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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E9294 it is the complementary color #716D6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E9294. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8E9294: #93928F, #A4A4A2, #B5B6B5, #C6C8C8 and #D7DADB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E9294. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8E9294: #8E9294, #7D8081, #6C6E6E, #5B5C5B and #4A4A48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

Complementary color

CMYK 0 / 4 / 5 / 56

HEX #716D6B

RGB 113 109 107

HSL 20, 0.03%, 0.43%

LAB 46.32, 1.16, 1.66

 

CMYK 0 / 1 / 3 / 42

HEX #93928F

RGB 147 146 143

HSL 45, 0.02%, 0.57%

LAB 60.56, -0.2, 1.71

 

CMYK 0 / 0 / 1 / 36

HEX #A4A4A2

RGB 164 164 162

HSL 60, 0.01%, 0.64%

LAB 67.32, -0.37, 1.03

 

CMYK 1 / 0 / 1 / 29

HEX #B5B6B5

RGB 181 182 181

HSL 120, 0.01%, 0.71%

LAB 73.94, -0.53, 0.38

 

CMYK 1 / 0 / 0 / 22

HEX #C6C8C8

RGB 198 200 200

HSL 180, 0.02%, 0.78%

LAB 80.45, -0.68, -0.25

 

CMYK 2 / 0 / 0 / 14

HEX #D7DADB

RGB 215 218 219

HSL 195, 0.05%, 0.85%

LAB 86.85, -0.83, -0.86

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 3 / 1 / 0 / 49

HEX #7D8081

RGB 125 128 129

HSL 195, 0.02%, 0.5%

LAB 53.37, -0.91, -0.94

 

CMYK 2 / 0 / 0 / 57

HEX #6C6E6E

RGB 108 110 110

HSL 180, 0.01%, 0.43%

LAB 46.27, -0.76, -0.27

 

CMYK 1 / 0 / 1 / 64

HEX #5B5C5B

RGB 91 92 91

HSL 120, 0.01%, 0.36%

LAB 38.96, -0.6, 0.43

 

CMYK 0 / 0 / 3 / 71

HEX #4A4A48

RGB 74 74 72

HSL 60, 0.01%, 0.29%

LAB 31.4, -0.43, 1.19

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 4 / 2 / 0 / 42

HEX #8E9194

RGB 142 145 148

HSL 210, 0.03%, 0.57%

LAB 60.01, -0.49, -1.97

 

CMYK 4 / 3 / 0 / 42

HEX #8E9094

RGB 142 144 148

HSL 220, 0.03%, 0.57%

LAB 59.74, 0.07, -2.38

 

CMYK 4 / 3 / 0 / 42

HEX #8E8F94

RGB 142 143 148

HSL 230, 0.03%, 0.57%

LAB 59.47, 0.63, -2.78

 

CMYK 4 / 4 / 0 / 42

HEX #8E8E94

RGB 142 142 148

HSL 240, 0.03%, 0.57%

LAB 59.19, 1.2, -3.19

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 4 / 2 / 0 / 22

HEX #BFC4C7

RGB 191 196 199

HSL 202.5, 0.07%, 0.76%

LAB 78.86, -1.15, -2.11

 

CMYK 4 / 1 / 0 / 2

HEX #F0F7FA

RGB 240 247 250

HSL 198, 0.5%, 0.96%

LAB 96.8, -1.76, -2.25

 

CMYK 4 / 2 / 0 / 82

HEX #2C2D2E

RGB 44 45 46

HSL 210, 0.02%, 0.18%

LAB 18.41, -0.2, -0.8

 

CMYK 4 / 1 / 0 / 62

HEX #5D6061

RGB 93 96 97

HSL 195, 0.02%, 0.37%

LAB 40.5, -0.96, -0.98

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 2 / 4 / 0 / 42

HEX #918E94

RGB 145 142 148

HSL 270, 0.03%, 0.57%

LAB 59.44, 2.28, -2.79

 

CMYK 0 / 0 / 4 / 42

HEX #94948E

RGB 148 148 142

HSL 60, 0.03%, 0.57%

LAB 61.16, -1.14, 3.16

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 0 / 4 / 1 / 42

HEX #948E92

RGB 148 142 146

HSL 320, 0.03%, 0.57%

LAB 59.63, 2.98, -1.34

 

CMYK 1 / 0 / 4 / 42

HEX #92948E

RGB 146 148 142

HSL 80, 0.03%, 0.57%

LAB 61, -1.88, 2.91

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 2 / 4 / 0 / 42

HEX #918E94

RGB 145 142 148

HSL 270, 0.03%, 0.57%

LAB 59.44, 2.28, -2.79

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 2 / 0 / 4 / 42

HEX #91948E

RGB 145 148 142

HSL 90, 0.03%, 0.57%

LAB 60.92, -2.25, 2.78

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 1 / 4 / 0 / 42

HEX #938E94

RGB 147 142 148

HSL 290, 0.03%, 0.57%

LAB 59.61, 3.01, -2.53

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 3 / 0 / 4 / 42

HEX #8F948E

RGB 143 148 142

HSL 110, 0.03%, 0.57%

LAB 60.76, -2.98, 2.53

 

Description

Color code: HEX #8E9294 | qconv.com Color code: HEX #8E9294 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 146 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 146 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 1 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 1% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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