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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D7325 it is the complementary color #728CDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D7325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D7325: #927320, #A38533, #B49746, #C5A959 and #D6BB6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D7325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D7325: #8D7325, #7C6112, #6B4F00, #5A3D00 and #492B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

Complementary color

CMYK 48 / 36 / 0 / 15

HEX #728CDA

RGB 114 140 218

HSL 225, 0.58%, 0.65%

LAB 59.34, 11.76, -42.79

 

CMYK 0 / 21 / 78 / 43

HEX #927320

RGB 146 115 32

HSL 43.68, 0.64%, 0.35%

LAB 50.07, 3.65, 47.59

 

CMYK 0 / 18 / 69 / 36

HEX #A38533

RGB 163 133 51

HSL 43.93, 0.52%, 0.42%

LAB 56.88, 2.28, 46.9

 

CMYK 0 / 16 / 61 / 29

HEX #B49746

RGB 180 151 70

HSL 44.18, 0.44%, 0.49%

LAB 63.57, 1.17, 45.8

 

CMYK 0 / 14 / 55 / 23

HEX #C5A959

RGB 197 169 89

HSL 44.44, 0.48%, 0.56%

LAB 70.15, 0.25, 44.56

 

CMYK 0 / 13 / 50 / 16

HEX #D6BB6C

RGB 214 187 108

HSL 44.72, 0.56%, 0.63%

LAB 76.63, -0.52, 43.29

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 0 / 22 / 85 / 51

HEX #7C6112

RGB 124 97 18

HSL 44.72, 0.75%, 0.28%

LAB 42.58, 3.1, 45.01

 

CMYK 0 / 26 / 100 / 58

HEX #6B4F00

RGB 107 79 0

HSL 44.3, 1%, 0.21%

LAB 35.44, 5, 43.98

 

CMYK 0 / 32 / 100 / 65

HEX #5A3D00

RGB 90 61 0

HSL 40.67, 1%, 0.18%

LAB 28.14, 7.53, 37.75

 

CMYK 0 / 41 / 100 / 71

HEX #492B00

RGB 73 43 0

HSL 35.34, 1%, 0.14%

LAB 20.61, 10.28, 29.58

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 0 / 6 / 74 / 45

HEX #8D8425

RGB 141 132 37

HSL 54.81, 0.58%, 0.35%

LAB 54.34, -7.95, 49.55

 

CMYK 6 / 0 / 74 / 45

HEX #848D25

RGB 132 141 37

HSL 65.19, 0.58%, 0.35%

LAB 56.18, -16.84, 51.06

 

CMYK 18 / 0 / 74 / 45

HEX #738D25

RGB 115 141 37

HSL 75, 0.58%, 0.35%

LAB 54.89, -24.26, 49.37

 

CMYK 31 / 0 / 74 / 45

HEX #618D25

RGB 97 141 37

HSL 85.38, 0.58%, 0.35%

LAB 53.73, -31.65, 47.84

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 0 / 18 / 74 / 25

HEX #C09D32

RGB 192 157 50

HSL 45.21, 0.59%, 0.47%

LAB 66.18, 2.02, 57.68

 

CMYK 0 / 19 / 74 / 5

HEX #F3C640

RGB 243 198 64

HSL 44.92, 0.88%, 0.6%

LAB 81.74, 3.02, 69.19

 

CMYK 0 / 18 / 74 / 85

HEX #27200A

RGB 39 32 10

HSL 45.52, 0.59%, 0.1%

LAB 12.52, -0.14, 14.44

 

CMYK 0 / 19 / 73 / 65

HEX #5A4918

RGB 90 73 24

HSL 44.55, 0.58%, 0.22%

LAB 31.82, 1.09, 30.94

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 70 / 0 / 74 / 45

HEX #2A8D25

RGB 42 141 37

HSL 117.12, 0.58%, 0.35%

LAB 51.47, -48.53, 44.81

 

CMYK 48 / 74 / 0 / 45

HEX #49258D

RGB 73 37 141

HSL 260.77, 0.58%, 0.35%

LAB 25.75, 41.12, -51.56

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 74 / 0 / 18 / 45

HEX #258D73

RGB 37 141 115

HSL 165, 0.58%, 0.35%

LAB 52.6, -35.57, 5.53

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 70 / 0 / 74 / 45

HEX #2A8D25

RGB 42 141 37

HSL 117.12, 0.58%, 0.35%

LAB 51.47, -48.53, 44.81

 

CMYK 74 / 55 / 0 / 45

HEX #253F8D

RGB 37 63 141

HSL 225, 0.58%, 0.35%

LAB 29.09, 18.67, -46.26

 

CMYK 4 / 74 / 0 / 45

HEX #87258D

RGB 135 37 141

HSL 296.54, 0.58%, 0.35%

LAB 34.8, 53.99, -36.51

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 74 / 0 / 55 / 45

HEX #258D3F

RGB 37 141 63

HSL 135, 0.58%, 0.35%

LAB 51.61, -46.41, 33.03

 

CMYK 74 / 55 / 0 / 45

HEX #253F8D

RGB 37 63 141

HSL 225, 0.58%, 0.35%

LAB 29.09, 18.67, -46.26

 

CMYK 0 / 74 / 18 / 45

HEX #8D2573

RGB 141 37 115

HSL 315, 0.58%, 0.35%

LAB 34.44, 51.2, -20.78

 

Description

Color code: HEX #8D7325 | qconv.com Color code: HEX #8D7325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 115 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 115 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 74 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 74% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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