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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75338E it is the complementary color #8ACC71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75338E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75338E shade: #7A3389, #8B459C, #9C57AF, #AD69C2 and #BE7BD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75338E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75338E shade: #75338E, #64217B, #530F68, #420055 and #310042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75338E shade: #75338E, #8E338E, #8E3376, #8E335E and #8E3345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75338E shade: #75338E, #5D338E, #44338E and #33338E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75338E shade matches the following richer shades: #75338E, #7C249E, #8414AE and #8B04BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75338E shade: #75338E, #6E437F, #67536F, #60625F and #597250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75338E shade: #44338E, #5C338E, #75338E, #8D338E and #8E3378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75338E shade: #431D52, #5C2870, #75338E, #8E3EAD and #A353C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75338E shade: #75338E, #8E333B and #338E50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75338E shade: #75338E, #8E7533 and #338E75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75338E shade: #75338E, #8E333B, #4D8E33 and #338E87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75338E shade: #75338E, #8E4733, #4D8E33 and #337B8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

Complementary color

CMYK 32 / 0 / 45 / 20

HEX #8ACC71

RGB 138 204 113

HSL 103.52, 0.47%, 0.62%

LAB 75.93, -37.7, 38.74

 

CMYK 11 / 63 / 0 / 46

HEX #7A3389

RGB 122 51 137

HSL 289.53, 0.46%, 0.37%

LAB 34.62, 44.12, -34.44

 

CMYK 11 / 56 / 0 / 39

HEX #8B459C

RGB 139 69 156

HSL 288.28, 0.39%, 0.44%

LAB 41.45, 43.59, -35.04

 

CMYK 11 / 50 / 0 / 31

HEX #9C57AF

RGB 156 87 175

HSL 287.05, 0.35%, 0.51%

LAB 48.23, 42.87, -35.44

 

CMYK 11 / 46 / 0 / 24

HEX #AD69C2

RGB 173 105 194

HSL 285.84, 0.42%, 0.59%

LAB 54.95, 42.09, -35.75

 

CMYK 11 / 42 / 0 / 16

HEX #BE7BD5

RGB 190 123 213

HSL 284.67, 0.52%, 0.66%

LAB 61.58, 41.31, -36.01

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 19 / 73 / 0 / 52

HEX #64217B

RGB 100 33 123

HSL 284.67, 0.58%, 0.31%

LAB 27.37, 44.07, -37.48

 

CMYK 20 / 86 / 0 / 59

HEX #530F68

RGB 83 15 104

HSL 285.84, 0.75%, 0.23%

LAB 20.75, 43.26, -36.07

 

CMYK 22 / 100 / 0 / 67

HEX #420055

RGB 66 0 85

HSL 286.59, 1%, 0.17%

LAB 14.48, 40.88, -33.72

 

CMYK 26 / 100 / 0 / 74

HEX #310042

RGB 49 0 66

HSL 284.55, 1%, 0.13%

LAB 9.37, 34.21, -28.99

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 0 / 64 / 0 / 44

HEX #8E338E

RGB 142 51 142

HSL 300, 0.47%, 0.38%

LAB 37.97, 50.3, -32.02

 

CMYK 0 / 64 / 17 / 44

HEX #8E3376

RGB 142 51 118

HSL 315.82, 0.47%, 0.38%

LAB 36.79, 46.26, -19.02

 

CMYK 0 / 64 / 34 / 44

HEX #8E335E

RGB 142 51 94

HSL 331.65, 0.47%, 0.38%

LAB 35.84, 42.84, -5.31

 

CMYK 0 / 64 / 51 / 44

HEX #8E3345

RGB 142 51 69

HSL 348.13, 0.47%, 0.38%

LAB 35.1, 40.06, 9.64

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 35 / 64 / 0 / 44

HEX #5D338E

RGB 93 51 142

HSL 267.69, 0.47%, 0.38%

LAB 30.99, 37.98, -43.56

 

CMYK 52 / 64 / 0 / 44

HEX #44338E

RGB 68 51 142

HSL 251.21, 0.47%, 0.38%

LAB 28.25, 32.44, -48.14

 

CMYK 64 / 64 / 0 / 44

HEX #33338E

RGB 51 51 142

HSL 240, 0.47%, 0.38%

LAB 26.8, 29.3, -50.55

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 22 / 77 / 0 / 38

HEX #7C249E

RGB 124 36 158

HSL 283.28, 0.63%, 0.38%

LAB 34.02, 55.31, -48.24

 

CMYK 24 / 89 / 0 / 32

HEX #8414AE

RGB 132 20 174

HSL 283.64, 0.79%, 0.38%

LAB 34.93, 64.43, -56.34

 

