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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E21FB2D it is the complementary color #71DE042D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E21FB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8E21FB2D: #9321F62D, #A433FF2D, #B545FF2D, #C657FF2D and #D769FF2D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E21FB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8E21FB2D: #8E21FB2D, #7D0FE82D, #6C00D52D, #5B00C22D and #4A00AF2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

Complementary color

CMYK 9 / 0 / 18 / 2

HEX #71DE042D

RGBA 113 222 4 0.18

HSLA 90, 0.96%, 0.44%, 0.18

LABA 79.48, -60.29, 77.04, 0.18

 

CMYK 7 / 16 / 0 / 1

HEX #9321F62D

RGBA 147 33 246 0.18

HSLA 272.11, 0.92%, 0.55%, 0.18

LABA 44.15, 78.14, -82.82, 0.18

 

CMYK 6 / 14 / 0 / 0

HEX #A433FF2D

RGBA 164 51 255 0.18

HSLA 273.24, 1%, 0.6%, 0.18

LABA 48.86, 77.25, -80.06, 0.18

 

CMYK 5 / 13 / 0 / 0

HEX #B545FF2D

RGBA 181 69 255 0.18

HSLA 276.13, 1%, 0.64%, 0.18

LABA 53.28, 73.68, -72.77, 0.18

 

CMYK 4 / 12 / 0 / 0

HEX #C657FF2D

RGBA 198 87 255 0.18

HSLA 279.64, 1%, 0.67%, 0.18

LABA 58.08, 69.67, -64.91, 0.18

 

CMYK 3 / 11 / 0 / 0

HEX #D769FF2D

RGBA 215 105 255 0.18

HSLA 284, 1%, 0.71%, 0.18

LABA 63.15, 65.46, -56.66, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 8 / 17 / 0 / 2

HEX #7D0FE82D

RGBA 125 15 232 0.18

HSLA 270.41, 0.88%, 0.48%, 0.18

LABA 38.77, 76.36, -83.87, 0.18

 

CMYK 9 / 18 / 0 / 3

HEX #6C00D52D

RGBA 108 0 213 0.18

HSLA 270.42, 1%, 0.42%, 0.18

LABA 33.97, 72.79, -80.98, 0.18

 

CMYK 10 / 18 / 0 / 4

HEX #5B00C22D

RGBA 91 0 194 0.18

HSLA 268.14, 1%, 0.38%, 0.18

LABA 29.71, 67.35, -76.99, 0.18

 

CMYK 10 / 18 / 0 / 6

HEX #4A00AF2D

RGBA 74 0 175 0.18

HSLA 265.37, 1%, 0.34%, 0.18

LABA 25.42, 61.87, -72.88, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 5 / 15 / 0 / 0

HEX #B223FA2D

RGBA 178 35 250 0.18

HSLA 279.91, 0.96%, 0.56%, 0.18

LABA 48.97, 82.45, -77.01, 0.18

 

CMYK 3 / 15 / 0 / 0

HEX #D623FA2D

RGBA 214 35 250 0.18

HSLA 289.95, 0.96%, 0.56%, 0.18

LABA 54.45, 87.73, -67.86, 0.18

 

CMYK 0 / 15 / 0 / 0

HEX #FA23FA2D

RGBA 250 35 250 0.18

HSLA 300, 0.96%, 0.56%, 0.18

LABA 60.27, 93.57, -58.19, 0.18

 

CMYK 0 / 15 / 3 / 0

HEX #FA23D62D

RGBA 250 35 214 0.18

HSLA 310.05, 0.96%, 0.56%, 0.18

LABA 58.4, 88.69, -40.96, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 8 / 16 / 0 / 15

HEX #1B062F2D

RGBA 27 6 47 0.18

HSLA 270.73, 0.77%, 0.1%, 0.18

LABA 5.14, 19.55, -22.2, 0.18

 

CMYK 8 / 16 / 0 / 11

HEX #370D622D

RGBA 55 13 98 0.18

HSLA 269.65, 0.77%, 0.22%, 0.18

LABA 15.39, 37.5, -41.04, 0.18

 

CMYK 8 / 16 / 0 / 7

HEX #5414952D

RGBA 84 20 149 0.18

HSLA 269.77, 0.76%, 0.33%, 0.18

LABA 25.43, 52.09, -56.99, 0.18

 

CMYK 8 / 16 / 0 / 4

HEX #711AC82D

RGBA 113 26 200 0.18

HSLA 270, 0.77%, 0.44%, 0.18

LABA 34.84, 65.87, -71.95, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 0 / 15 / 11 / 0

HEX #FA23632D

RGBA 250 35 99 0.18

HSLA 342.14, 0.96%, 0.56%, 0.18

LABA 54.48, 77.89, 20.8, 0.18

 

CMYK 15 / 0 / 14 / 0

HEX #23FA382D

RGBA 35 250 56 0.18

HSLA 125.86, 0.96%, 0.56%, 0.18

LABA 86.51, -81.46, 73.02, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 0 / 8 / 15 / 0

HEX #FA8E232D

RGBA 250 142 35 0.18

HSLA 29.86, 0.96%, 0.56%, 0.18

LABA 69.32, 34.25, 68.28, 0.18

 

CMYK 15 / 0 / 8 / 0

HEX #23FA8E2D

RGBA 35 250 142 0.18

HSLA 149.86, 0.96%, 0.56%, 0.18

LABA 87.33, -71.44, 38.42, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 0 / 15 / 11 / 0

HEX #FA23632D

RGBA 250 35 99 0.18

HSLA 342.14, 0.96%, 0.56%, 0.18

LABA 54.48, 77.89, 20.8, 0.18

 

CMYK 8 / 0 / 15 / 0

HEX #8EFA232D

RGBA 142 250 35 0.18

HSLA 90.14, 0.96%, 0.56%, 0.18

LABA 89.04, -61.2, 81.33, 0.18

 

CMYK 15 / 0 / 5 / 0

HEX #23FAB92D

RGBA 35 250 185 0.18

HSLA 161.86, 0.96%, 0.56%, 0.18

LABA 88.08, -62.9, 17.75, 0.18

 

CMYK 8 / 16 / 0 / 0

HEX #8E21FB2D

RGBA 142 33 251 0.18

HSLA 270, 0.96%, 0.56%, 0.18

LABA 43.95, 78.63, -85.99, 0.18

 

CMYK 0 / 15 / 15 / 0

HEX #FA23232D

RGBA 250 35 35 0.18

HSLA 0, 0.96%, 0.56%, 0.18

LABA 53.65, 75.5, 55.64, 0.18

 

CMYK 8 / 0 / 15 / 0

HEX #8EFA232D

RGBA 142 250 35 0.18

HSLA 90.14, 0.96%, 0.56%, 0.18

LABA 89.04, -61.2, 81.33, 0.18

 

CMYK 15 / 0 / 0 / 0

HEX #23FAFA2D

RGBA 35 250 250 0.18

HSLA 180, 0.96%, 0.56%, 0.18

LABA 89.69, -46.26, -13.66, 0.18

 

Description

Color code: HEX #8E21FB2D | qconv.com Color code: HEX #8E21FB2D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 33 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 33 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 16 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 16% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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NCS® to PANTONE®

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