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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E3EAD it is the complementary color #71C152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E3EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8E3EAD shade: #933EA8, #A450BB, #B562CE, #C674E1 and #D786F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E3EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8E3EAD shade: #8E3EAD, #7D2C9A, #6C1A87, #5B0874 and #4A0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8E3EAD shade: #8E3EAC, #AB3EAC, #AC3E90, #AC3E72 and #AC3E54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8E3EAD shade: #8E3EAC, #703EAC, #523EAC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8E3EAD shade matches the following richer shades: #8E3EAC, #962BBF, #9E18D2 and #A705E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8E3EAD shade: #8E3EAC, #855199, #7D6486, #757773 and #6C8A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8E3EAD shade: #523EAC, #703EAC, #8D3EAC, #AB3EAC and #AC3E91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8E3EAD shade: #5C2870, #75338E, #8E3EAC, #A253C1 and #B371CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8E3EAD shade: #8E3EAD, #AC3E47 and #3EAC61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8E3EAD shade: #8E3EAD, #AC8D3E and #3EAC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8E3EAD shade: #8E3EAD, #AC3E47, #5DAC3E and #3EACA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8E3EAD shade: #8E3EAD, #AC563E, #5DAC3E and #3E95AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

Complementary color

CMYK 41 / 0 / 58 / 24

HEX #71C152

RGB 113 193 82

HSL 103.24, 0.47%, 0.54%

LAB 71.05, -44.9, 47.5

 

CMYK 13 / 63 / 0 / 34

HEX #933EA8

RGB 147 62 168

HSL 288.11, 0.46%, 0.45%

LAB 41.96, 51.58, -41.32

 

CMYK 12 / 57 / 0 / 27

HEX #A450BB

RGB 164 80 187

HSL 287.1, 0.44%, 0.52%

LAB 48.53, 51.12, -41.9

 

CMYK 12 / 52 / 0 / 19

HEX #B562CE

RGB 181 98 206

HSL 286.11, 0.52%, 0.6%

LAB 55.09, 50.47, -42.32

 

CMYK 12 / 48 / 0 / 12

HEX #C674E1

RGB 198 116 225

HSL 285.14, 0.64%, 0.67%

LAB 61.6, 49.74, -42.64

 

CMYK 12 / 45 / 0 / 4

HEX #D786F4

RGB 215 134 244

HSL 284.18, 0.83%, 0.74%

LAB 68.04, 48.98, -42.9

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 19 / 71 / 0 / 40

HEX #7D2C9A

RGB 125 44 154

HSL 284.18, 0.56%, 0.39%

LAB 34.99, 51.55, -44.23

 

CMYK 20 / 81 / 0 / 47

HEX #6C1A87

RGB 108 26 135

HSL 285.14, 0.68%, 0.32%

LAB 28.58, 50.96, -43.01

 

CMYK 22 / 93 / 0 / 55

HEX #5B0874

RGB 91 8 116

HSL 286.11, 0.87%, 0.24%

LAB 22.51, 48.98, -40.94

 

CMYK 24 / 100 / 0 / 62

HEX #4A0061

RGB 74 0 97

HSL 285.77, 1%, 0.19%

LAB 17.08, 44.54, -37.49

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 1 / 64 / 0 / 33

HEX #AB3EAC

RGB 171 62 172

HSL 299.45, 0.47%, 0.46%

LAB 45.75, 58.28, -37.46

 

CMYK 0 / 64 / 16 / 33

HEX #AC3E90

RGB 172 62 144

HSL 315.27, 0.47%, 0.46%

LAB 44.56, 53.98, -22.59

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E72

RGB 172 62 114

HSL 331.64, 0.47%, 0.46%

LAB 43.41, 49.88, -6.04

 

CMYK 0 / 64 / 51 / 33

HEX #AC3E54

RGB 172 62 84

HSL 348, 0.47%, 0.46%

LAB 42.55, 46.7, 11.32

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 35 / 64 / 0 / 33

HEX #703EAC

RGB 112 62 172

HSL 267.27, 0.47%, 0.46%

LAB 37.61, 44.16, -50.93

 

CMYK 52 / 64 / 0 / 33

HEX #523EAC

RGB 82 62 172

HSL 250.91, 0.47%, 0.46%

LAB 34.43, 37.89, -56.23

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 21 / 77 / 0 / 25

HEX #962BBF

RGB 150 43 191

HSL 283.38, 0.63%, 0.46%

LAB 41.17, 64.44, -56.13

 