CMYK 26 / 98 / 0 / 26

HEX #8B04BD

RGB 139 4 189

HSL 283.78, 0.96%, 0.38%

LAB 36.46, 70.65, -62.69

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 13 / 47 / 0 / 50

HEX #6E437F

RGB 110 67 127

HSL 283, 0.31%, 0.38%

LAB 35.72, 29.77, -26.65

 

CMYK 7 / 25 / 0 / 56

HEX #67536F

RGB 103 83 111

HSL 282.86, 0.14%, 0.38%

LAB 38.23, 13.95, -12.92

 

CMYK 2 / 0 / 3 / 62

HEX #60625F

RGB 96 98 95

HSL 100, 0.02%, 0.38%

LAB 41.29, -1.41, 1.43

 

CMYK 22 / 0 / 30 / 55

HEX #597250

RGB 89 114 80

HSL 104.12, 0.18%, 0.38%

LAB 45.27, -16.2, 15.94

 

CMYK 52 / 64 / 0 / 44

HEX #44338E

RGB 68 51 142

HSL 251.21, 0.47%, 0.38%

LAB 28.25, 32.44, -48.14

 

CMYK 35 / 64 / 0 / 44

HEX #5C338E

RGB 92 51 142

HSL 267.03, 0.47%, 0.38%

LAB 30.87, 37.74, -43.77

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 1 / 64 / 0 / 44

HEX #8D338E

RGB 141 51 142

HSL 299.34, 0.47%, 0.38%

LAB 37.81, 50.04, -32.28

 

CMYK 0 / 64 / 15 / 44

HEX #8E3378

RGB 142 51 120

HSL 314.51, 0.47%, 0.38%

LAB 36.88, 46.57, -20.13

 

CMYK 18 / 65 / 0 / 68

HEX #431D52

RGB 67 29 82

HSL 283.02, 0.48%, 0.22%

LAB 18.72, 28.19, -24.85

 

CMYK 18 / 64 / 0 / 56

HEX #5C2870

RGB 92 40 112

HSL 283.33, 0.47%, 0.3%

LAB 26.63, 36.26, -31.73

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 18 / 64 / 0 / 32

HEX #8E3EAD

RGB 142 62 173

HSL 283.24, 0.47%, 0.46%

LAB 41.55, 51.39, -44.98

 

CMYK 16 / 57 / 0 / 24

HEX #A353C1

RGB 163 83 193

HSL 283.64, 0.47%, 0.54%

LAB 49.28, 50.61, -44.2

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 0 / 64 / 58 / 44

HEX #8E333B

RGB 142 51 59

HSL 354.73, 0.47%, 0.38%

LAB 34.87, 39.19, 15.74

 

CMYK 64 / 0 / 44 / 44

HEX #338E50

RGB 51 142 80

HSL 139.12, 0.47%, 0.38%

LAB 52.54, -41.26, 25.27

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 0 / 18 / 64 / 44

HEX #8E7533

RGB 142 117 51

HSL 43.52, 0.47%, 0.38%

LAB 50.35, 1.75, 39.19

 

CMYK 64 / 0 / 18 / 44

HEX #338E75

RGB 51 142 117

HSL 163.52, 0.47%, 0.38%

LAB 53.31, -33.15, 5.45

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 0 / 64 / 58 / 44

HEX #8E333B

RGB 142 51 59

HSL 354.73, 0.47%, 0.38%

LAB 34.87, 39.19, 15.74

 

CMYK 46 / 0 / 64 / 44

HEX #4D8E33

RGB 77 142 51

HSL 102.86, 0.47%, 0.38%

LAB 53.13, -38.18, 40.96

 

CMYK 64 / 0 / 5 / 44

HEX #338E87

RGB 51 142 135

HSL 175.38, 0.47%, 0.38%

LAB 53.81, -28.27, -4.21

 

CMYK 18 / 64 / 0 / 44

HEX #75338E

RGB 117 51 142

HSL 283.52, 0.47%, 0.38%

LAB 34.2, 43.89, -38.25

 

CMYK 0 / 50 / 64 / 44

HEX #8E4733

RGB 142 71 51

HSL 13.19, 0.47%, 0.38%

LAB 38.72, 28.24, 25.61

 

CMYK 46 / 0 / 64 / 44

HEX #4D8E33

RGB 77 142 51

HSL 102.86, 0.47%, 0.38%

LAB 53.13, -38.18, 40.96

 

CMYK 64 / 13 / 0 / 44

HEX #337B8E

RGB 51 123 142

HSL 192.53, 0.47%, 0.38%

LAB 48.04, -16.24, -16.98

 

Description

Color code: HEX #75338E | qconv.com Color code: HEX #75338E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 51 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 51 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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