A08189

RGB 160 129 137

HSL 344.52, 0.14%, 0.57%

LAB 57.06, 13.23, 0.2

 

CMYK 11 / 0 / 19 / 37

HEX #8EA081

RGB 142 160 129

HSL 94.84, 0.14%, 0.57%

LAB 63.74, -12.23, 14.07

 

CMYK 19 / 1 / 0 / 37

HEX #819EA0

RGB 129 158 160

HSL 183.87, 0.14%, 0.57%

LAB 63.06, -9.57, -4.39

 

CMYK 8 / 19 / 0 / 37

HEX #9381A0

RGB 147 129 160

HSL 274.84, 0.14%, 0.57%

LAB 56.53, 12.9, -14

 

CMYK 0 / 18 / 19 / 37

HEX #A08481

RGB 160 132 129

HSL 5.81, 0.14%, 0.57%

LAB 57.62, 10.19, 5.62

 

Description

Color code: HEX #8EA081 | qconv.com Color code: HEX #8EA081 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 160 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 160 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 19 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 19% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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