CMYK 25 / 89 / 0 / 18

HEX #9E18D2

RGB 158 24 210

HSL 283.23, 0.79%, 0.46%

LAB 42.12, 74.32, -65.59

 

CMYK 27 / 98 / 0 / 10

HEX #A705E5

RGB 167 5 229

HSL 283.39, 0.96%, 0.46%

LAB 44.21, 81.43, -73.01

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 13 / 47 / 0 / 40

HEX #855199

RGB 133 81 153

HSL 283.33, 0.31%, 0.46%

LAB 43.02, 34.66, -30.81

 

CMYK 7 / 25 / 0 / 47

HEX #7D6486

RGB 125 100 134

HSL 284.12, 0.15%, 0.46%

LAB 45.9, 16.64, -15.04

 

CMYK 2 / 0 / 3 / 53

HEX #757773

RGB 117 119 115

HSL 90, 0.02%, 0.46%

LAB 49.75, -1.56, 1.93

 

CMYK 22 / 0 / 30 / 46

HEX #6C8A61

RGB 108 138 97

HSL 103.9, 0.17%, 0.46%

LAB 54.27, -18.81, 18.6

 

CMYK 52 / 64 / 0 / 33

HEX #523EAC

RGB 82 62 172

HSL 250.91, 0.47%, 0.46%

LAB 34.43, 37.89, -56.23

 

CMYK 35 / 64 / 0 / 33

HEX #703EAC

RGB 112 62 172

HSL 267.27, 0.47%, 0.46%

LAB 37.61, 44.16, -50.93

 

CMYK 18 / 64 / 0 / 33

HEX #8D3EAC

RGB 141 62 172

HSL 283.09, 0.47%, 0.46%

LAB 41.35, 50.94, -44.71

 

CMYK 1 / 64 / 0 / 33

HEX #AB3EAC

RGB 171 62 172

HSL 299.45, 0.47%, 0.46%

LAB 45.75, 58.28, -37.46

 

CMYK 0 / 64 / 16 / 33

HEX #AC3E91

RGB 172 62 145

HSL 314.73, 0.47%, 0.46%

LAB 44.6, 54.13, -23.12

 

CMYK 18 / 64 / 0 / 56

HEX #5C2870

RGB 92 40 112

HSL 283.33, 0.47%, 0.3%

LAB 26.63, 36.26, -31.73

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 16 / 57 / 0 / 24

HEX #A253C1

RGB 162 83 193

HSL 283.09, 0.47%, 0.54%

LAB 49.15, 50.35, -44.42

 

CMYK 12 / 45 / 0 / 20

HEX #B371CC

RGB 179 113 204

HSL 283.52, 0.47%, 0.62%

LAB 57.8, 41.61, -36.93

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 0 / 64 / 59 / 33

HEX #AC3E47

RGB 172 62 71

HSL 355.09, 0.47%, 0.46%

LAB 42.26, 45.63, 18.98

 

CMYK 64 / 0 / 44 / 33

HEX #3EAC61

RGB 62 172 97

HSL 139.09, 0.47%, 0.46%

LAB 62.84, -47.99, 29.57

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 0 / 18 / 64 / 33

HEX #AC8D3E

RGB 172 141 62

HSL 43.09, 0.47%, 0.46%

LAB 60.04, 2.57, 45.46

 

CMYK 64 / 0 / 18 / 33

HEX #3EAC8D

RGB 62 172 141

HSL 163.09, 0.47%, 0.46%

LAB 63.71, -38.73, 6.83

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 0 / 64 / 59 / 33

HEX #AC3E47

RGB 172 62 71

HSL 355.09, 0.47%, 0.46%

LAB 42.26, 45.63, 18.98

 

CMYK 46 / 0 / 64 / 33

HEX #5DAC3E

RGB 93 172 62

HSL 103.09, 0.47%, 0.46%

LAB 63.49, -44.57, 47.71

 

CMYK 64 / 0 / 5 / 33

HEX #3EACA3

RGB 62 172 163

HSL 175.09, 0.47%, 0.46%

LAB 64.3, -32.98, -4.58

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 46 / 0 / 64 / 33

HEX #5DAC3E

RGB 93 172 62

HSL 103.09, 0.47%, 0.46%

LAB 63.49, -44.57, 47.71

 

CMYK 64 / 13 / 0 / 33

HEX #3E95AC

RGB 62 149 172

HSL 192.55, 0.47%, 0.46%

LAB 57.56, -18.77, -19.78

 

Description

Color code: HEX #8E3EAD | qconv.com Color code: HEX #8E3EAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 62 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 62 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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